Tag Archives: professional development

Shoin-Zukuri

“shoin-zukuri: Style of Japanese domestic architecture. The name is taken from a feature called the shoin, a study alcove with a built-in desk. Other common features included the toko-no-ma and chigai-dana (built-in shelves). The style, derived from Zen Buddhist monastic dwellings, gradually replaced the shinden-zukuri style during the Muromachi period (1338-1573). It is characterized by a new modesty of scale (forced on the aristocracy by loss of income), asymmetry and an irregular flowing together of masses, and the use of solid wall construction and sliding shoji rather than the movable partitions that divided the main living space in the shinden.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Assur-bani-pal

“Assur-bani-pal (or Ashurbanipal, d 626? BC) King of Assyria. The son of Essar-Haddon, Assur-bani-pal ruled Assyria, while his twin brother Samus-sum-yumin ruled Babylonia. Against great odds, Assur-bani-pal maintained his supremacy over Egypt and put down a Tyrian revolt. The most powerful of Assyria’s rulers, he either subjugated or dominated the Manna, the Elamites, and the Cilicians. He also quelled a revolt by his brother in Babylonia and harassed the northern Arabians. However, Assur-bani-pal had overreached himself and exhausted the resources of his own country, to the extent that it collapsed completely not long after his death. He left behind him, however, a legacy of enormous importance for modern times: he had caused to be prepared for his royal library a large number of the most important literary works of the Near East; preserved on tablets, these were excavated in the middle of the 19th century in the ruins of Nineveh, his capital. Some characteristics of Assur-bani-pal are recognizable in the legendary Sardanapalus.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Mesopotamian Religions

“Mesopotamian religions: Religious beliefs and practices of the Sumerians and Akkadians, and later of their successors, the Babylonians and Assyrians, who inhabited ancient Mesopotamia. The deities of Sumer were usually associated with aspects of nature, such as fertility of the fields and livestock. The gods of Assyria and Babylonia, rather than displacing those of Sumer and Akkad, were gradually assimilated into the older system. Among the most important of the many Mesopotamian gods were Anu, the god of heaven; Enki, the god of water; and Enlil, the earth god. Deities were often associated with particular cities. Astral deities such as Shamash and Sin were also worshiped. The Mesopotamians were skilled astrologers who studied the movements of the heavenly bodies. Priests also determined the will of the gods through the observation of omens, especially by reading the entrails of sacrificed animals. The king functioned as the chief priest, presiding at the new-year festival held in spring, when the kingship was renewed and the triumph of the deity over the powers of chaos was celebrated.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Jalal ad-Din ar-Rumi or Mawlana

“Jalal ad-Din ar-Rumi or Mawlana: (1207?-1273) Anatolian-Persian mystic and poet. He was a theologian and teacher in Anatolia when he met Shams ad-Din, a holy man who revealed to him the mysteries of divine majesty and beauty; their intimate relationship scandalized Rumi’s followers, who had Shams murdered. The Collected Poetry of Shams contains Rumi’s verses on his love for Shams. His main work, the didactic epic Masnavi-ye Manavi (“Spiritual Couplets”), widely influenced Muslim mystical thought and literature. He is believed to have composed poetry while in a state of ecstasy and often accompanied his verses by a whirling dance. After his death, his disciples were organized as the Mawlawiyah order, called in the West the whirling dervishes. Rumi is regarded as the greatest Sufi mystic and poet in the Persian language. In English translation, his work has become widely popular in recent years.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Bhartrhari

“Bhartrhari: (570?-650) Indian Hindu philosopher, poet, and grammarian. He was of noble birth; according to legend, he made seven attempts to renounce the world for monastic life before eventually becoming a yogi and moving into a cave near Ujjain. His Vakyapadiya is his major work on the philosophy of language. Also ascribed to him are three collections of poetry, each containing 100 verses: Shrngara-shataka (on love), Niti-shataka (on ethics and polity), and Vairagya-shataka (on dispassion). His Bhatti kavya (‘Poem of Bhatti’) demonstrates the subtleties of Sanskrit.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Haiku

Haiku: A form of Japanese poetry, composed of seventeen syllables in a 5/7/5 pattern. The haiku evokes a complete impression or mood through the juxtaposition of a natural physical element such as a sound or sight, with a phrase to suggest a season or emotion. It developed from the nonstandard linked verse (haikai no renga) popular in the 16th and 17th centuries—the “opening verse” (hokku) of which eventually was treated as in independent form, known today as haiku. Its greatest practitioner was Matsuo Basho, followed by the painter Yosa Buson, Kobayashi Issa, and Masaoka Shiki. Haiku’s emphasis on the immediate and concrete influenced early 20th century Imagism in Europe and America, especially through the influence of Ezra Pound.

