Tag Archives: literary oddities

Postmodernism

They’re very likely something nobody at the elementary or secondary level needs, but here nonetheless are a reading on postmodernism and its accompanying vocabulary-building and comprehension worksheet. The one-page reading does a nice job of explaining what, for me, has always been a slippery concept. So if you’re teaching some or any of the authors discussed in this reading–among others you’ll find Thomas Pynchon, Italo Calvino, Toni Morrison, and Jean Rhys mentioned here–these documents probably aren’t of, uh, surpassing use to you.

On the other hand, as the reading points out, postmodernism is “notoriously difficult to define, whether in reference to literature, art, or anything else….” So there is the question of semantics to entertain here; a point of debate might be “Is there a stable definition of ‘postmodernism’ with concrete applied examples of the word?” Another might be an assertion in the reading, mostly accurate in my understanding of postmodernism, that the doctrine (such as it is) prescribes a view of the world that that “secure truths [do] not exist and that the world was therefore hopelessly fragmented.” That’s a grim assessment in many respects; but how, if at all, has it lent credibility to and generally abetted tyrants around the globe who began almost immediately, after a former president of the United States began flogging the term, began proclaiming most journalism (or journalism that doesn’t flatter the supreme leader) “fake news”? There, I think, is another point for debate.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Jacob Bronowski on Scholarly Work and Virtue

“By the worldly standards of public life, all scholars in their work are of course oddly virtuous.”

Jacob Bronowski in a lecture at the Massachusetts Institute of Technology (1953)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Broadside

“Broadside (noun): A verbal attack or denunciation, especially in a publication; adverse critique; tirade.

‘Constantine Curran, who was now editing St. Stephen’s, the University College magazine, asked Joyce to send him something he could not market elsewhere, but was staggered when Joyce disingenuously submitted a new and scabrous broadside, “The Holy Office.”’ Richard Ellman, James Joyce”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

H.G. Wells on Moral Indignation

“Moral indignation is jealousy with a halo.”

H.G. Wells

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Write It Right: Curious for Odd or Singular

“Curious for Odd, or Singular. To be curious is to have an inquiring mind or mood—curiosity.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Write It Right: Cunning for Amusing

“Cunning for Amusing. Usually said of a child, or pet. This is pure Americanese, as is its synonym, ‘cute.’”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Bon Mot

“Bon Mot  A clever, well-phrased observation or remark; witticism. Pl. bons mots, bon mots.

‘The literary Jews also sprinkled their prose with Yiddish bon mots in lieu of the Latin that the Southerners favored.’ Richard Kostalanetz, Literary Politics in America”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

7 Colours of the Visible Spectrum

“These seven colours can be remembered through the mnemonic ‘Richard of York Gave Battle In Vain.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Rotten Reviews: Two for John Gardner

“Rotten Reviews: The Wreckage of Agathon

’”Wreckage’ is appropriate…more hysterical than historical.’

Library Journal

Rotten Reviews: October Light

‘Within this great welter of word, symbols, and gassy speechifying and half-hatched allegory there was once, I suspect, a good lean novel, but I can’t find it….’

Peter Prescott, Newsweek”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Brewer’s Curious Titles: True Grit

“True Grit: A film Western (1969) based on a novel (1968) of the same name by Charles Portis (b. 1933). The film starred John Wayne as an indomitable one-eyed marshal, ‘Rooster’ Cogburn, who is eventually persuaded to help a determined teenage girl avenge herself upon her father’s murderers. According to Portis, he picked up the phrase while researching memoirs about the old West, in which all manner of heroes were praised for their ‘grit’ (meaning their determination and courage):

‘I had never seen it in such profusion as in these books. There was grit, plain grit, plain old grit, clear grit, pure grit, pure dee grit (a euphemism for damned) and true grit. Thus the hard little word was in my head when I began the story.’

He jotted the phrase down on the title page of his script for use within the text when it became appropriate, and then realized it would make a good title itself. Portis was not, as he admitted himself, the first writer to make use of the phrase: as early as 1897 Bram Stoker quoted it in his novel Dracula.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.