Tag Archives: professional development

Thomas Szasz on Adulthood

“Adulthood is the ever-shrinking period between childhood and old age. It is the apparent aim of modern industrial societies to reduce this period to a minimum.”

Thomas Szasz

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Cognoscenti

“Cognoscenti (plural noun): Individuals having authoritative knowledge of a field or subject, especially in the arts; informed or expert specialists. Singular: cognoscente.

‘Some of the illustrations will be revelations even to the cognoscenti. The soaring drama of the Galleria Vittorio Emanuele II, Milan, for example, is an extraordinary fish-eye photo.’ J. Mourdant Crook, Times Literary Supplement.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Theodore Sizer on the Message Kids Get

“Unchallenged kids get the message. If adults expect little of them, expect that they must be reminded, hectored, hassled, expect them to be goof-offs, then they will goof off. Of course, some people will goof off no matter what expectations are set. But teachers should assume the highest standard of performance until they are shown that it is not forthcoming. This is the proper start for each young person’s education. If that standard is substantial and persuasive–if it symbolizes the dignity of a demanding expectation–more often than not, adolescents rise to the occasion.”

Excerpted from: Sizer, Theodore. Horace’s Hope. New York: Houghton Mifflin, 1996.

The Weekly Text, 21 July 2023: Styling Sentences Planning Documents

This week’s  Text begins another unit–a relatively long run of 16 posts, one on each Friday for the next 16 weeks.

Some years ago, while rifling through the book sections of Vermont thrift stores, I came upon a book by Robert M. Esch, Mary L. Wadell , and Roberta R. Walker called The Art of Styling Sentences: 20 Patterns for Success, Third Edition (Hauppage, NY: Barron’s Educational Series, 1993)–and please (!) be forewarned that if you click on that hyperlink, it will take you to a page where a PDF of the book will automatically download to your computer I grabbed it for future reference. The future arrived much sooner than I expected, as the next year I was charged with teaching writing to a once-weekly institute class at the high school in which I served.

So I started developing a unit based on this book. Over time, however, I began to doubt the efficacy of this material and shelved it for future reference. When the pandemic hit, I took another look at the unit, which began life as eight lessons, and revised and expanded it with some new, more directly relevant material. The result was a new, sixteen-lesson unit for relatively advanced writers.

The primary problems, as I saw it, was that the source material for the unit was not quite as strong as it needed to be. Also, the “patterns” the book prescribes are often complex and use vocabulary, mostly terms of art in grammar, that I wish high school students possess (and think they ought to, but that’s a different bone of contention) but in my experience do not. Furthermore, these lessons probably would be better described as work in developing a rhetorical style rather than simply composing sentences.

In any event, now that I’ve subjected you to an elaborate rationale, this week’s Text is the planning materials for this unit. Without further ado, here is the unit plan, the lesson plan template, and the worksheet template. If you look at the each lesson, you’ll see that students are called upon to master the use of colons and semicolons, so here is a learning support on colons and semicolons. Finally here is a bibliographic guide to the best writers’ reference books on the market. I have long been interested in grammar and linguistics–actually, I hope this blog makes that self-evident–and have reviewed every book on the list and can, if I have any credibility, vouch for their quality and effectiveness.

That said, I want to single out one volume for special praise, Grant Barrett’s Perfect English Grammar: The Indispensable Guide to Excellent Writing and Speaking (Berkeley: Zephyros Press, 2016). This is small paperback which plainly, therefore elegantly, explains points of grammar, punctuation, and style. It has become the one book I always go to for clarification or for deriving learning supports–of which there are many on this blog.

Stay tuned, please. There are 15 more posts in this series forthcoming.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Metope

Metope: Rectangular panel found alternating with triglyphs on the frieze if a Greek Doric entablature.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Book of Answers: Christopher Isherwood and Cabaret

What work by Christopher Isherwood was the basis for the musical Cabaret (1968)? Cabaret was based on the play I Am a Camera (1951) by John Van Druten, which was in turn based on Isherwood’sSally Bowles,” a story appearing in Goodbye to Berlin. Isherwood lived in Berlin in the early 1930s.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Syllabus

“syllabus: A summary outline of a program of study that explains in detail what teachers will teach, what students are expected to learn, and what the examination for the course will cover.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Write It Right: Definitely for Definitively

“Definitely for Definitively. ‘It was definitely decided.’ Definitely means precisely, with exactness; definitively means finally, conclusively.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Cognate

“Cognate (adjective): Related or common ancestry, as two words having the same derivation; descended from the same verbal root; intrinsically similar. Noun: cognate, cognateness.

‘The vulgarity of a lot of writing about food is cognate with the vulgarity of a lot of writing about sex.’ Anthony Burgess, The New York Times”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Doubter’s Companion: Participation

“Participation: Democracy is built and maintained through individual participation, yet society is structured to discourage it.

And ours is the most structured of civilizations. Forty-hour work weeks. Work breaks calculated to the minute. Weekends measured for recuperation. Various specific leaves for sickness and giving birth. Set holiday periods. Official days of celebration or mourning. When it’s all added up and the time to eat, copulate, sleep, and see families is included, twenty-four hours have been accounted for.

The only built-in space of time for individual participation is a fixed period for voting, which probably averages out to an hour a year. The only time society formally organizes extended participation is over matters of violence. (Military service or when a judge orders convicted criminals to do community service.)

Why is the function which makes democracy viable treated as if it were expendable? Or rather, why is it excluded by being reduced to a minor activity requiring the sacrifice of time formally allotted to other things?

Nothing prevents up from revising the schedule to build in four or five hours a week for public participation. Our failure to do something like this is a statement either about the state of the democratic ethic or about the real nature of power in our society.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.