Monthly Archives: November 2018

On the Road

“A novel (1957) by Jack Kerouac (1922-69), based on several wild trips across the United States with Neal Cassady (1926-68). In it he used the term Beat Generation ‘to describe guys who run around the country in cars looking for odd jobs, girlfriends, and kicks.’ The book became the prose manifesto of the culture in evokes. Crossing media, it also helped to define the genre of the ‘road movie,’ in which the characters take to the road as an escape from something, and/or as a means of self-discovery. Male bonding between ‘buddies’ was a common element in such classics as Easy Rider (1969), at least until such feminist versions of the genre as Thelma and Louise (1991).

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Independent Practice: The Renaissance

If you can use it, here is an independent practice worksheet on the Renaissance. There’s a lot of text in this document, so you have plenty of material to revise for emphasis or other purposes if you need to.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Book Learning

“Book-learning, n. The dunce’s derisive term for all knowledge that transcends his own impenitent ignorance.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.

Memento (n)

Ok, here is a context clues worksheet on the noun memento that I just whipped up because it is the Word of the Day in the Merriam-Webster’s Dictionary app on my phone.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Tour de Force

A feat of strength, skill, or craftsmanship; a notably well-executed work or production, sometimes one that is an exercise in technique or showmanship at the expense of other qualities. Plural: tours de force.

‘John Steinbeck and Saul Bellow became my special heroes a little later, as I decided I wanted to be a writer; and each, I notice now, chose to write a slapstick tour de force about a slaughter of the innocents in which the innocents were frogs.’”

Edward Hoagland, The New York Times

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Weekly Text, November 16, 2018: A Lesson Plan on Argumentation

It’s a snow day in Springfield: I salute the administration at the city level for its good sense. Snow days in New York were rare indeed. I recall with some bitterness, actually, making my way to and from the North Bronx to Lower Manhattan in some pretty messy, aggressive storms.

Several years ago, after reading Gerald Graff and Cathy Birkenstein’s book They Say/I Say: The Moves that Matter in Academic Writing (New York: Norton, 2010), I got stuck on the idea of teaching argumentation at the high school level. Accordingly, I worked up this unit plan for teaching argumentation. Unfortunately, in this school in which I was serving there was no meaningful support for this kind of work. So this unit, by my standards, is still in its preliminary stages of development. Still, the basic outlines are there for teaching the material Mr. Graff and Ms. Birkenstein so ably present in their book. Indeed, I’ve already posted a lesson from this unit on Mark’s Text Terminal.

This week’s Text is the fourth lesson plan from this unit argumentation (you can find the other three by searching Mark’s Text Terminal for “argumentation”). Like the other three I’ve published, the work for this lesson is further practice on using rhetorical forms to frame arguments. I open this lesson with this context clues worksheet on the Latin phrase exempli gratia, which, as you probably know, means “for example” and turns up most commonly in English prose as the abbreviation e.g. Finally, here is the worksheet for trying out various rhetorical figures in arguments.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Ring Lardner on the Vox Populi

“Public opinion in this country runs like a shower bath. We have no temperatures between hot and cold.”

Ring Lardner

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

A Glossary of English Language Arts Terms

The other day, while rummaging around in a folder containing learning supports for English Language Arts lessons, I found this glossary of critical terms for use in English classes. I have no idea whence I excerpted this; the lack of citation troubles me. In any case, it is a list of conceptual terms mostly at the center of what English Language Arts teachers profess, and particularly, in many cases (aesthetic impact as a term of art comes immediately to mind) for advanced students.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: Lady Chatterly’s Lover by D.H. Lawrence

D.H. Lawrence has a diseased mind. He is obsessed by sex…we have no doubt that he will be ostracized by all except the most degenerate coteries in the literary world.”

John Bull

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Write It Right: Conscious for Aware

Conscious for Aware: ‘The king was conscious of the conspiracy.’ We are conscious of what we feel; aware of what we know.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.