Tag Archives: professional development

Term of Art: Learning Disabilities

Chronic difficulties in learning to read, write, spell, or calculate, which are believed to have a neurological origin. Though their causes and nature are still not fully understood, it is widely agreed that the presence of a learning disability does not indicate subnormal intelligence. Rather it is thought that the learning-disabled have a neurologically based difficulty in processing language or figures, which must be compensated for with special learning strategies or with extra effort and tutoring. Examples of learning disabilities include difficulty in reading (dyslexia), writing (dysgraphia), and mathematics (dyscalculia). Learning disabilities may be diagnosed through testing, and children may be enrolled in programs offering special help; left unrecognized, learning disabilities may result not only in poor classroom performance, but also in low self-esteem and disruptive behavior.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

H. Lynn Erickson on the Public in Public Education

“The public needs to be informed that the 21st-century requires a higher standard for curriculum and instruction. This standard includes the development of critical and creative thinking; the ability to put knowledge to use in complex living, learning, and working performances; and an instructional program that gives teachers flexibility in engaging students with process and skill development.

The United States has a responsibility to educate its citizens and future citizens to the new standards and requirements. The equitable distribution of computers and technology into all schools should be a national concern and priority. School districts can systematically design curricula to integrate and focus on needed knowledge, processes, skills, and attitudes, but teachers have a right to expect the time and training to design curricula; learn new teaching methods and technologies; and collaborate in school, business, and home partnerships.”

Excerpted from: Erickson, H. Lynn. Concept-Based Curriculum and Instruction: Teaching Beyond the Facts. Thousand Oaks, California: Corwin Press, 2002.

Term of Art: Active Reading

“A set of pedagogical strategies intended to get students involved in thinking about what they are reading. Active reading may involve any of a wide range of activities, such as underlining, outlining, predicting, summarizing, paraphrasing, connecting the reading to one’s own experiences, visualizing, or asking questions about the content of the reading material.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Socioeconomic Status and Reading

“Students from disadvantaged backgrounds show a characteristic pattern of reading achievement in school: they make good progress until around fourth grade, and then suddenly fall behind. The importance of background knowledge to comprehension gives us insight into this phenomenon. Reading instruction in the early grades concerns decoding, and so reading tests are basically tests of decoding ability. Kids from wealthier homes in fact do a bit better on these tests, but poorer children are still doing okay. But around fourth grade most children can decode fairly well, and so reading tests place greater weight on comprehension. The disadvantaged kids have not had the same opportunities to acquire the vocabulary and background knowledge needed to succeed on these tests and so their performance drops significantly.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

9 Muses

“Clio * Euterpe * Thalia * Melpomene * Terpsichore * Erato * Urania * Calliope * Polymnia

The nine muses, the daughters of Zeus and Mnemosyne (the goddess of memory), were a favourite subject for Roman artists and much depicted in mosaic and fresco, or carved in marble to grace the praesidium of a theater.

Clio, the muse of history, is represented with a stylus and a scroll, or after the Renaissance, with a book, a laurel crown, or a trumpet; she is easy to confuse with Calliope, who often has the same attributes. Euterpe, muse of lyrical poetry, bears a flute. Thalia, muse of pastoral poetry and comedy, carries a comic mask and sometimes a viol.

Melpomene, muse of tragedy, is associated with a mask, sometimes embellished with a fallen crown, and holds a dagger. Terpsichore, muse of joyful dance and song, often holds a lyre, as does Erato, muse of lyrical love poetry.

Urania, muse of astronomy, is normally shown consulting a globe of a compass. Polymnia, muse of heroic hymn and eloquence, possesses a lute and a solemn expression that outdoes even those of Clio and Calliope.

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Minaret

“A tall, slender tower attached to a mosque and from which the muezzin calls people to prayer from one of its several balconies. It may be either rectangular or cylindrical in plan. Seville’s Giralda tower (12th century) was once a minaret, later redecorated in Christian styles.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Teachers’ Affects and Learning

 “…This all means that how teachers look and sound when talking to students can be quite revealing. Participants were asked to rate teachers’ perceptions of students to whom they were speaking with brief (ten-second) audio and video clips. Though the clips only focused on the teachers’ behavior and did not show the students, participants as young as fourth grade were able to successfully differentiate between two types of students being addressed by the teachers: those who were considered to be ‘high’ achieving and those who were ‘low’ achieving (Babad, Bernieri, & Rosenthal, 1991). The teacher interacted with the ‘high’- achieving student more positively than with the ‘low’-achieving student. With less than half a minute of observation, our perception of how others, in this case teachers, feel about students can be readily identified.

