Tag Archives: professional development

John Dewey

“John Dewey: (1859-1952) American teacher, philosopher, and educational reformer. A believer in William James’s Pragmatism, Dewey employed the principles of that philosophy in his progressive movement in education. He advocated “learning by doing,” rejecting traditional autocratic methods of teaching by rote. Although his principles were adapted by many, not all of Dewey’s disciples were restrained by common sense. Among his many books are The School and Society (1899; rev 1908, 1915, 1932), Interest and Effort in Education (1913), Democracy and Education (1916), The Quest for Certainty (1929), Art as Experience (1934), and The Problems of Men (1946).”

 Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Welfare

[For the entirety of my teaching career, and even before that, when I worked in a hospital and for various social service agencies, I have only worked in impoverished communities. Needless to say, I have taken issue with the diparagment of poor people. I think social welfare is something human service providers–like teachers–really ought to understand. I hope this quote helps to clarify what welfare is, and why we need more, not less of that. The COVID19 pandemic, I hope, will make that painfully obvious once and for all.]

“Welfare, Sociology of Welfare: Welfare is the state of doing or being well. The term is primarily invoked when some action is considered necessary in order to enhance individual or group welfare—that is when welfare is some way in doubt. It is, consequently, a term employed first and foremost in the arena of policy, and is intimately linked to the concept of needs, since it is by meeting needs that welfare is enhanced: welfare policies are policies designed to meet individual or group needs. The needs at issue are not merely those necessary for survival, but those necessary for a reasonable or adequate life within the society. They include not only a minimum level of income for food and clothing, but also adequate housing, education, health care, and opportunities for employment (though this is not always included). Precisely how and to what extent these needs are met clearly varies from society to society. During the twentieth century, the role of the state in meeting welfare needs in advanced industrial societies has typically increased. However, over the past decade or more there has been some retrenchment in state welfare in a range of Western societies, with an increasing privatization of welfare services, and support for private provision dependent on the ability to pay, rather than upon need.

Since welfare issues are closely allied to policy, there has been a tendency to locate them within the field of social policy rather than sociology. However, this position has been regularly challenged by writers like Peter Townshend, who regards social policy—which includes welfare policy—as falling squarely within the province of sociology. This view finds support from the long-standing discussions, centered on Marxist theorizing, about the extent to which welfare states and welfare policies are functional for capitalism. Do they mitigate the harsh excesses of capitalism, so making the system more acceptable? Or are they the result of the successful struggle of workers to secure their own interests? (A still provocative treatment of these questions will be found in F.F. Piven and R.A. Cloward, Regulating the Poor: The Functions of Public Welfare, 1971.) Such debates have led, amongst other things, to a plethora of valuable research studies seeking to identify the recipients of state welfare. These show the extent to which, in most societies, the middle classes benefit disproportionately from certain types of state welfare such as education (though this does not mean that state welfare is less equitable than private welfare). They also show the extent to which women are financially dependent on welfare support.

Equally, the view that the study of welfare is a proper part of sociology finds support from the work of writers such as Thomas H. Marshall, who links issues of welfare to those of citizenship and so to the sociological mainstream. In Marshall’s view, welfare rights are the third and final group of rights acquired by members of a society. First there are civil rights, such as the freedom of association, organization, and expression; then there come political rights, such as the right to vote and to seek political office; finally, there are social and economic rights, such as the right to welfare and social security. Marshall’s progressive, linear model of the acquisition of rights has been questioned; however, his formulation of a series of rights clearly has political value, providing a potential rallying call for political change. In so doing, it asserts in particular that welfare benefits should be awarded as a matter of legal entitlement on principles of universality, rather than on a discretionary basis. Perhaps not surprisingly the recent retrenchment in state welfare provision—along with important political changes including changing patterns of migration—has led to a new focus on the issue of citizenship, reaffirming the importance of welfare within the mainstream of sociology, and enlivening discussions in the field.

The relevant theoretical issues are introduced in Anthony Forder, et al., Theories of Welfare (1984). For a more substantive treatment see John Dixon, Social Welfare in Developed Countries (1989).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Douglass Cater on Why We Need a Robust Independent Media

“The reporter [is] one who each twenty-four hours dictates a first draft of history.”

