Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Rotten Reviews: Howl

“It is only fair to Allen Ginsberg…to remark on the utter lack of decorum of any kind in this dreadful little volume… ‘Howl’ is meant to be a noun, but I can’t help taking it as an imperative.”

John Hollander, Partisan Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Material (n) and Materiel (n)

Here, for the third day of 2018, are five homophone worksheets on the nouns material and materiel.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mark Twain on the United States Congress

“It could probably be shown by facts and figures that there is not distinctively native American criminal class except Congress.”

Mark Twain

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Enigma (n)

Mark’s Text Terminal enters 2018 with the offer of a context clues worksheet on the noun enigma. This is a word high school students ought to know, I think.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, December 22, 2017: Five Worksheets on Using the Homophones There, Their, and They’re

Here are five worksheets on the homophones there, their, and they’re. I assume I needn’t belabor the point that these are some of the most commonly confused homophones out there.

That’s it:  See you on Friday, January 5, 2018, with a new Weekly Text–a full lesson on adverbs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: David Ricardo

We’ve been studying the Industrial Revolution and the birth of capitalism in my sophomore global studies class. That means we’ve been spending a lot of time with Adam Smith, but for the sake of expedience, I imagine, very little on David Ricardo. Certainly, Ricardo is one of the most important of the political economists.

But perhaps not for the high school curriculum. In the event you might need it (it might make a good short introduction to a lesson on Smith, Thomas Malthus, or James Mill, if you teach those thinkers), here is a Cultural Literacy worksheet on David Ricardo.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Oscar Wilde on Learning from Mistakes

“Experience is that name everyone gives to their mistakes.”

Oscar Wilde

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Grievance (n)

Here is a context clues worksheet on the noun grievance I recently wrote to attend a lesson on the French Revolution. I can’t imagine how students in high school can meaningfully participate in social studies classes–or come to think of it, how meaningful social studies classes can occur–without knowledge of this word and the concept it represents.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Pair (n), Pare (vt), and Pear (n)

If you can use them, here are five homophone worksheets on the noun pair, the transitive verb pare, and the noun pear. I just wrote these, though at the moment I’m not sure why. They’re short exercises written to be used at the beginning of a class period.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Rejections: The Ginger Man

“…publication of The Ginger Man would not be a practical proposition in this country. So much of the text would have to be excised that it would almost destroy the story, and even a certain amount of rewriting would not overcome the problem…. I do not think you will find another publisher who would be willing to undertake the publication under present circumstances.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.