Two well-known examples by Basho are the ‘summer grasses’ verse composed on a visit to the site where Yoshitsune was vanquished, and the following:

Furuike ya                                           An ancient pond—

Kawazu tobikomu                           Then the sound of water

Mizu no oto                                        Where a frog plops in”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Sanskrit Language

“Sanskrit language: Old Indo-Aryan language, the classic literary language of Hinduism. The most ancient form is Vedic, attested in its earliest forms in parts of the Rig Veda, dating from the late 2nd millennium BC. Late Vedic Sanskrit was described and codified in a grammar by Panini, dating from about the 5th century BC. Literary activity in so-called Classical Sanskrit, in many respects close to the language described by Panini, flourished c.500 BC-c.AD 1000. Today, Sanskrit (now usually written in the Devanagari script) serves as a learned language for Brahman scholars. It is an archaic Indo-European language with an elaborate system of nominal and verbal inflection.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Showa Period

“Showa period: (1926-1989) Period of Japanese history corresponding to the reign of Hirohito, the Showa emperor. The Showa period saw the militarism of the 1930s and Japan’s disastrous participation in World War II, resulting in the nations complete collapse and ultimate surrender. The postwar era was one of rehabilitation, marked by such successes as its joining the U.N. in 1956, hosting the 1964 Olympics, and holding the Osaka World Exposition in 1970. Japan experienced a so-called ‘economic miracle,’ with growth averaging 10% in 1955-60 and higher in the years following. In the 1980s, the Japanese economy became one of the world’s largest and most sophisticated, with per capita income surpassing that of the U.S. Japanese society became increasingly urban, with one-tenth of the population living in Tokyo by the mid-1980s. U.S. influence on popular culture was very strong, and young Japanese emulated their U.S. counterparts in every way possible. The Showa period also saw more people living in nuclear families than in extended families, love marriage rather than arranged marriages, fewer children, and more opportunities for women. See also Hesei period, Occupation (of Japan).”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Sikkim

“Sikkim: Eastern Himalayas, northeastern India, Mt. Kanchenjunga, third-highest peak in the world, forms its western border. It has an area of 2,744 square miles (7,107 square kilometers); the capital, Gangtok, is the only urban center. As an independent country, it fought prolonged wars in the 18th and 19th centuries with Bhutan and Nepal. It first came under British influence in 1817, though it remained an independent buffer between British India and Tibet. In 1950 it became an Indian protectorate, and in 1975, a state of India. One of India’s smallest states, it exports agricultural products and is one of the world’s main producers of cardamom. Its mineral resources include copper, lead, zinc, coal, iron ore, and garnets.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Persian Language or Farsi Language

“Persian language or Farsi Language: Iranian language spoken by more than 25 million people as a first language, and by millions more as a second. Modern Persian is a koine developed from southwestern dialects in the 7th-9th centuries, after the introduction of Islam brought a massive infusion of loanwords from Arabic. Its standardization and literary cultivation took place in northeastern Persia and Central Asia in the 11th-12th centuries. Polities outside Persia itself (e.g. Mughal India, Ottoman Turkey) have at times been major literary centers. Its status in those countries led to a very strong Persian influence on Urdu and Ottoman Turkish. Other Turkic and Indo-Aryan languages, Caucasian languages, and Iranian languages have also borrowed heavily from Persian. Like other Modern Iranian languages, Persian shows marked changes in sound structure from Old Iranian, as well as a drastic reduction in the repertoire of verbal forms and complete loss of case inflections for nouns and adjectives. It is written in a slightly modified form of the Arabic alphabet.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.