Douglass Cater

The Fourth Branch of Government ch. 1 (1959)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Representation

“Representation: Refers to that which is representational. Art historians once limited iconographical studies to art, but as a result of postmodern influences, the study and critique of many representations (e.g., visual examples drawn from popular culture, especially the mass media) have become increasingly important. The often mentioned ‘crisis of representation’ in the arts refers to current dilemmas regarding the values and biases always present in visual depictions and yet masking as accurate realities.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Ambiguous

“Ambiguous: Having two or more meanings. Defined as a property of sentences or utterances: I filled the pen is thus ambiguous, as a whole, in that the pen may refer to a writing instrument or to an enclosure for animals. Most accounts distinguish lexical ambiguity, due as in the example to the different meanings of lexical units, from grammatical or syntactic ambiguity. For the latter compare e.g. I like good food and wine, where good could relate syntactically to either food alone or to both food and wine; what is liked would correspondingly be good food and any wine whatever, or good food and wine that is also good.

Many linguists will talk of ambiguity only when it can be seen, as in these examples, as inherent in a language system. It can thus be defined as a property of sentences, independent of the contexts in which they are uttered on specific occasions. Other linguists will distinguish semantic ambiguity, as ambiguity inherent in a language, from pragmatic ambiguity. But what exactly is inherent in a language is as problematic here as elsewhere.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Term of Art: Women’s Movement

“Women’s Movement: This term refers to the mobilization of women around the project of changing and improving their position in society. It is often used interchangeably with ‘Women’s Liberation Movement’ to describe the second wave of feminism from the 1970s onwards (the first wave being nineteenth-and early-twentieth-century feminism culminating in the struggle for votes for women).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Taboo

“Taboo: The term taboo derives from the Tongan ‘tabu,’ meaning ‘sacred” or ‘inviolable.’ However, its contemporary use is broader, most generally meaning a social and often sacred prohibition put upon certain things, people, or acts, which render them untouchable or unmentionable. The most famous taboo is the near-universal incest taboo, prohibiting sexual or marriage relations between particular categories of kin. According  to both Sigmund Freud (Totem and Taboo, 1938) and Claude Levi-Strauss (The Elementary Structures of Kinship, 1969), society itself originated with the incest taboo. Other authors have stressed the function performed by taboos in society. Raymond Firth (in Symbols Public and Private, 1973) interpreted taboo as a mechanism of social control. In Purity and Danger (1966), Mary Douglas drew attention to the way in which taboo serves as a social marker, creating and maintaining social classifications.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Lu Hsun

Lu Hsun: (also romanized as Lu Xun; pseudonym of Chou Shu-jen, 1881-1936) Generally regarded as modern China’s finest writer. Born to a family of traditional scholars, because of the death of his father and a decline in the family fortunes, he was sent to a school that taught Western technical subjects. He later studied Western medicine in Japan, but soon realized that his people needed more than physical healing. He quit his medical studies and turned to literature, returning to China to use his writing to expose the superstitions and injustices of the early Republican period. He his best known for his two collections of short stories, Nahan (generally translated as Call to Arms), published in 1923, and Panghuang (Wandering) published in 1926. His story “A Madman’s Diary” (“K’uang-jen ji-chi) vividly and painfully chronicles the growing realization of the cannibalistic, “dog-eat-dog” nature of Chinese society. “The New Year’s Sacrifice” (“Chu-fu”) is an account of a modern intellectual’s disturbing and eye-opening return to his traditional home for the New Year’s festivities. Painfully aware of the limitations of literature for effecting real change, in 1926 he stopped writing fiction altogether. Translations of his works include Diary of a Madman and Other Stories (1990), The Complete Stories of Lu Xun (1956-60), and Selected Stories of Lu Xun (1980), as well as his seminal scholarly work, A Brief History of Chinese Fiction (1959).

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Pacing Chart

“pacing chart: A graphic representation of time on task that describes what students and teachers will be doing during a course of study. The pacing chart is a customized guide that some teachers use to plan instruction in each subject and to ensure that they teach the essential skills and knowledge of each topic within a specified period of time while meeting the requirements of state standards.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Thomas Piketty on One Way to Think about Teaching Social Studies

“Social scientific research is and always will be tentative and imperfect. It does not claim to transform economics, sociology, and history into exact sciences. But by patiently searching for facts and patterns and calmly analyzing the economic, social, and political mechanisms that might explain them, it can inform democratic debate and focus attention on the right questions. It can help to redefine the terms of debate and focus attention on the right questions. It can help to redefine the terms of debate, unmask certain preconceived or fraudulent notions, and subject all positions to critical scrutiny. In my view, this is the role that intellectuals, including social scientists, should play as citizens like any other but with the good fortune to have more time than others to devote themselves to study (and even to be paid for it—a signal privilege).”

Piketty, Thomas. Trans. Arthur Goldhammer. Capital in the Twenty-First Century. Cambridge: The Belknap Press of Harvard University, 2014.