Tag Archives: term of art

Term of Art: Whole-Language Approach

“whole-language approach: An educational philosophy characterized by the belief that language learning is a natural outgrowth of a child-centered process that integrates speaking, listening, reading, and writing. The whole language approach emphasizes the fact that reading is closely linked to spoken language. As a result, students of this approach are exposed to language-rich classrooms to help make them better readers and writers.

The way American schools teach children to read and write for many years has been affected by the influence of two opposite schools of thought. A conventional curriculum tends to rely on phonics and basic readers. This traditional theory of learning, which was popularized in the 19th century, is based on the idea that children learn a complex skill such as reading by first making sense of letters and then progressing to the understanding of sounds, words, and sentences. Proponents of this theory believe that children learn to read by learning to decode the language; understanding follows after they break the code and master the parts. Traditional American education begins with reading lessons that focus on phonics (sounding out first letters, then combinations of letters), tightly controlled vocabulary, and short basic reading passages, followed by exercises, each with only one correct answer.

Whole language represents a completely different philosophy about teaching, learning, and the role of language in the classroom, emphasizing the idea that children should use language in ways that relate to their own lives and cultures. In the whole language classroom, the final answer is not as important as the process. Children are encouraged to decode words by their context.

Whole language advocates point out that the average first grader has already acquired a vocabulary of 10,000 words and inherently understands many of the rules of grammar without being formally taught. The common techniques of whole language teaching, which include daily journal and letter writing plus reading much real literature, represent that philosophy in action.

The popularity of the whole language approach has been so dramatic that some teachers complain they cannot find basic readers anymore. In addition, many new teachers say their university professors no longer discuss how to teach phonics.

Critics of the whole language approach believe it overemphasizes understanding at the expense of accuracy. The whole language movement had a significant impact on reading and writing instruction in the 1980s and 1990s, when the appeal of whole language instruction influenced many schools to revise their curricula. As a result of this movement, a vigorous debate emerged amongst educators over how children learn language. Many special educators felt that whole language was flawed by its neglect of explicit language skills such as phonics, spelling, and grammar. Since a language-rich classroom does not help many students, especially those with learning disabilities, learn to read and spell, a ‘back to basics’ movement in education began to move back to explicit skill instruction.

On the other hand, advocates of the whole language approach say that an overemphasis on rules and rote learning is stifling and leads children to see reading and writing as boring and difficult chores, rather than an interested way of gathering information.

Research strongly indicates that students will be the most successful if a balanced approach is used, teaching phonics in a systematic fashion within the context of real stories. Today, many classrooms use this combination approach utilizing elements of both whole language and phonics, spelling and grammar.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

 

Term of Art: Writing Process

“writing process: A particular approach to writing instruction that has become common in school systems and colleges during the past 25 years. There are many meanings of the phrase ‘writing process,’ but most refer to the concept that writing is part of the thinking process involving many different mental activities over a period of time. Effective instruction in writing teaches students how to generate, organize, and revise their writing, rather than focusing solely on written language structures.

In its early years of development, the process theory of writing instruction focused largely on individual expression and the facilitation of the development of a student’s ‘voice.’ This approach to the writing process was in many ways a reaction to traditional methods of writing instruction, which focused mainly on structural and mechanical elements such as grammar, punctuation, and following paragraph and essay models.

In the early 1980s, Linda Flower and John Hayes developed a theoretical model of writing as a thought process involving a number of different mental activities, including planning, generating, organizing, translating, reviewing, and editing. In their model, any given activity might interrupt any other one at any stage. The Flower/Hayes model continues to be useful, especially for understanding the writing problems of students with learning disabilities and attention disorder. However, the primary contemporary model emphasizes the ways in which writing is a social practice, and focuses on collaborative approaches to developing writing skills and producing written work.

In practical terms, effective writing instruction involves understanding that writing involves different activities of generating, organizing, drafting, and revising, and that incorporates collaborative activities in helping students develop a sense of voice, audience, and using writing as a communication tool.

A process approach to writing is particularly vital for students with learning disabilities, in that it enables them to take the different cognitive tasks involved in writing and spread them over a series of steps and periods of time. For example, a student with dyslexia may benefit from putting off any attention to editing and spelling until late in the process, instead focusing mainly on generating ideas and language first.

Likewise a student with attention deficit disorder may do better by taking out a highly specific approach to planning a paper and mapping out the steps that will be involved, using a checklist to monitor completion of each step.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Thematic Maturity

“thematic maturity: The sophistication of writing. Plot development, sentence structure, and cohesion based on an individual’s age and grade are some elements that are considered in evaluating thematic maturity.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Semantics

“semantics: The study of words and sentences and their meanings. An individual with a weak vocabulary may be considered to have a semantic disorder. An individual with a semantic disorder may understand concepts but have difficulty finding the word to express it. Informal activities such as quizzing verbal opposites, word categorization, and classification tasks can be useful ways in which to assess semantic skills.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Self-Concept

“self-concept: The way a person sees himself or herself including all the beliefs, feelings, and attitudes. Self-concept can also. affect how one feels about others.

