Tag Archives: fiction/literature

Kenzaburo Oe (1935-)

“Japanese novelist. Oe is widely read in his own country and considered by many to be the finest writer of his generation. His first work, a novella called Shiiku (1958; tr The Catch, 1972), describes the friendship between a Japanese boy and a black American prisoner of war. Published while Oe was still a student, it received the prestigious Akutgawa award. In Oe’s early works, madness and violence are commonplace. His fiction explores Japanese feelings of betrayal, dislocation, and alienation in the wake of World War II, and his political writings focus on Japan’s search for cultural and ideological roots. Oe’s later works reflect his intense and painful experience as a father of a brain-damaged child: Kojinteki na taiken (1964; tr A Personal Matter, 1968); Man’en gannen no futtoboru (1967; tr The Silent Cry, 1974); and Warera no kyoki o ikinobiru michi o oshieyo (1969; tr Teach Us to Outgrow Our Madness: Four Short Novels, 1977). Oe’s style has been described as innovative, wild, and vital and has angered certain critics by flouting prevailing Japanese literary conventions of delicacy and simplicity. He received the Nobel Prize for Literature in 1994, only the second Japanese writer so honored (Kawabata was the first, in 1968.).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Rotten Reviews: John Updike and Rabbit Run

“This grim little story is told with all the art we have learned to expect from Updike, but the nagging question remains: what does it come to? Rabbit, Janice and Ruth are all creatures of instinct, floundering in a world they cannot understand…The author fails to convince us that his puppets are interesting in themselves or that their plight has implications that transcend their narrow world.”

Milton Crane, Chicago Tribune

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Leo Tolstoy, the Sage of Yasnaya Polyana, Hadn’t Seen Anything Yet

“Government is an association of men who do violence to the rest of us.”

Leo Tolstoy

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Slice of Life

“Slice of Life (adj): Showing or characterized by an unselectively naturalistic rendering of day-to-day life, as in a short story portraying starkly working-class existence; depicting actual experience.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Dorothy Parker (1893-1967)

[Whenever I feel down, I turn to the the Algonquin Wits, and especially one of its most brilliant, albeit self-destructive, members, the late, great Dorothy Parker. I want to annotate this quote with something few people know about Mrs. Parker: she was a dedicated civil rights activist who greatly respected Martin Luther King, Jr.; indeed, she she left her estate in its entirety to him.]

“American writer of short stories, verse, and criticism. Parker was noted for her caustic wit, as a drama critic for Vanity Fair and later a book reviewer for The New Yorker, and she became one of the luminaries of the Algonquin Round Table. Her works in verse are equally sardonic, usually dry, elegant commentaries on departing or departed love. The collection Enough Rope (1926), contains the much quoted ‘Resume’ on suicide, and ‘News Item,’ about women who wear glasses. Her short stories, which were collected in After Such Pleasures (1932) and Here Lies (1939), are as imbued with a knowledge of human nature as they are deep in disenchantment; among the best known are ‘A Big Blonde’ and ‘A Telephone Call.’”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Madeline L’Engle (1918-2007)

[Because of Ava DuVernay’s filmed adaptation of A Wrinkle in TimeMadeline L’Engle has been in the news lately. Here’s a biographical squib on her that might be useful in introducing students to her or her work]

“Originally Madeline Camp (1918-2007) U.S. author of children’s books. Born in New York City, she pursued a career in theater before publishing her first book, The Small Rain (1945). In A Wrinkle in Time (1962), she introduced a group of children who engage in a cosmic battle against a great evil; their adventures continue in A Swiftly Tilting Planet (1978) and other books. Her works often explore such themes as the conflict of good and evil, the nature of God, individual responsibility, and family life. She also has written adult fiction, poetry, and autobiography.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Cassandra

Here is a Cultural Literacy worksheet on Cassandra, she of Greek myth. She is often a metaphor, in polite but educated conversation, as a metaphor for a person whose valid warnings or concerns about the future are disbelieved by others.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Anais Nin (1903-1977)

“French-born American novelist and diarist. Although she had written over a dozen books, Nin was not widely known until the publication of The Diary of Anais Nin 1931-1966 (7 vols. 1966-80). A record of avant-garde life in Paris and New York, with portraits of friends like Henry Miller and Lawrence Durrell, the diaries essentially chronicle a woman’s coming to terms with her identity as a woman. They served as the source of much of Nin’s fiction, which shows the influences of surrealism and psychoanalysis. Her first novel, House of Incest (1936), is a prose poem dealing with psychological torment. The second, Winter of Artifice (1939), examines a daughter’s relationship to her father. The series Cities of the Interior includes Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Solar Barque (1958). Both in her fiction and her diaries, a dreamlike, sensuous prose expands personal concerns to a universal level. Nin’s essays on literary theory include Realism and Reality (1946) and The Novel of the Future (1968). The Delta of Venus (1977) and Little Birds (1979) are books of erotica she wrote in the 1940s.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Aphra Behn (1640-1689)

“English dramatist, novelist, and poet, the first Englishwoman known to earn her living by writing. Her early life is obscure (as is her original surname), but she spent most of it in South America. Her novel Oroonoko (1988), the story of an enslaved African prince who Behn knew in South America, influenced the development of the English novel. Her first play, The Forc’d Marriage, was produced in 1671; her later witty comedies, such as the two-part The Rover (1677, 1681), were highly successful, and toward the end of her life she wrote many popular novels.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Alice Walker

Here is a Cultural Literacy worksheet on Alice Walker. She remains relevant as does The Color Purple , and I hope, despite the many attempts to ban the novel, it remains within the reach of all who seek to read it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.