Tag Archives: professional development

Write It Right: Continually and Continuously

“Continually and Continuously. It seems that these words should have the same meaning, but in their use by good writers there is a difference. What is done continually is not done all the time. But continuous action is without interruption. A loquacious fellow, who nevertheless finds time to eat and sleep, is continually talking; but a great river flows continuously.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

A Learning Support on Parallelism in a Series

From Paul Brians’ book Common Errors in English Usage (which, if you click on that hyperlink, you will find conveniently posted in its entirety on the Washington State University website), here is a learning support on parallelism in a series. This is a short paragraph on constructing parallelisms; most of the page is a blank field for your use. This is, like the bulk of the material you’ll find on this website, a Microsoft Word document. You may adapt it to the needs of your students. This document could easily be developed into a worksheet for practice in construction parallelism. In fact, it may well show up later on this blog as such a document.

Incidentally, when I began teaching in 2003 at a school in the South Bronx, a number of my colleagues were struggling to pass one of the gatekeeping exams for educator certification in New York State. When I began talking with several of them about this challenge, it turned out that one thing–and one thing only, interestingly–prevented them from passing the test: using parallelisms and parallel construction in English prose. All of these teachers were non-native speakers of English, and I understand now, as I didn’t then, that parallelism and parallel construction in English are tricky compositional maneuvers. I tagged this post and containing professional development material in the event teachers themselves need this document.

Anyway, I hope this document helps students and teachers everywhere in developing their own understanding of  parallelism in English prose.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Determiner

“Determiner: A part of speech or word class that determines or limits a noun phrase, showing whether a phrase is definite (the, this, my), indefinite (a, some, much), or limiting it in some other way, such as through negation (no in no hope). Determiners include the articles and words traditionally classified as kinds of adjective or pronoun. They precede adjectives: many clever people, not clever many people; my poor friend, not poor my friend. Most words that function as determiners can be used alone as pronouns (this in Look at this picture and Look at this) or have related pronouns (every/everyone/everything, my/mine, no/none). Some grammarians regard as determiners such phrases as plenty of… in We have plenty of money.

Determiners can be subdivided into three groups according to their position in the noun phrase: (1) Central determiners. These may be articles (a, the in a storm, the weather, demonstratives (this, those in this day, those clouds), possessives (my, your in my hat, your umbrella), some quantifiers (each, every, no, any, some in each moment, every day, no excuse, any help, some clouds). Such determiners are mutually exclusive and contrast with adjectives, with which however they can co-occur: the best weather, any possible help, no reliable news. (2) Post-determiners. These are used after central determiners and including numbers (two, first in those two problems, my first job) and some quantifiers (many, several in your many kindnesses, his several attempts). (3) Pre-determiners. These are used before central determiners, mainly referring to quantity. They include: all, both, half (all this time, both your houses, half a loaf), double, twice and other multiplier expressions (double the money, twice the man he was, once each day, six times a year), fractions (a quarter of the price), and such and what in exclamations (Such a waste of money, What a good time we had!)

They can also be divided according to the countability of the nouns the co-occur with: (1) With singular countable nouns only: a/an, each, every, either, neither. (2) With singular countable and uncountable nouns: this, that. (3) With uncountable nouns only: much and little/a little, and usually less, least. (4) With uncountable and with plural countable nouns: all, enough, more, most, a lot, lots of, and the primary meaning of some, any. (5) With countable plurals only: a few, few, fewer, fewest, both, many, several, these, those, and numbers. (6) with most common nouns: the, no, the possessives my, your, etc., and some wh- words (whose roll/rolls/bread, by which date, whatever food you eat).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005

Term of Art: Memory

“memory: A general term that covers a wide range of cognitive functions related to taking in, processing, storing, and retrieving information. Memory is closely tied to attention, and may also be profoundly influenced by linguistic auditory, or visual spatial processing abilities.

In general, two types of memory can be categorized in two fashions: first, the stage in the sequence of processes involved in taking in, storing, and recalling information; and second, by the sensory modality involved in the initial stage of memory input (such as auditory, visual, kinesthetic, and so on).

In terms of stages or types of the cognitive processes involved in memory, present theory identifies three major types of memory: short-term memory, active working memory, and long-term memory. Short-term memory involves immediate storage and processing of information, as a prelude to direct response or manipulating the information in some fashion, or to moving the information into long-term memory, or to shifting information and forgetting the information. Short-term memory may be auditory or visual in form depending on the nature of the input, or may involve other perceptual systems as well. The capacity of short-term memory is very limited, and the duration in which information is held is brief and measured in seconds.

Active working memory refers to the capacity to hold information in mind, either temporarily storing it while referring to more immediate tasks or information, or focusing on it in reflection, consideration, or some other form of mental manipulation. Active working memory has to do with concentration or focus, and is closely linked to attention. Information sustained and processed in working memory may be verbal or nonverbal in nature. The role of active working memory in a broad range or academic, social, and personal domains is extremely important. It is a fundamental component in the process of writing or reading, for example, and it is active working memory that enables reflection on past behavior or helps us note the passing of time. Current theories regarding attention disorders see the impact that deficits in impulse control have on working memory as a core in the symptoms of attention deficit hyperactivity disorder (ADHD).

