Tag Archives: term of art

Neurosis

None of us know, I guess, what’s going to happen with schools opening in the fall. Even with the best case scenario, opening schools is a dicey proposition. In any case, health teachers or just about anyone in a classroom come September, you may find this reading on neurosis and its attendant vocabulary-building and comprehension worksheet useful for helping your students understand their feelings.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Adverb

“Adverb: A word that modifies or otherwise qualifies a verb, an adjective, or another adverb. Gestures gracefully; exceptionally quiet engine.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Term of Art: Social Fact

“Social Fact: A complex notion, with attributes of externality, constraint, and ineluctability. It is to be understood within the context of Emile Durkheim’s conception of collective conscience and collective representations. Social facts are ways of acting which emanate from collectively elaborated and therefore authoritative rules, maxims, and practices, both religious and secular. Norms and institutions are examples of social facts in more or less solidified forms. They constitute practices of the group taken collectively and thus impose themselves and are internalized by the individual. Because they are collectively elaborated they are moral and therefore constrain individual behavior. The interesting problem for sociologists concerns the gap between the ideal representations and the material social organizations and their constituent actions—as, for example, between the socially approved forms and the actual practice.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Theism

“Theism: A term which refers to the belief in the existence of a divine being, especially in the existence of a single God, who is thought to be personal and who is the Creator of the universe. Theism involves the idea of divine revelation, and consequently is contrasted with deism, the rational belief in divinity independent of faith in a revealed truth.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Adjective

“Adjective: A word that modifies, quantifies, or otherwise qualifies a noun or pronoun: Drizzly November; midnight dreary; only requirement.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Term of Art: Subjunctive

“Subjunctive: Indicating expression of something not actual or real but rather a desire, demand, plan, doubt, requirement, conception, etc., e.g., ‘Were I your sister….’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Relative

“Relative: Indicating reference to or dependence on an antecedent word, phrase, or clause, or introducing a subordinate clause, e.g., ‘which,’ ‘who,’ ‘whatever.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Social Work

“Social Work: The generic term applied to the various applied methods for promoting human welfare through the prevention and relief of suffering. In the late nineteenth century, social work was largely voluntary (notably as a charitable activity on the part of middle-class women), and aimed primarily at the alleviation of material poverty. In the period since the Second World War, social work practice has become increasingly professionalized, and now has a much wider remit embracing emotional and mental as well as economic well-being.

Contemporary social work tends to suffer from a lack of differentiation from the various other social services which comprise the modern welfare state. In Britain, for example, social workers have no legal obligation (and no practical resources) to deal with issues of unemployment, housing, and poverty—all of which are responsibility of other social services. What they are expected to deal with are the wide range of problems which diminish the ‘quality of inner life’; for example, problems and crises associated with adoption, fostering of the young and old, marital reconciliation, sexual and physical abuse, and people’s relationships with one another generally.

There are several models of social work practice. The ‘problem-solving’ approach involves the social worker in reinforcing the client’s emotional and organizational resources to deal with his or her difficulties. The various ‘psycho-social therapies’ stress the need for prior psycho-social diagnosis as a prerequisite for psycho-social treatment. Partly as a reaction against the deterministic and mechanical view of action implied in these approaches, ‘functionalists’ have emphasized the role of the social worker in helping (rather than treating) the client, by sustaining an appropriate supporting relationship with him or her. Other models are oriented towards behavior-modification, crisis-intervention, and short-term task-centeredness. In reality, practice tends to be characterized by eclectic pragmatism, rather than adherence to a specific method. Strong recent influences include feminist theory and anti-oppressive practice. Good recent overviews are Malcolm Payne, Modern Social Work Theory (1991) for Britain, and J. Heffernan et al., Social Work and Social Welfare (2nd edn., 1992) for the United States.

Not surprisingly, many outside observers have expressed concern at the periodic psychotherapeutic takeover of social work; similarly, given its inherently moral character, social work practice has been subject to repeated controversy involving those who view it as primarily a political tool—either for promoting or hindering social justice.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Reflexive

“Reflexive: Indicating an action or the agent or grammatical subject upon itself, that is, with the subject and object being the same person or thing, e.g., ‘She feeds herself’ or (implicitly reflexive) ‘She keeps in shape.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Historical Term: Agent Provocateur

“agent provocateur (fr) A person placed in the ranks of the enemy during social, political, or industrial conflicts, to damage or compromise the enemy, provoking actions that might not otherwise have taken place. Agents provocateurs have been employed to provoke armed clashes between police and strikers or to induce strikers to act illegally. They have also been used by government agencies against revolutionary groups and in international politics to create disorder or ‘incidents’ as an excuse for war or intervention in others’ affairs.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.