Self-concept is a subject  that has fascinated philosophers from earliest times. In the field of psychology, self-concept has always been an important and sometimes controversial subject. William James and Mary Calkins used methods of introspection to study the self, while Sigmund Freud, Carl Jung, and Alfred Adler all discussed the development of the self in their writing.

During the the 1950s and 1960s, the ‘self concept’ was a central idea in the work of both Abraham Maslow and Carl Rogers. Maslow believed that building self-esteem, an individual’s evaluation of self-worth, was a key step in the self-actualization process. Rogers believed that if one had a positive view of the self, then one would view the world in a positive way. If the self-view were negative, one would fall short of the goals related to the ideal self. As a part of this perspective, Donald Super developed a related theory of vocational choice. He believed that career satisfaction was related to the degree to which someone could implement his self-concept in the workplace.

Social psychologists argue that an individual’s self-concept develops through association with others. Cognitive psychologists study how people think about themselves and how they think about their own thinking. Although many criticize the term and its usefulness because it is difficult to quantify or measure consistently, it remains an important concept among educators and developmental psychologists. Both groups are concerned with the effects of the educational setting, peers, and family on child’s developing self-concept.

Individuals with learning disability, not surprisingly, often rate themselves lower than typically achieving students on cognitive ability. Because academic performance is a culturally valued domain, it makes sense that individuals with learning disabilities would also place importance on academic performance.

Some research suggests that for colleges students with learning disabilities, the availability of a social support network, including clubs, disability services, and interactions with professors, is a correlate of self-esteem. Other research of successful adults with learning disabilities gives insight into how to nurture emotional health while managing the challenge that a disability entails. Researchers studied moderately successful and highly successful adults with learning disabilities to identify factors related to their success. Success was defined as high ratings in the following categories: income level, job classification, education level, career prominence and job satisfaction.

Other research focuses on resilience–the healthy adaptation in the context of severe stress. Despite the challenges and hardships that can accompany having a learning disability, some individual maintain a positive outlook, achieve success, and avoid emotional problems. Important characteristics of resilient individuals include accuracy of self-appraisal, self-determination, and help from a significant important person.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Printing Instruction

“printing instruction: While computer keyboarding skills are becoming more and more a part of writing, printing remains an essential skill. Printing instruction begins in kindergarten where children are taught to write the letters of the alphabet, and continues through third grade until cursive writing is introduced. Problems in forming letters accurately may be cause by poor visual and motor skills. Extreme printing difficulties are called dysgraphia.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Orton-Gillingham Approach

“Orton-Gillingham approach: A multisensory approach to reading, writing, and spelling born of a theory of reading disabilities devised by Samuel Orton, Anna Gillingham, and Bessie Stillman in the 1930s. Their approach was based on the idea that the brain stores information in both hemispheres; when the connection between the two hemispheres is not fully developed, individuals may read words in reverse.

People with dyslexia have the potential to be accomplished readers and adequate spellers. The ability to achieve this potential depends on two variables: the instructional approach and the amount of practice. The Orton-Gillingham approach to reading and spelling ensure success by developing multisensory techniques for memory and retrieval. This practical teaching technique emphasizes the reading-decoding process.

The teacher introduces the elements of the language systematically, and students are taught letter-sound relationships using all senses: seeing the letter (visual), saying the letter (auditory), and writing the letter (kinesthetic). In this respect, Orton-Gillingham differs from traditional phonics instruction. Once letters are mastered, letters are grouped into blends, and short, structured passages are used for reading and dictation, Infinitely flexible, it is a philosophy rather than a system. The student learns the elements of language-consonants, digraphs, blends, and diphthongs in an orderly fashion.

As students learn new material, the continue to review old material until it becomes automatic. The teacher addresses vocabulary, sentence structure, composition, and reading comprehension in a similar, structured, sequential, and cumulative manner.

At best, the teacher tries to understand how an individual learns and to devise appropriate teaching strategies. In every lesson, the student experiences success and gains confidence as well as skill. Learning becomes a happy experience, The Orton-Gillingham approach is appropriate for teaching individuals, small groups, and classrooms. It is appropriate for teaching in the primary, elementary, and intermediate grades, and at the secondary and college level, as well as for adults.

An Orton-Gillingham approach, while not the only program available, is probably the best-known for helping children with dyslexia learn to read. The fundamental principles on which it is based, including developing phonemic awareness, and suing a multisensory approach, are consider essential components in reading instruction today.

The Orton-Gillingham approach has proven successful with students who have struggled in learning to read and spell through traditional classroom methods, despite normal intelligence, hearing, and vision. It is the program most recommended by experts in the field of dyslexia.

