Tag Archives: readings/research

12 Days of the Nowruz Festival

“The New Year festival has Zoroastrian roots and is associated principally with Iran, but it is celebrated from Syria to India and across all of Central Asia, the Caucasus, Kurdistan, and Turkey. Its rituals vary widely but most are based on around a twelve-day succession of events. This can begin with great bonfires, fed all night to symbolize the victory of light over winter darkness, then the spring cleaning of the house, the bringing into the house of something green (like a palm tree or a fir tree—depending on latitude) around which a vigil or candles may be lit, then the making of a splendid feast full of special seasonal foods, including displays of dried fruits and nuts, an exchange of gifts between close family members, followed by an exchange of visits between neighbors and cousins. In some regions, there followed a traditional ‘period of misrule,’ where men would dress as women, and woman as men, children would lord it over adults and the poor would be served by the rich and the powerful would be publicly mocked by licensed fools. On the thirteenth day, the festival concludes with a family picnic, with music and dance and the quiet contemplation of the beauties of nature and some thought for future marriages and the exchange of such symbols of fertility as colored eggs.

Many of these Zoroastrian practices were mirrored in the festival of the winter solstice of the Roman-era cult of the unconquered sun. They would get absorbed wholesale into the Christian Easter and Christmas festivals, for Christ’s birthday was fused with the winter solstice, just as his death was tied to the spring festival.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Independent Practice: Islam

Here is an independent practice (i.e. homework) worksheet on Islam. It’s a short reading with a few questions. While I wrote it to send home as homework, it could be used as the basis for a lesson on the many conceptual aspects of Islam students should probably understand: monotheism, prophets and prophecy, obligation, religious and otherwise, intellectual and religious lineage, and sectarianism, just to name a few.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Star Wars

OK, let’s get started this morning with this relatively high-interest reading on Star Wars and its accompanying vocabulary-building and comprehension worksheet. Nota bene, please, that this reading is about the original 1977 film. That said, there is a lot of room here to expand this material: conceptually, for example, there is an opening for students to explore the business of Hollywood productions by looking at franchise films, as well as the merchandise they create and market.

Furthermore, the Star Wars series can be used as a way of exploring Manichean allegories in books, art, and film. If the Star Wars films aren’t fundamentally about the conflict between good and evil, then I apparently missed the point of the exhausting number of them I watched.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bunraku

“Bunraku: Japanese puppet theater. Developed during the Tokugawa period, the most important bunraku plays were written by Chikamitsu Monzaemon. The dolls, about three feet in size, are remarkably lifelike; they are operated by their puppet masters who sit on stage and move about with their puppets. The musical narrative (joruri) is chanted by a reciter (gidayu) to the accompaniment of instruments. Many of the same plays have been adapted to kabuki drama.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Historical Term: Ancien Regime

“ancien regime (Fr.. old government, old order). The governmental and social structure which prevailed in Europe prior to the French Revolution of 1789. Its main characteristics are taken to have been an absolute or despotic monarchy, based on the Divine Right of Kings and the rigid division of society into three orders—the aristocracy, the Church, and the Third Estate.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

A Lesson Plan on Hesiod’s Ages of History from The Order of Things

Here is a lesson plan on Hesiod’s Ages of History along with its reading and comprehension questions. As I’ve mentioned previously when posting these materials, this lesson (and at least 30 others like it) are something I started working on just before the COVID19 pandemic scaled up and closed schools, and I lost my job as a public school teacher.

To reiterate (and you can read more about these on the “About Posts & Texts” page linked to just above the banner photograph on the homepage of this site), these documents aim to give students an opportunity to work with, and develop their own understanding of, moving between two sets of symbols, words and numbers, in one lesson. The worksheet can be contracted or expanded as is appropriate for the attention spans of the students with whom you’re working. These are, as you will infer, literacy development exercises.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Elementary Principles of Composition: Choose a Suitable Design and Hold to It.

[If you would like this passage as a learning support in Microsoft Word, it’s under that hyperlink.]

“12. Choose a suitable design and hold to it.

 A basic structural design underlies every kind of writing. Writers will in part follow this design, in part deviate from it, according to their skills, their needs, and the unexpected events that accompany the act of composition. Writing, to be effective, must follow closely the thoughts of the writer, but not necessarily in the order in which those thoughts occur. This calls for a scheme of procedure. In some cases, the best design is no design, as with a love letter, which is simply an outpouring, or with a casual essay, which is a ramble. But in most cases, planning must be a deliberate prelude to writing. The first principle of composition, therefore, is to foresee or determine the shape of what is to come and pursue that shape.

A sonnet is built on a fourteen-line frame, each line containing five feet. Hence, sonneteers know exactly where they are headed, although they may not know how to get there. Most forms of composition are less clearly defined, more flexible, but all have skeletons to which the writer will bring the flesh and blood. The more clearly the writer perceives the shape, the better are the chances of success.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Regionalism

“Regionalism: Now understood to be a movement within American scene painting. Protesting against the spread of European Modernism, the regionalists sought an authentic American style by concentrating on realistic depictions of the rural Midwest and South of the 1930s. The best-known regionalists were Grant Wood, Thomas Hart Benton, and John Steuart Curry.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Ambiguous

“Ambiguous: Having two or more meanings. Defined as a property of sentences or utterances: I filled the pen is thus ambiguous, as a whole, in that the pen may refer to a writing instrument or to an enclosure for animals. Most accounts distinguish lexical ambiguity, due as in the example to the different meanings of lexical units, from grammatical or syntactic ambiguity. For the latter compare e.g. I like good food and wine, where good could relate syntactically to either food alone or to both food and wine; what is liked would correspondingly be good food and any wine whatever, or good food and wine that is also good.

Many linguists will talk of ambiguity only when it can be seen, as in these examples, as inherent in a language system. It can thus be defined as a property of sentences, independent of the contexts in which they are uttered on specific occasions. Other linguists will distinguish semantic ambiguity, as ambiguity inherent in a language, from pragmatic ambiguity. But what exactly is inherent in a language is as problematic here as elsewhere.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Term of Art: Welfare State

“Welfare State: A term that emerged in the 1940s to describe situations where the state has a major responsibility for welfare provision via social security systems, offering services and benefits to meet people’s basic needs for housing, health, education, and income. More recently, fiscal crises and the influence of libertarianism and other New Right ideas have led many Western democratic governments to make major retrenchments in welfare states.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.