Tag Archives: term of art

Term of Art: Skill

“Skill: In everyday speech, skill means a relatively precise set of manual or mental techniques which, though they may depend on aptitude, have to be learned through training or schooling. Sociological work, though not denying this aspect of skill, is primarily concerned with the management of skill; that is, how skill is defined, constructed, and recognized. Since the publication of Harry Braverman’s work in the 1970s, much scholarship has been devoted to examining Karl Marx’s claim that ‘valorization’ in the capitalist labor process requires a continual attempt to de-skill expensive forms of labor. De-skilling means either the disintegration and mechanization of craft techniques; or a refusal adequately to recognize established or new capabilities still required of the worker. The latter is very common in women’s employment. Many writers, Marxist and non-Marxist alike, argue that de-skilling is not inevitable. Workers, individually or through trade unions, may resist mechanization, or insist that de-skilled processes are reserved for workers with established training, who continue to be paid a premium for their displaced skills. Also, employers may upgrade (or ‘upskill’) workers; because they wish to recognize and retain dependable or experienced workers; or to control and inhibit labor unrest; or because, notwithstanding Marx, the development of technology has created new skills in place of older ones. In any case, jobs may be de-skilled without necessarily implying the de-skilling of individual workers, or indeed the labor force as a whole. A selection of empirical case studies are reported in Roger Penn et al (eds.), Skill and Occupational Change (1994).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Marxism

“Marxism: Provides an analysis exposing the social relations that operate in the production of material goods. Marxist art critiques demystify the relationship between artists and patrons, demonstrating who supports whom and why. By exposing the market forces weighing on artists, such an analysis demonstrates how both aesthetic and monetary value may be ascribed to artworks (see commodification). As a political ideology, it has influenced the modern muralists Diego Rivera and Jose Clemente Orozco as social realists. Recently, Hans Haacke has created Marxist artworks exposing pervasive corporate sponsorship in the art world.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Word Salad

“Word Salad: One of the most common symptoms of schizophrenia is a disturbance in the use of language. Rather than select words which make communication possible, schizophrenics may combine words in idiosyncratic ways, or use associations that are out of context. This tendency may generate a minor language disturbance; or, in extreme cases, a word salad in which the combination of words is unintelligible to the listener and so makes communication impossible.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Collective

Collective: Indicating a group or aggregate of persons or things, e.g. the nouns ‘herd’ and ‘grove.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Q.E.D. (Quod Erat Demonstrandum)

“Q.E.D. (quod erat demonstrandum): Which was to be demonstrated: used to indicate that something has just been showed or proved. ‘By making this call—which reduces both characters to still more tears—Vito miraculously learns to “stop hating himself.” He then decides, Q.E.D., that the time has come to quit his ad-agency job and settle down with Theda to collaborate on hit plays.’ Frank Rich, The New York Times”

 Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: White-Collar Crime

“White-Collar Crime: A term introduced by Edwin Sutherland in the 1940s in order to draw attention to the illegalities and misdeeds of ‘captains of industry’ and other middle-class members of the business world (see his ‘White-Collar Criminality,’ American Sociological Review, 1940, or White-Collar Crime, 1949). The great value of the idea was to redress the imbalance in criminology’s obsession with crimes of the working class. The concept tends to be used very broadly, to include both activities carried out by employees against their employer (embezzlement, pilfering), and activities undertaken by corporate executives on behalf of the corporation itself (such as violation of anti-trust regulations or stock-market rules). Strictly speaking the latter should more accurately be designated corporate crime.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Atypical Learner

“atypical learner: A general term for a child who is different from the typical student in physical, intellectual, social, or emotional development, and who differs in mental characteristics, sensory abilities, communication abilities, or social behavior to the extent that special education services are required for that child to develop.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Case

“case: Inflectional category, basically of nouns, which typically marks their syntactic function in relation to other parts of a sentence. E.g, in Latin vidi puellam ‘I saw a girl,’ puellam ‘(a) girl’ has the ending of the accusative case (puella-m), which marks it as the object of the verb (vidi ‘I-saw’).

Thence of various more abstract constructs. Thus the function of Mary in I saw Mary is like that of puellam in the example from Latin. Therefore, it too is traditionally ‘accusative,’ in opposition to the same word as a ‘nominative,’ in Mary saw me. Hence abstract cases, posited in principle in all languages, regardless of whether they are realized, as in languages such as Latin, by inflections.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Historical Term: Activists

activists Members of a political group prepared to take action as opposed to those whose membership is passive, involving only, for example, payment of membership fees. In the 1960s and early 1970s the term was applied widely to those members of left-wing and youth ‘movements’ who attended demonstrations and rallies, usually against US involvement in Vietnam, or more generally against various aspects of Western capitalism.

In the 1980s, the term has been used in the UK mainly to describe members of constituency Labour parties who have sought to reform the party’s procedures and inject a more socialist element into its policies.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Term of Art: Dative

Dative: Indicating indirect object (action or feeling toward) or the object of certain prepositions, e.g., ‘He gave me the leftovers,’ ‘The scarf is for her.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.