Tag Archives: professional development

Term of Art: Youth

“Youth: Typically regarded in sociology as an ascribed status, or socially constructed label, rather than simply the biological condition of being young. The term is used in three ways: very generally, to cover a set of phases in the life-cycle from early infancy to young adulthood; in preference to the rather unsatisfactory term adolescence, to denote theory and research on teenagers, and the transition to adulthood; and, less commonly now, for a set of supposed emotional and social problems associated with growing up in an urban industrial society.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Daniel Willingham on Prior Knowledge and Inferring

“I noted that making inferences is sometimes possible when you lack background knowledge and vocabulary the writer assumed you have, but that doing so is mentally taxing. Much of the reading expected of students (especially in the later elementary grades and beyond) is difficult. It’s not only difficult in terms of vocabulary and knowledge; they read texts with more complex structures, texts that convey abstract and subtle ideas, and they are asked to put these texts to new purposes, like understanding the author’s technique. In short, students don’t do the type of reading where comprehension is smooth and there’s an opportunity to get lost in the story. They mostly read in situations where reading feels like work. What impact do you think that has on students’ attitude toward reading? Do they confuse leisure reading with the reading they do for school? If so, what might be done to disabuse them of that notion?”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Metacognition

“The awareness and knowledge of an individual’s own mental processes; the ability to think about thinking, Metacognition refers to one’s understanding of what strategies are available for learning and what strategies are best used in which situations, It involves the ability to select and manage cognitive strategies effectively. Ordinarily these abilities develop in childhood; children learn that mental activities go along with decision making. They know when they know something and when they do not.

Metacognition skills are directly related to reading, writing, problem solving, and any process that requires error monitoring. Students must be able to examine how they learn best and what resources they can draw upon in order to set and achieve academic goals.

One of the reasons individuals with learning disabilities tend to have academic difficulties is a lack of skills in selecting and managing task-appropriate strategies. Many theorists and educators believe these skills can be intentionally taught and developed.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Divergent Thinking

“Divergent thinking: Imaginative thinking, characterized by the generation of multiple possible solutions to a problem, often associated with creativity. The concept was introduced in 1946 by the US psychologist J(oy) P(aul) Guilford (1897-1987) and is one of the five different types of mental operations in Guilford’s cube.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Term of Art: Analysis

“Analysis: A detailed splitting up and examination of a work of literature. A close studies of the various elements and the relationship between them. An essential part of criticism. As T.S. Eliot put it, the tools of the critic are comparison analysis. Analytical criticism helps to make clear an author’s meaning and the structure of his work. It is argued that analysis spoils an intuitive and spontaneous response to a work of literature. Those in favor of “deep” analysis content that, on the contrary, it enhances the reader’s enjoyment.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Copyright

[Over the years a number of colleagues, and a couple of students, have asked me what I know about copyright. Here’s a post that gives a history of copyright as a concept, as well as its legal dimensions.]

“copyright: The exclusive right by statute to reproduce, publish, and sell works of literature, music, art, drama, choreographic work, motion pictures, and other audiovisual works and sound recordings. The first copyright act in England was that of 1709, subsequently subjected to various modifications and additions. In 1842, a new act was passed, granting copyright for forty-two years after publication or until seven years after the author’s death, whichever should be the longer period. This act was superseded by the copyright act of 1911, under which the period of protection was extended to fifty years after the death of the author, irrespective of date of publication. The act deals also with copyright in photographs, engravings, architectural designs, musical compositions, and phonograph records.

The first copyright act in the U.S. was enacted by the states of Connecticut and Massachusetts in 1783, following vigorous agitation by Noah Webster. The first national statute, passed in 1790, was modeled upon the then-existing British law. Additional acts were passed in 1846, 1856, 1859, 1865, and 1909. U.S. copyrights may be secured under a copyright act effective January 1, 1978, for a period of seventy-five years from publication or one hundred years from creation, whichever is shorter. The term for works created on or after January 1, 1978, lasts for the author’s life plus an additional fifty years. Under the law, all visually perceptible copies of a work were required to bear the symbol ©, the word copyright, or its abbreviation, the name of the owner of the copyright, and the date of publication. Copyright protection has been extended to original works of authorship fixed in any tangible means of expression, known now or later developed. The Copyright Act of 1989 brought U.S. practice into agreement with the Berne Convention, and a copyright notice is no longer necessary to secure protection.

