Tag Archives: term of art

Braggadocio

“Braggadocio (noun): Bumptious bragging or self-inflation; boastful language. Adj. braggadocian.

‘…the fancy lingoes of psychiatry, pedagogy, welfare, and big business—these are the twentieth century equivalents of ‘tall talk,’ sharing in the windiness of the nineteenth-century variety, but unlike it, incredibly dull and vapid. The hyperbole, grotesquery, and braggadocio survive only in American slang.’ Thomas Pyles, Words and Ways of American English

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Voluntary Associations

“Voluntary Associations: Any public, formally constituted, and non-commercial organization of which membership is optional, within a particular society. Examples include churches, political parties, pressure groups, leisure associations or clubs, neighborhood groups, and (sometimes) trade unions and professional associations. In some theories of democracy, emphasis is placed on the important role such groups can play in fostering participation in the civil society, and thus in maintaining social order.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Taboo

“Taboo: The term taboo derives from the Tongan ‘tabu,’ meaning ‘sacred” or ‘inviolable.’ However, its contemporary use is broader, most generally meaning a social and often sacred prohibition put upon certain things, people, or acts, which render them untouchable or unmentionable. The most famous taboo is the near-universal incest taboo, prohibiting sexual or marriage relations between particular categories of kin. According  to both Sigmund Freud (Totem and Taboo, 1938) and Claude Levi-Strauss (The Elementary Structures of Kinship, 1969), society itself originated with the incest taboo. Other authors have stressed the function performed by taboos in society. Raymond Firth (in Symbols Public and Private, 1973) interpreted taboo as a mechanism of social control. In Purity and Danger (1966), Mary Douglas drew attention to the way in which taboo serves as a social marker, creating and maintaining social classifications.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Pacing Chart

“pacing chart: A graphic representation of time on task that describes what students and teachers will be doing during a course of study. The pacing chart is a customized guide that some teachers use to plan instruction in each subject and to ensure that they teach the essential skills and knowledge of each topic within a specified period of time while meeting the requirements of state standards.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Chronicle

“Chronicle (noun): A chronological record of events or facts, especially a historical narrative or register without interpretation or comment; account; story. Noun: chronicler; verb: chronicle.

‘The Franks, as a family, came to an end, and, fittingly enough, thought the diarist, so did her chronicle of their effort to go sensibly on as themselves, in spite of everything.’ Philip Roth, The Ghost Writer.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Work Ethic

“Work Ethic: The idea of productive labor, or work, being valued in and for itself for those who do it, encouraging them to invest greater effort than could be achieved by social pressures, incentive payments, or other devices developed by employers to extract maximum output from their workforces. The concept is a unique product of Western European culture; other cultures rely on different social, religious, and political ideologies to encourage productive labor and the fulfillment of social obligations. The idea was derived originally from the protestant ethic, which presents work as a religious and moral obligation, and is now widely used as a simplified popular version of that concept, especially in the context of explanations for low or high productivity and economic growth. The relevant American and British research in sociology, psychology, economics, and political science is reviewed in Michael Rose, Reworking the Work Ethic (1985).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Conjunctive

“Conjunctive: Indicating joining or connecting, or functioning as a conjunction by linking sentences and clauses, e.g., the adverbs ‘accordingly,’ ‘yet,’ ‘consequently.'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Skill

“Skill: In everyday speech, skill means a relatively precise set of manual or mental techniques which, though they may depend on aptitude, have to be learned through training or schooling. Sociological work, though not denying this aspect of skill, is primarily concerned with the management of skill; that is, how skill is defined, constructed, and recognized. Since the publication of Harry Braverman’s work in the 1970s, much scholarship has been devoted to examining Karl Marx’s claim that ‘valorization’ in the capitalist labor process requires a continual attempt to de-skill expensive forms of labor. De-skilling means either the disintegration and mechanization of craft techniques; or a refusal adequately to recognize established or new capabilities still required of the worker. The latter is very common in women’s employment. Many writers, Marxist and non-Marxist alike, argue that de-skilling is not inevitable. Workers, individually or through trade unions, may resist mechanization, or insist that de-skilled processes are reserved for workers with established training, who continue to be paid a premium for their displaced skills. Also, employers may upgrade (or ‘upskill’) workers; because they wish to recognize and retain dependable or experienced workers; or to control and inhibit labor unrest; or because, notwithstanding Marx, the development of technology has created new skills in place of older ones. In any case, jobs may be de-skilled without necessarily implying the de-skilling of individual workers, or indeed the labor force as a whole. A selection of empirical case studies are reported in Roger Penn et al (eds.), Skill and Occupational Change (1994).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Marxism

“Marxism: Provides an analysis exposing the social relations that operate in the production of material goods. Marxist art critiques demystify the relationship between artists and patrons, demonstrating who supports whom and why. By exposing the market forces weighing on artists, such an analysis demonstrates how both aesthetic and monetary value may be ascribed to artworks (see commodification). As a political ideology, it has influenced the modern muralists Diego Rivera and Jose Clemente Orozco as social realists. Recently, Hans Haacke has created Marxist artworks exposing pervasive corporate sponsorship in the art world.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Word Salad

“Word Salad: One of the most common symptoms of schizophrenia is a disturbance in the use of language. Rather than select words which make communication possible, schizophrenics may combine words in idiosyncratic ways, or use associations that are out of context. This tendency may generate a minor language disturbance; or, in extreme cases, a word salad in which the combination of words is unintelligible to the listener and so makes communication impossible.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.