Tag Archives: term of art

Term of Art: Pastiche

“Pastiche (noun): A literary work that draws on styles, formats, etch., of other sources and thus is eclectic and derivative, and often whimsical or irreverent (but not with humor as a primary intent); book or story made up of borrowings from other writers; hodgepodge; stylistic imitation of a writer at work; parody. Noun: pasticheur.

‘His novels were pastiches of work of the best people of his time, a feat not to be disparaged, and in addition he possessed a gift for softening and debasing what he borrowed, so that many readers were charmed by the ease with which they could follow him.’

F. Scott Fitzgerald, Tender is the Night”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Cultural Literacy: Act of God

Here’s a Cultural Literacy worksheet on the “act of god” as a legal concept. Since there is a pretty good chance that your students will purchase insurance some time in their lives, this is a term–and concept–they definitely should know.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Etymology

“etymology: The study of the historical relation between a word and the earlier from or forms from which it has, or has hypothetically, developed. Thus the etymology of sheep relates it, with German Schaf and others, to a reconstructed Common Germanic skoepa; that of street relates it, through Old English straet, to a borrowing into Germanic of Latin (via) strata ‘paved road.’

Loosely described as a study of the ‘origins of words’; but any form may have an earlier prehistory, over many thousands of years, of which we can know nothing.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Matronym, Matronymic

“Matronym, Matronymic (noun): A name derived from that of one’s mother or a maternal ancestor, usually by addition of a suffix or prefix. Adjective: matronymic, matronymical; adverb: matronymically. Also METRONYMIC”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Rationalization

“Rationalization: The act of justifying discreditable actions after the event, or a justification or excuse put forward in this way. In psychoanalysis, a defense mechanism in which a false but reassuring or self-serving explanation that in reality arises from a repressed wish. The term was first used in the narrower psychoanalytic sense in 1908 by the Welsh psychoanalyst Ernest Jones (1879-1958) in an article in the Journal of Abnormal Psychology entitled ‘Rationalization in Everyday Life.’”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Historical Term: By-Election

by-election: Election of a member to a representative body to fill a vacancy caused by the death or resignation of a former member during a normal term of office.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Term of Art: Cliometrics

 “Cliometrics: A term formed by compounding the muse of history and the concept of measurement, devised by its practitioners to describe the ‘new quantitative economic history’ which developed in the United States during the late 1950s, and rapidly became controversial in the American and European historical community. Cliometricians applied sophisticated statistical techniques (such as regression analysis) to historical data, and (to cite the example of the most prominent studies) attempted to calculate the profitability of slavery in the period before the American Civil War, and to quantify the contribution of the American railroads to economic growth (see R.W. Fogel and S.L. Engerman, Time on the Cross, 1974, and Fogel’s Railroads and American Economic Growth, 1964).

Cliometric work was controversial, not only because of the usual distrust of the (usually reconstructed) numerical data and the (occasionally questionable) use of advanced statistical techniques, but also because the most prominent studies framed their hypotheses in the novel form of explicit counterfactuals. That is, for example, they asked the question ‘What would have happened if the railroads had not been built?’ Most also rested on what were deemed to be the rather narrow behaviorist assumptions of neo-classical economics.

With hindsight, it is easy to see that the new quantitative history was not in fact all that novel, since many of the leading economists and economic historians of the early twentieth century made liberal use of quantitative historical data and neo-classical theory respectively. The use of large-scale data-sets, further encouraged by developments in computer technology, is now established practice in modern history. In contemporary usage, the term cliometrics is still commonly applied to attempts to apply social science theory and statistical analyses to historical data, but it no longer describes a sharply defined school. Cliometric analyses are now found across a wide range of substantive historical subject areas.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Reciprocal Pronoun

“Reciprocal Pronoun: A term sometimes used for the compound pronouns each other and one another, which express a two-way interaction: Romeo and Juliet love each other/one another )Romeo loved Juliet and Juliet loved Romeo). In meaning, reciprocal pronouns contrast with reflexive pronouns: The Montagues and the Capulets loved themselves (The Montagues loved the Montagues, and the Capulets loved the Capulets). Reciprocal pronouns are, however, like reflexives in not normally being used as subjects: not They wondered where each other/one another was.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Indirect Object

indirect object: An object whose semantic role is characteristically that of a recipient, e.g. to your sister in He blew a kiss to your sister; also, in most accounts, your sister in He blew your sister a kiss. Distinguished as an element in a ditransitive construction from a direct object.

The relation between sentences such as these has been described in terms of dative movement. It is in part because that relation is possible that to your sister can be distinguished, as an object, from directional phrases such as to the seaside as in He sent his family to the seaside.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Historical Term: Imperialism

Imperialism: (deriv. Lat. imperium, power). Acquisition and administration of an empire, often as a part of general commercial and industrial expansion. From the 15th century onwards, Spain, Portugal, Holland, France, and Britain began building overseas empires. Modern imperialism, however, probably dates from the 1880s and the scramble for colonies in under-developed Africa. Marxism-Leninism ascribes the survival of capitalism and World War I to this late surge of European imperialism. Italy, Germany and Japan failed to acquire empires in the 19th century due to their late national unification or industrialization; they attempted to do so in the 20th century by war. The USSR had been described as an imperialist power because it had absorbed the formerly independent countries of Estonia, Latvia, and Lithuania and had sought to dominated neighboring states, not only Warsaw Pact countries but also Afghanistan and China. US involvement in Southeast Asia and Latin America had also resulted in the USA also being termed an imperialist power.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.