Tag Archives: term of art

Term of Art: Marginalization

“Marginalization:  A process by which a group or individual is denied access to important positions and symbols of economic, religious, or political power within any society. A marginal group may actually constitute a numerical majority—as in the case of blacks in South Africa—and should perhaps be distinguished from a minority group, which may be small in numbers, but has access to political or economic power.

Marginalization became a major topic of sociological research in the 1960s, largely in response to the realization that while certain developing countries demonstrated rapid economic growth, members of these societies were receiving increasingly unequal shares of the rewards of success. The process by which this occurred became a major source of study, particularly for those influenced by dependency, Marxist, and world-systems theories, who argued that the phenomenon was related to the world capitalist order and not just confined to particular societies.

Anthropologists, in particular, have tended to study marginal groups. This stems in part from the idea that, by looking at what happens on the margins of a society, one can see how that society defines itself and is defined in terms of other societies, and what constitute its key cultural features.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Historical Term: Blockade

blockade: Action to prevent supplies reaching an enemy, either by placing ships outside its ports, troops outside a city or cutting off traffic across a country’s borders. Under international law a neutral merchant vessel attempting to breach a blockade may be confiscated by the blockading country. The tactic was first attempted in the Napoleonic wars when Britain’s navy blockaded France, Portugal, and Spain. A recent naval blockade was imposed on 12 April 1982 by Britain on the Falkland Islands to cut off supplies to Argentine troops occupying them; it was lifted following the retaking of the islands by British forces in May and June 1982.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Doctrinaire

“Doctrinaire (adjective): Characterized by impractical, abstract doctrine or speculative opinion and thus narrow in point of view; rigidly theoretical or parochial, without flexibility or regard to circumstances; stubbornly doctrinal. Adverb: doctrinarily; noun: doctrinairism, doctrinaire, doctrinairian.

‘But there is, for me, a certain softness in her argument, based as it is on a diagnosis of psychology that is both excessively doctrinaire in its remedy and equivocal.’ Susan Sontag, Against Interpretation

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Hidden Curriculum

“Hidden Curriculum: In education, the hidden curriculum refers to the way in which cultural values and attitudes (such as obedience to authority, punctuality, and delayed gratification) are transmitted, through the structure of teaching and the organization of schools. This is different from the manifest or formal curriculum that is subject-based or topic-based. Philip Jackson’s classic work on Life in the Classroom (1968) points to three aspects of the hidden curriculum: crowds, praise, and power. In classrooms, pupils are exposed to the delay and self-denial that goes along with being one of a crowd; the constant evaluation and competition with others; and the fundamental distinction between the powerful and the powerless, with the teacher being effectively the infant’s first boss. Much sociological research has been concerned with the undesirable aspects of the hidden curriculum, whereby schools are said to sustain inequality, though sexism, racism, and class bias. If, as Emile Durkheim postulated, schools reflect the larger society of which they are a part, it is not surprising that, for good or for ill, the hidden curriculum reflects the values that permeate the other societal systems that interact with education.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Heuristic Device

“Heuristic Device: Any procedure which involves the use of an artificial construct to assist in the exploration of social phenomena. It usually involves assumptions derived from extant empirical research. For example, ideal types have been used as a way of setting out the defining characteristics of a social phenomenon, so that its salient features might be states as clearly and explicitly as possible. A heuristic device is, then, a form of preliminary analysis. Such devices have proved especially useful in studies of social change, by defining bench-marks, around which variation and differences can then be situated. In this context, a heuristic device is usually employed for analytical clarity, although it can also have explanatory value as a model.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Adversative

“Adversative: Indicating opposition or contrasting of two things, e.g., the conjunctions ‘yet.’ ‘still,’ the phrase “all the same.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Reciprocal Learning

“Reciprocal learning: A pedagogical strategy in which students help one another to master skills or concepts presented by the teacher. Generally, students work in pairs or take turns acting as coach.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

School

“School: A group of artists working under the same influence—whether a single master, a local style, or a regional style—whose work shows a general stylistic similarity, e.g. Rubens school, Barbizon school, Tuscan school.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Culture Shock

“Culture Shock: A term coined in the 1960s to refer to an occupational disease suffered by those suddenly immersed in a culture very different than their own. The term generally implies a negative reaction (physical, cognitive, and psychological) to moving within or between societies, but some authors have suggested it may have benefits for the individual concerned. Those who become partially, or fully, immersed in a new culture may suffer culture shock when re-entering their own society.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Argot

“Argot (noun): The special idiom used by a particular class or group, especially an underworld jargon; distinctive parlance.

‘She smoked cigarettes one right after the other, and did not care who knew it; and she was never more than five minutes out of the office before she was talking in newspaper argot, not all of it quite accurate.’ John O’Hara, Appointment in Samarra

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.