Influenced by lobbyists for book manufacturers reluctant to extend U.S. copyright to books manufactured abroad, the U.S. did not sign the Berne International Copyright Convention, under the auspices of UNESCO, a certain confusion existed in the field of U.S. international copyright. The U.S., most other Western countries, the former Soviet Union, which signed in 1973, and many Asian countries have signed the Universal Copyright Convention, but a worldwide international copyright does not yet exist.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Milgram Studies: Lessons in Obedience

While I have found Stanley Milgram’s studies on obedience to authority fascinating (and the “lost letter experiment” is also interesting), I do understand that it isn’t exactly high school material. That said, I did, in 17 years of teaching now, have one kid ask about Milgram. Furthermore, I am aware that many of Milgram’s contemporaries and colleagues expressed serious ethical qualms about the methods Milgram used.

Nonetheless, here is a short reading on Dr. Milgram’s study along with its vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Daniel Willingham on Grammar and Reading Comprehension

“What type of apples did you buy?

They are cooking apples.

What are those people doing in the kitchen?

They are cooking apples.

This example may seem unusual, but many, if not most, sentences have more than one grammatically correct interpretation. A classic example is “Time flies like an arrow.” Most people interpret it metaphorically—time moves quickly, as an arrow does. But it could also mean that a particular type or insect (time flies) feel affection for arrows. Or “time” could be a command, with the sentence meaning I want you to assess the pace of those flies, and I want you to do it in the way you would assess the pace of an arrow. There are actually at least two other grammatically acceptable interpretations of this sentence.

Grammatically acceptable, but not acceptable to common sense. There’s not a variety of flies called “time flies.” And who would tell someone to get out their stopwatch and time some flies in the same way they would time an arrow? Who times files or arrows? Just as in the “eating apples” example, readers bring knowledge to bear on the sentence, not just grammar, to arrive at the correct interpretation. But in those examples, the knowledge is not provided in the text. The reader had to know it before reading the text.

The influence of meaning on the processing of a sentence is most obvious when grammar renders the sentences ambiguous, but meaning also has an impact on the speed and ease of processing even if the grammar is ambiguous. For example, the sentence “I cut up a slice of cooked ham” will be read more slowly when it is preceded by a few sentences describing the protagonist getting dressed, compared to a context where the protagonist was described as in a kitchen. That slowing can be avoided by adding one word at the start of the sentence: “Later, I cut up a slice of cooked ham.” So clearly, we’re not just extracting meaning from sentences, we are coordinating the meaning of sentences with the meaning of what we’ve read before, and we’re doing that as we process each sentence.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Saxon Math

“Saxon math: A mathematics program that relies on explicit, incremental instruction. The series was created by John Saxon, a former mathematics teacher and U.S. Air Force officer who believed that he had found a superior way to teach mathematics, based on the step-by-step instruction that he had encountered in the military. Each day, students work on a limited number of concepts, solving problems until they have mastered each concept and then moving on to the next. Every new assignment is a cumulative review of previously studied materials. The Saxon textbooks are popular with homeschooling families and some charter schools, but are shunned by many school districts because they do not teach discovery and inquiry methods.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Clause

“clause: A part of a sentence whose structure is itself like that of a sentence. Thus, in particular, one which includes a verb and elements that can and must accompany it.

In older treatments one clause was described as following another; e.g. in I said I saw her a main clause I said would be followed by a subordinate clause I saw her. As now defined, the main clause is the sentence as a whole and the subordinate clause is said to be included in it: thus, with brackets around each, [I said [I saw her]]. Clauses are distinguished in most accounts from phrases, by criteria which may vary, however, from one to another.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.