If you have Netflix, the service’s recently released film Mank deals with William Randolph Hearst (played in the film with blithe and subtle villainy by the great Charles Dance), inasmuch as the subject of the film, the legendary screenwriter Herman J. Mankiewicz (whose friends called him “Mank” at his insistence, hence the film’s title), wrote Citizen Kane about Hearst. The film delves into one of the most hotly contested issues in film history: Who wrote Citizen Kane? Or, if Orson Welles and Herman Mankiewicz co-wrote it, whose voice, political sensibilities, and artistic vision predominates? A great deal of ink has been spilled over this issue, including the storied book-length essay Raising Kane by the late, eminent film critic Pauline Kael, which appeared in two consecutive issues of The New Yorker early in 1971.
All of this is a roundabout way of saying that this is relatively timely material, especially if you have a precocious cinephile (I knew quite a few back in the day) on your hands.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful to your practice, I would be grateful to hear what you think of it. I seek your peer review.