Long-term memory refers to storage of information in memory on a relatively permanent basis, operating over an extended period of time. In academic settings, success in many areas depends on the ability to recognize and remember salient information, and to transfer this information into long-term memory in a fashion that will enable effective recall on demand, as in a testing situation. In general, long-term memory is not affected directly by learning disabilities or attention disorders. However, the dual ability to move information from short-term memory into long-term memory–and to retrieve information stored in long-term memory–may be significantly affected by a wide range of learning disorders.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Learning Support on the Stylistic and Typographical Conventions for Using Numbers in Prose

Here is a learning support on the conventions for writing numbers in prose. This document has a big open field, and is in Microsoft Word, so it is at your–and more importantly, your students’–disposal; you can modify or adapt it to your needs.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Diacritic, Diacritical Mark

“Diacritic, Diacritical Mark (noun): A distinguishing mark given to a character or letter to indicated stress or pronunciation, such as a superscribed accent; phonetic sign. Adjective: diacritic, diacritical.

‘The ‘etymons,’ as he called them were the root terms for Pass and Fail, but inflected with prefixes, infixes, suffixes, and diacritical marks to such an extent, and so variously from fragment to fragment, that conflicting interpretations, in his opinion, could be said to figure the intellectual biography of studentdom, as has been amply demonstrated in a wealth of what he called Geistesgeschichten…. John Barth, Giles Goat-Boy.'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Terms of Art: Anglophile, Anglophobe, Anglophone

“Anglophile: 1. Admiring or loving England and the English and/or the English language: the anglophile party in Scotland. 2. Someone with such an attitude: unrepentant Anglophiles. The term may or may not include Britain as a whole, and non-English Britons may experience Anglophilia.

Anglophobe: 1. Also Anglophobic. Fearing or hating England and the English and/or the English language: Anglophobe reaction. 2. Someone with such an attitude: an inveterate Anglophobe. The term may or may not include Britain as a whole, and non-English Britons may experience Anglophobia.

Anglophone: [Often used without an initial capital]. 1. A speaker of English: (Africa) locally born anglophone whites; (Quebec) certified anglophones, permitted by law to send their children to English-medium schools. 2. Of speakers of English: an anglophone school. The term occurs mainly where French is also used. It contrasts with francophone (French-speaking), allophone (speaking a language other than French or English), arabophone (speaking Arabic), hispanophone (speaking Spanish), lusophone (speaking Portugese), etc.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005

Absurd

“Absurd: A philosophical term for a fundamental lack of reasonableness and coherence in human existence. The philosophical and theological roots of the term can be traced to Tertullian (160?-?230), an early Father of the church who argued that the surest sign of the truth of Christianity is its absurdity. He posited that the idea of an infinite deity incarnating himself and undergoing suffering for human beings is so irrational that no one would invent such a story; therefore it must be true. Tertullian’s summary statement was Creo quia absurdum est (I believe because it is absurd). Centuries later, Soren Kierkegaard reemphasized the absurdity of Christianity. He suggested that rational ‘proofs,’ however convincing, are blocks, not aids, to faith. A faith that requires proofs is no faith at all. One can only choose Christianity, with its manifest absurdities, or choose an alternative way of life, with its latent absurdities. The choice of Christianity is a ‘leap of faith’ for which there are no strictly rational criteria.

With Martin Heidegger, Karl Jaspers, and Jean-Paul Sartre, the concept of absurdity became almost completely secularized as the basis for existentialism. According to the existentialist concept, man is thrown into an alien, irrational world in which he must create his own identity through a series of choices for which there are no guides or criteria. Because man cannot avoid making choices—to refrain from choosing is a choice—man is condemned to be free. This absurdity is an inescapable part of the human situation. In his novel Nausea, Sartre regards it as the irresoluble paradox of human existence.

The concept of the absurd in modern literature originated with the early surrealists, in works such as Alfred Jarry’s play Ubu Roi. The concept is used by Albert Camus in his essay The Myth of Sisyphus and in his novel The Stranger, where he emphasizes the psychological implications of the absurd.

Writers have also attempted to convey the concept of the absurd through deliberate distortions and violations of conventional forms, to undermine ordinary expectations of continuity and rationality. Among the most notable writers in the literature and Theater of the Absurd are Samuel Beckett, Eugene Ionesco, and Jean Genet.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Mapping

“mapping:  In educational terms, a strategy for displaying related ideas in a visual format. Mapping may refer to flow charts, diagrams, or using color coding to draw connections and help recall information. One important example of mapping is ‘mind-mapping’ (also called clustering), which is used in the process of writing to generate and organize ideas and information that can eventually be translated into a linear outline.

A mind map might consist of a core topic at the center of the page, with major subtopics spreading outward from it, and relevant details attached to each subtopic. Such an approach may be especially helpful for individuals who have difficulty with sequencing information but are strong in the area or visual-spatial reasoning.

Likewise a graphic organizer for representing information may help a student who has trouble with reading comprehension because of problems organizing and identifying key information and relationships between concepts and supporting evidence.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Johann Heinrich Pestalozzi

Johann Heinrich Pestalozzi (1746-1827): A Swiss education reformer whose theories deeply influenced the development of elementary education in Europe and the United States. The schools established by Pestalozzi in Switzerland attracted wide attention. Opposed to the customary reliance on strict discipline and rote memorization, he favored an approach based on kindness and understanding of the child’s world. He believed that education should be based on concrete experiences, so he introduced the use of tactile objects to teach natural science to children. He emphasized both the moral and the intellectual aspects of education, as well as the importance of well-educated teachers. A lifelong social reformer, Pestalozzi believed that good education could change society for the better.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.