Tag Archives: term of art

Term of Art: Social Work

“Social Work: The generic term applied to the various applied methods for promoting human welfare through the prevention and relief of suffering. In the late nineteenth century, social work was largely voluntary (notably as a charitable activity on the part of middle-class women), and aimed primarily at the alleviation of material poverty. In the period since the Second World War, social work practice has become increasingly professionalized, and now has a much wider remit embracing emotional and mental as well as economic well-being.

Contemporary social work tends to suffer from a lack of differentiation from the various other social services which comprise the modern welfare state. In Britain, for example, social workers have no legal obligation (and no practical resources) to deal with issues of unemployment, housing, and poverty—all of which are responsibility of other social services. What they are expected to deal with are the wide range of problems which diminish the ‘quality of inner life’; for example, problems and crises associated with adoption, fostering of the young and old, marital reconciliation, sexual and physical abuse, and people’s relationships with one another generally.

There are several models of social work practice. The ‘problem-solving’ approach involves the social worker in reinforcing the client’s emotional and organizational resources to deal with his or her difficulties. The various ‘psycho-social therapies’ stress the need for prior psycho-social diagnosis as a prerequisite for psycho-social treatment. Partly as a reaction against the deterministic and mechanical view of action implied in these approaches, ‘functionalists’ have emphasized the role of the social worker in helping (rather than treating) the client, by sustaining an appropriate supporting relationship with him or her. Other models are oriented towards behavior-modification, crisis-intervention, and short-term task-centeredness. In reality, practice tends to be characterized by eclectic pragmatism, rather than adherence to a specific method. Strong recent influences include feminist theory and anti-oppressive practice. Good recent overviews are Malcolm Payne, Modern Social Work Theory (1991) for Britain, and J. Heffernan et al., Social Work and Social Welfare (2nd edn., 1992) for the United States.

Not surprisingly, many outside observers have expressed concern at the periodic psychotherapeutic takeover of social work; similarly, given its inherently moral character, social work practice has been subject to repeated controversy involving those who view it as primarily a political tool—either for promoting or hindering social justice.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Reflexive

“Reflexive: Indicating an action or the agent or grammatical subject upon itself, that is, with the subject and object being the same person or thing, e.g., ‘She feeds herself’ or (implicitly reflexive) ‘She keeps in shape.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Historical Term: Agent Provocateur

“agent provocateur (fr) A person placed in the ranks of the enemy during social, political, or industrial conflicts, to damage or compromise the enemy, provoking actions that might not otherwise have taken place. Agents provocateurs have been employed to provoke armed clashes between police and strikers or to induce strikers to act illegally. They have also been used by government agencies against revolutionary groups and in international politics to create disorder or ‘incidents’ as an excuse for war or intervention in others’ affairs.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Term of Art: Privative

Privative: Indicating lack of loss of, absence of, or negation, e.g., the prefixes ‘un-,’ ‘a-,’ ‘non-,’ the suffix ‘-less.'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Social Engineering

“Social Engineering: Planned social change and social development; the idea that governments can shape and manage key features of society, in much the same way as the economy is managed, assuming that adequate information on spontaneous trends is available through social indicators and social trends reports. For example, the extent of women’s employment is clearly determined in part by government policy to promote or impede women’s paid work.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Prepositive

“Prepositive: Placed before another word or words, or prefixed, e.g., ‘most foul murder.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Partitive

Partitive: Indicating restricting, setting off, or only a part of, e.g. ‘a scrap of food,’ ‘one of your friends.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Cloze Reading

“cloze reading: A test or exercises of reading comprehension in which the student must supply words that have been purposely removed from the sample piece of writing.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Nominative

“Nominative: Indicating the subject of a verb (or predicate after a copulative verb), or direct address, e.g., ‘She eats too much, ‘He is my uncle.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Sacred, Sacred versus Profane Distinction (in a Time of Gaslighting this Dichotomy)

“Sacred, Sacred versus Profane Distinction: For Emile Durkheim and all subsequent sociologists of religion, the recognition of the absolute nature of the distinction between these two terms was and has been fundamental to their subdiscipline, both as a social fact and as something to be explained. Durkheim’s classic statement or the distinction is that ‘Sacred things are those which the [religious] interdictions protect and isolate; profane things, those to which these interdictions are applied and which must remain at a distance from the first’ (The Elementary Forms of the Religious Life, 1912). Sacred phenomena are therefore considered extraordinary and set apart from everything else.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.