Tag Archives: poetry

Countee Cullen (1903-1946)

 “American poet, novelist, critic, and dramatist. Cullen was one of the leading poets of the Harlem Renaissance during the 1920s. Following the traditional verse forms based in part on the works of John Keats, Cullen is best remembered for his poems treating contemporary racial issues. His first volume of seventy-three poems, Color (1925), won the Harmon Award for high achievement in literature. Among his most notable poems in the volume are ‘The Shroud of Color,’ ‘Heritage,’ ‘Yet Do I Marvel,’ and ‘Incident.’ His other published collections include The Ballad of the Brown Girl (1927), Copper Sun (1927), The Black Christ and Other Poems (1929) and The Medea and Some Poems (1935). He also edited Carolina Dusk: An Anthology of Verse by Negro Poets (1929). His only novel, One Way to Heaven (1932), was praised for its accurate portrayal of Harlem life. The Lost Zoo (1940) and My Lives and How I Lost Them (1942) are children’s books. Two important works published after his death were On These I Stand: An Anthology of the Best Poems of Countee Cullen (1947), and My Soul’s High Song: The Collected Writings of Countee Cullen, Voice of the Harlem Renaissance (1991). 

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Paul Laurence Dunbar

On the penultimate day of Black History Month 2018, here is a Cultural Literacy worksheet on Paul Laurence Dunbar.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Langston Hughes on the Beauty of Blackness

“It is the duty of the younger Negro artist…to change through the force of his art that old whispering ‘I want to be white’ hidden in the aspirations of his people to ‘Why should I want to be white? I am a Negro—and beautiful.’”

Langston Hughes, The Nation, 23 June 1926

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Langston Hughes Knew Rivers, Both Literally and Metaphorically

“I’ve known rivers as ancient as the world and

older than the flow of human blood in human veins.”

Langston Hughes, “The Negro Speaks of Rivers” l. 1 (1921)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Ishmael Reed (1938-)

American novelist and poet. Reed’s writing reflects his belief that the black American writer should function as a kind of conjurer of what Reed calls ‘neo-hoodoo,’ an attempt to pry the distinct qualities of Afro-American culture loose from Euro-American culture. In a language composed of black dialects, standard English, and hip jargon, he writes angry satires on an American society corrupted by racism and uncontrolled technology. Among his novels are The Free-Lance Pallbearers (1967), Mumbo Jumbo (1972), Flight to Canada (1976), The Terrible Twos (1982), and Japanese by Spring (1993). His verse collections include Conjure (1972) and Secretary to the Spirits (1975). Other works include Shrovetide in Old New Orleans (1978), occasional writings; Hell Hath No Fury (1980), a play; The Terrible Threes (1990), a collection of short stories; and Airing Dirty Laundry (1993), containing memoirs.

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

[Addendum: Ishmael Reed entered my cultural cosmology when I heard the the percussionist and producer Kip Hanrahan’s projects to set Mr. Reed’s poetry to music,  the first of which, Conjure (named for one of Mr. Reed’s books of verse) appeared in 1983. I continue to listen to that record regularly, now 35 years later. Two more records from Conjure have appearedCab Calloway Stands in for the Moon (1988) and a two-disc set, Bad Mouth, released in 2006.]

Paul Laurence Dunbar Knows…

“I know why the caged bird sings!”

“Sympathy” 1. 21 (1899)

Paul Laurence Dunbar

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rotten Reviews: Howl

“It is only fair to Allen Ginsberg…to remark on the utter lack of decorum of any kind in this dreadful little volume… ‘Howl’ is meant to be a noun, but I can’t help taking it as an imperative.”

John Hollander, Partisan Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Robert Frost on Our Financial Institutions

“A bank is a place where they lend you an umbrella in fair weather and ask for it back again when it begins to rain.”

Robert Frost

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Rotten Reviews: Chaucer

“Chaucer, not withstanding [sic] the praises bestowed on him, I think obscene and contemptible: he owes his celebrity merely to his antiquity, which he does not deserve so well as Piers Plowman or Thomas Erceldoune.”

Lord ByronThe Works of Lord Byron 1835

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Samuel Taylor Coleridge

“We cannot name one considerable poem that is likely to remain upon the thresh-floor of fame…We fear we shall seem to our children to have been pigmies [sic], indeed, in intellect, since a man as Coleridge would appear great to us.”

London Weekly Review 1828

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.