Modern research has continued to confirm Dr. Orton’s theories about the physiological differences experienced by people with dyslexia. Early remediation is most effective; however, these methods have been successfully adapted for use with older students and adults. The result is the development of lifelong language skills and the wonderful feeling of success in the world of written language.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Stative Verb

“Stative Verb: A category of verb that contrasts with dynamic verb in the aspect system of a language, and relates to state and not action: in English such verbs as belong, love. Syntactically, these verbs are used in simple rather than progressive tenses and generally not in the imperative (not Belong!, but occasionally Love me!). Semantically, stative verbs refer to states of affairs (belong, know, own) in contrast to dynamic verbs that refer to actions (buy, learn, jump). In practice, the boundary between stative and dynamic verbs is sometimes fuzzy and it is generally more useful to talk of stative and dynamic meaning and usage. In most varieties of English, some verbs are normally stative (therefore not I am owning this car, Know how to give first aid!), but others are partly stative and partly dynamic (not She is liking to help people, but How are you liking your new job?; not I am forgetting their address, but Forget it!). Some verbs belong to both categories but with distinct meanings, as with have in She has red hair and She is having dinner. In Indian English, the stative/dynamic distinction described above is considered standard, but it is widely ignored, so that expressions like I am owning this car and She is liking to help people are commonplace.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Determiner

“Determiner: A part of speech or word class that determines or limits a noun phrase, showing whether a phrase is definite (the, this, my), indefinite (a, some, much), or limiting it in some other way, such as through negation (no in no hope). Determiners include the articles and words traditionally classified as kinds of adjective or pronoun. They precede adjectives: many clever people, not clever many people; my poor friend, not poor my friend. Most words that function as determiners can be used alone as pronouns (this in Look at this picture and Look at this) or have related pronouns (every/everyone/everything, my/mine, no/none). Some grammarians regard as determiners such phrases as plenty of… in We have plenty of money.

Determiners can be subdivided into three groups according to their position in the noun phrase: (1) Central determiners. These may be articles (a, the in a storm, the weather, demonstratives (this, those in this day, those clouds), possessives (my, your in my hat, your umbrella), some quantifiers (each, every, no, any, some in each moment, every day, no excuse, any help, some clouds). Such determiners are mutually exclusive and contrast with adjectives, with which however they can co-occur: the best weather, any possible help, no reliable news. (2) Post-determiners. These are used after central determiners and including numbers (two, first in those two problems, my first job) and some quantifiers (many, several in your many kindnesses, his several attempts). (3) Pre-determiners. These are used before central determiners, mainly referring to quantity. They include: all, both, half (all this time, both your houses, half a loaf), double, twice and other multiplier expressions (double the money, twice the man he was, once each day, six times a year), fractions (a quarter of the price), and such and what in exclamations (Such a waste of money, What a good time we had!)

They can also be divided according to the countability of the nouns the co-occur with: (1) With singular countable nouns only: a/an, each, every, either, neither. (2) With singular countable and uncountable nouns: this, that. (3) With uncountable nouns only: much and little/a little, and usually less, least. (4) With uncountable and with plural countable nouns: all, enough, more, most, a lot, lots of, and the primary meaning of some, any. (5) With countable plurals only: a few, few, fewer, fewest, both, many, several, these, those, and numbers. (6) with most common nouns: the, no, the possessives my, your, etc., and some wh- words (whose roll/rolls/bread, by which date, whatever food you eat).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005

Term of Art: Memory

“memory: A general term that covers a wide range of cognitive functions related to taking in, processing, storing, and retrieving information. Memory is closely tied to attention, and may also be profoundly influenced by linguistic auditory, or visual spatial processing abilities.

In general, two types of memory can be categorized in two fashions: first, the stage in the sequence of processes involved in taking in, storing, and recalling information; and second, by the sensory modality involved in the initial stage of memory input (such as auditory, visual, kinesthetic, and so on).

In terms of stages or types of the cognitive processes involved in memory, present theory identifies three major types of memory: short-term memory, active working memory, and long-term memory. Short-term memory involves immediate storage and processing of information, as a prelude to direct response or manipulating the information in some fashion, or to moving the information into long-term memory, or to shifting information and forgetting the information. Short-term memory may be auditory or visual in form depending on the nature of the input, or may involve other perceptual systems as well. The capacity of short-term memory is very limited, and the duration in which information is held is brief and measured in seconds.

Active working memory refers to the capacity to hold information in mind, either temporarily storing it while referring to more immediate tasks or information, or focusing on it in reflection, consideration, or some other form of mental manipulation. Active working memory has to do with concentration or focus, and is closely linked to attention. Information sustained and processed in working memory may be verbal or nonverbal in nature. The role of active working memory in a broad range or academic, social, and personal domains is extremely important. It is a fundamental component in the process of writing or reading, for example, and it is active working memory that enables reflection on past behavior or helps us note the passing of time. Current theories regarding attention disorders see the impact that deficits in impulse control have on working memory as a core in the symptoms of attention deficit hyperactivity disorder (ADHD).

Long-term memory refers to storage of information in memory on a relatively permanent basis, operating over an extended period of time. In academic settings, success in many areas depends on the ability to recognize and remember salient information, and to transfer this information into long-term memory in a fashion that will enable effective recall on demand, as in a testing situation. In general, long-term memory is not affected directly by learning disabilities or attention disorders. However, the dual ability to move information from short-term memory into long-term memory–and to retrieve information stored in long-term memory–may be significantly affected by a wide range of learning disorders.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.