Tag Archives: fiction/literature

Rotten Rejections: The Wind in the Willows by Kenneth Grahame

“…the form of the story is most unexpected.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Miguel Angel Asturias

“Miguel Angel Asturias: (1899-1974) Guatemalan novelist, short-story writer, and poet. Asturias spend much of his life in exile because of his public opposition to dictatorial rule. When he was sympathetic to his country’s leadership, he served as ambassador to El Salvador and later to France. He took a law degree in 1923 and then went to London to study economics and Paris to study anthropology, where he encountered French translations of Mayan writings. He proceeded to translate the Mayan text Popol Vuh into Spanish in 1925, developing a deep concern for the Mayan culture that was to weave its myth and history into everything he wrote, though never to the exclusion of this social and political statements. His greatest novel is El senor president (1946; tr El Senor Presidente, 1964), a phantasmagoric satire on Latin American military dictators, based largely on the regime of Manuel Estrada Cabrera, president of Guatemala from 1898 to 1920. Viento Fuerte (1950; tr Strong Wind, 1968), El papa verde (1954; tr The Green Pope, 1971), and Los ojos de los enterrados (1960; tr The Eyes of the Interred, 1973) comprise a trilogy attacking the exploitation by U.S.-owned fruit companies of the Guatemalan banana plantations. Week-end en Guatemala (1956) is a collection of stories about the C.I.A.-directed overthrow of the government of Jacobo Arbenz, whom Asturias had supported. After Arbenz’s ouster, Asturias went into exile, returning to Guatemala in 1966. In 1967 he was appointed ambassador to France, the same year in which he was awarded the Nobel Prize in literature.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Allegory

“Allegory (noun) The use of metaphoric, often schematic storytelling and characters for two levels of meaning, with that beneath the surface narrative expressing deeper human truths, whether with a spiritual or moral message or as a form of satire; a literary work whose characters, settings, and incidents have their own verisimilitude but also mask hidden, parallel significations; symbolic narrative. Adj. allegorical; adv, allegorically; n. allegorization, allegorist; v. allegorize.

‘Tolstoy describes her as a creature so sensitive that we wonder she can’t speak. Now we see her lying at his feet, she bends her head back and gazes at him with her speaking eyes. The very suspicion of allegory destroys the validity of the scene.’ Joyce Cary, Art and Reality”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Book of Answers: Stephen Crane

What year was Stephen Crane born? The author of The Red Badge of Courage (1895) was born in 1871, six years after the end of the Civil War. He died in 1900.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Rotten Reviews: Lie Down in Darkness by William Styron

“What is evident in this first novel is an eagerness and a sincerity which ought to have been served by an able and understanding editor. Mr. Styron however had no Maxwell Perkins to guide him, with the result that he has written here a serious work of fiction which should not have exceeded 300 pages in length, and which need not have been done in so turgid and often confused a manner…Mr. Styron leaves his readers curiously unsympathetic.”

August Derleth, Chicago Tribune

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Apocalypse Now

“Apocalypse Now: A film (1979) directed by Francis Ford Coppola, loosely based on the story Heart of Darkness by Joseph Conrad (1857-1924). The title refers to the Revelation of St. John the Divine, also called the Apocalypse; ‘apocalypse’ (Greek apokalupsis) literally means an uncovering, but is popularly taken to mean the violent end of the world, as described by St, John. The ‘Now’ in the title refers to the fact that the film is set during the Vietnam War (which had come to an end four years before the film’s release). The film stars Martin Sheen as US Army captain detailed to assassinated the renegade Colonel Kurtz, played by Marlon Brando, and includes such epic set pieces as a helicopter assault conducted to the accompaniment of Wagner’s ‘The Ride of the Valkyries.’ The massive cost of the film, which was shot in the Philippines and complicated when Martin Sheen suffered a heart attack, was compounded by the extent to which it went over schedule. In the film business it became known by the alternative titles Apocalypse When? or Apocalypse Later. During filming Coppola referred to the film as his “Idiodyssey.” He later said

‘We made Apocalypse the way Americans made war in Vietnam. There were too many of us, too much money and equipment—and little by little we went insane.’

In 2001 Coppola released his own cut, Apocalypse Now Redux (redux is Latin for ‘brought back,’ ‘restored’), which included the fabled ‘French plantation sequence,’ the existence of which had been rumored among fans for years.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Book of Answers: Selma Lagerlof

Who was the first woman to be awarded the Nobel Prize in literature? Selma Lagerlof of Sweden was awarded the prize in 1909. She is known for such works as Jerusalem (1901-1902), a collection of stories about Swedish peasant life.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Rotten Rejections: Edgar Rice Burroughs

[N.B. that both novels remain in print.]

I. The Outlaw of Torn

“I am not sure there is any particular value in the happy ending. It seems to be more legitimate to have both De Vac and the outlaw die in the end, leaving the lady dissolved in tears, possibly on her way to become a nun.”

II. Under the Moons of Mars

“It is not at all probable, we think, that we can make use of a Virginia soldier miraculously transported to Mars….”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Belles-Lettres

“Belles-Lettres (noun): Fine or imaginative , usually sophisticated, writing that, however limited in general appeal, is an aesthetic end in itself, including poetry, drama, light essays, and literary criticism. Adj. belletristic; n. belletrism, belleslettrism, belles-lettrism, belletrist, belle-lettrists.

‘The fear, as in literary criticism, is that one will lapse, or will be accused of lapsing, back into the old belles-lettristic mode, than which it is rightly felt that nothing could be more deadly—though other things can be as bad.’ Michael Tanner, in The State of Language.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Book of Answers: Merlin the Sorcerer

“Where in literature did Merlin the sorcerer first appear? In Geoffrey of Monmouth’s The History of the Kings of Britain [Historia Regum Britanniae] (1137). This Latin prose work by the English chronicler also helped build the legend of Merlin’s protégé King Arthur.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.