Tag Archives: professional development

Term of Art: Praxis

“(1) Practical application of learning; habitual, customary practice of an art, a science, or a skill. (2) A series of tests prepared by the Educational Testing Service and used by many states for teaching licencing and certification. Praxis I measures basic academic skills of would-be teachers; Praxis II measures their general and subject-specific knowledge and teaching skills; and Praxis III assesses their classroom performance.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Achaeans

Achaeans: In Homer, the name by which the Greeks of heroic times spoke of themselves. Culturally we would call them Mycenaeans. They have been identified both with the Ahhiyawa, mentioned by the Hittites as one of their western neighbors, and the Akawasha, listed by the Egyptians as Peoples of the Sea. In historical times the name was limited to the Greeks of southwest Thessaly and the northern Peloponnese.

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

J.B. Sears on School Principals Then and Now–i.e. 1918

The occasional principal. An occasional principal feels called upon to exercise his authority at every turn, and is satisfied with his accomplishment only when teachers fear him. The principal hews exactly to the line. If his curriculum calls for compositions of three paragraphs in the sixth grade, then three it must be or the teacher will receive a demerit mark.

Such principals are rapidly giving place to a new type of educational director who rules by virtue of a scientific understanding of his work, and by personal qualities of leadership, rather than by authority which has been delegated to him. Such a principal deals with facts and with personalities; gives directions, rather than orders; leads, rather than drives; and expects his teachers to think for themselves.”

Excerpted from: Sears, J.B. Classroom Organization and Control. Boston: Houghton Mifflin, 1918.

J.B. Sears on the Life of a Teacher II

Systematic living. What is needed by teachers is the application of a bit of system and common sense in their daily lives. Teaching cannot be sedulously followed by young people without sedulously offsetting its inactivity with outside exercise and pleasure. Every teacher should set aside a definite time for exercise, and a definite sum of money of recreation and pleasure. A regular time for a walk, a tennis game, a horseback ride; and a regular monthly allowance for theater, opera, travel, of the entertaining of one’s friends, will take one out into the open air where acquaintance with nature may be renewed, furnish a host of new thrills, and establish new interests and new companionships, which will drive away care, renew one’s mental and physical vigor, and provide a saner perspective for the serious tasks of the days to come.”

Excerpted from: Sears, J.B. Classroom Organization and Control. Boston: Houghton Mifflin, 1918.

J.B Sears on the Life of a Teacher I

Intelligent living. As a matter of self-protection, to say nothing of the wisdom of living a joyous life, the teacher must look to the problem of keeping an adequate margin of good health. This is largely the problem of proper rest and recreation. It is such a simple truth to say that when one is tired and half sick most any sort of work becomes barren drudgery, and yet this explanation is rarely thought of by the teacher who retires in disgust after a long evening spent in the useless task of correcting papers.”

Excerpted from: Sears, J.B. Classroom Organization and ControlBoston: Houghton Mifflin, 1918.

Miguel Angel Asturias

“Miguel Angel Asturias: (1899-1974) Guatemalan novelist, short-story writer, and poet. Asturias spend much of his life in exile because of his public opposition to dictatorial rule. When he was sympathetic to his country’s leadership, he served as ambassador to El Salvador and later to France. He took a law degree in 1923 and then went to London to study economics and Paris to study anthropology, where he encountered French translations of Mayan writings. He proceeded to translate the Mayan text Popol Vuh into Spanish in 1925, developing a deep concern for the Mayan culture that was to weave its myth and history into everything he wrote, though never to the exclusion of this social and political statements. His greatest novel is El senor president (1946; tr El Senor Presidente, 1964), a phantasmagoric satire on Latin American military dictators, based largely on the regime of Manuel Estrada Cabrera, president of Guatemala from 1898 to 1920. Viento Fuerte (1950; tr Strong Wind, 1968), El papa verde (1954; tr The Green Pope, 1971), and Los ojos de los enterrados (1960; tr The Eyes of the Interred, 1973) comprise a trilogy attacking the exploitation by U.S.-owned fruit companies of the Guatemalan banana plantations. Week-end en Guatemala (1956) is a collection of stories about the C.I.A.-directed overthrow of the government of Jacobo Arbenz, whom Asturias had supported. After Arbenz’s ouster, Asturias went into exile, returning to Guatemala in 1966. In 1967 he was appointed ambassador to France, the same year in which he was awarded the Nobel Prize in literature.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Acculturation

acculturation: The adoption by one society of a trait or traits from another society. The term is usually employed in anthropological contexts, and considers the change from the point of view of the recipient society. cf DIFFUSION.”

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

Term of Art: Ergo

“(UR GO or AIR GO) Ergo is the Latin term for “therefore,” “hence,” “consequently,” “it follows that….” It is often used to give an air of formality to a presentation of the conclusion to an argument. Like the less frequently used Q.E.D., it implies that the person presenting the argument is “learned” or specifically trained in logic.”

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.

Term of Art: Synesthesia

synesthesia: A medical (or psychological) term describing the occurrence when stimulating one sense organ causes another to respond. It is as though in eating one were to receive strong visual sensations of color rather than, or along with, sensations of taste. As a literary device, synesthesia has been used in certain types of poetry of the 19th and 20th centuries, especially that of the Symbolists. Rimbaud’s “Sonnet des voyelles,” expressing the sounds of the common vowels in terms of colors, is an excellent use of this device.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Allegory

“Allegory (noun) The use of metaphoric, often schematic storytelling and characters for two levels of meaning, with that beneath the surface narrative expressing deeper human truths, whether with a spiritual or moral message or as a form of satire; a literary work whose characters, settings, and incidents have their own verisimilitude but also mask hidden, parallel significations; symbolic narrative. Adj. allegorical; adv, allegorically; n. allegorization, allegorist; v. allegorize.

‘Tolstoy describes her as a creature so sensitive that we wonder she can’t speak. Now we see her lying at his feet, she bends her head back and gazes at him with her speaking eyes. The very suspicion of allegory destroys the validity of the scene.’ Joyce Cary, Art and Reality”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.