As the authors point out in the discussion of their findings, with only ten seconds of film footage, there was barely enough time for teachers to utter more than two words; thus truly it was the manner in which the teachers addressed the students and not the content of their discussion that affected the ratings of how the teacher felt about each student.

Though these findings may seem to speak directly to the so-called expectancy effects, namely the finding that how students perform in class may be largely influenced by how the teacher feels about them (Rosenthal & Jacobson, 1968), our focus here is more upon student comfort than academic performance. Now more than four decades after Pygmalion in the Classroom thrust the idea of teacher expectancy effects into the professional and public vernaculars (Rosenthal & Jacobson, 1968), there is still a fair amount of controversy regarding just how strongly teacher expectations of students affect intelligence and performance (Jussim & Harber, 2005).

Rather than wade into these murky waters, we will instead focus on the indisputable points that because detection of emotion is instinctual, teachers must be incredibly careful and conscientious about how they deal with students in a classroom, particularly those who are ‘easy’ and those who are seen as more ‘challenging.’ Given the fact that teacher interactions with students influence how those students are perceived by their peers (Birch & Ladd, 1998), the case for conscious monitoring of behavior cannot be overstated.

It is recommended that educators plan ahead for interactions with students they may consider more trying or challenging than others. Just as the successful teacher plans for contingencies such as having extra supplies for students who may forget of be unable to afford their own, so must she also plan ahead for the possibility of questions, to which answers have already been provided, or other solicitations that could possibly evoke even subtle expressions of exasperation or annoyance.”

Excerpted from: Rekart, Jerome L. The Cognitive Classroom: Using Brain and Cognitive Science to Optimize Student Success. New York: Rowman & Littlefield Education, 2013.

H. Lynn Erickson on the Difference between Memorizing and Thinking

“The difference between a topic-centered and an idea-centered curriculum/instruction model is the difference between memorizing facts related to the American Revolution and developing and sharing ideas related to the concepts of freedom and independence as a result of studying the American Revolution. It is the difference between viewing the O.J. Simpson trial and drawing insights into the concept of justice from discussions of the trial. It is the difference between the facts of the Alaska oil spill and an understanding of the importance of environmental sustainability. Finally, it is the difference between the construction of mathematical angles and knowledgeable application of geometric form to ensure architectural strength in design.”

Excerpted from: Erickson, H. Lynn. Concept-Based Curriculum and Instruction: Teaching Beyond the Facts. Thousand Oaks, California: Corwin Press, 2002.

Mannerism (n)

“Mannerism (noun): An author’s marked or habitual peculiarity of style; characteristically individual locution or stylistic idiosyncrasy; artificiality. Adjective: mannered; manneristic.

‘Much of what struck foreign observers as bizarre in American description was the new linguistic confusion of present and future, fact and hope. This became a mannerism, or even a mode of American speech. Statements which foreigners took for lies or braggadocio, American speakers intended to be vaguely clairvoyant.’”

Daniel Boorstin, The Americans

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Giovanni Boccaccio: The Decameron

“A collection of 100 tales by the Italian writer Giovanni Boccaccio (1313-75), completed in c.1353. Many of the tales were old at this time, and many later writers–including Chaucer and Shakespeare–borrowed stories from the collection. In the framework story, seven ladies and three gentlemen escape from Florence when the Black Death arrives in 1348, and spend their time each telling one tale per day for ten days (Decameron comes from the Greek deka, ‘ten’, and hemera, ‘day’). (There is comparable framework story in The Canterbury Tales.) A film version (1971) by Pier Paolo Pasolini (1922-75) concentrates on some of the earthier tales. A similar collection to Boccaccio’s entitled The Heptameron (1558) was ascribed to Margaret of Angouleme (1492-1549), queen of Navarre. The tales are said to have been related in seven days (Greek hepta, ‘seven’).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.