Tag Archives: fiction/literature

Ruben Dario

“Ruben Dario: (pen name of Felix Ruben Garcia Sarmiento, 1867-1916) Nicaraguan poet and essayist, famed as the high priest of modernismo. One of his favorite sayings was ‘Art is not a set of rules but a harmony of whims.’ Because he wrote verse as a child, he became known in Central America as ‘the boy poet.’ In 1886 he went to Chile, where he published his first major work, Azul (1888), a collection of verse and prose sketches that bore the imprint of the French Parnassians and revealed the fondness for lush, exotic imagery that was to characterize his work. In 1890 he returned to Central America and the first of his two unhappy marriages. After a short visit to Spain in 1892, he moved to Buenos Aires. The appearance of Prosas Profanas (1896; tr 1922), in which the influence of the French symbolists is fused with that of the Parnassians, marked the highpoint of the modernist movement. In 1898 Dario went again to Spain, now as a correspondent for La nacion, a Buenos Aires newspaper. He was acclaimed by intellectuals of Spain’s Generacion del 98, who, like Dario, were profoundly affected by the outcome of the Spanish-American War. Cantos de vida y esperanza, generally regarded as his best work, appeared in 1905. It shows the technical excellence and lyric beauty of his earlier poetry, but there is a greater freedom and a new feeling for the native themes, which he had previously rejected. Dario’s concern for ‘our America’ is also evident in ‘A Roosevelt,’ a poetic diatribe against the U.S., motivated by the seizure of Panama in 1903, and in Canto a la Argentina (1910). Dario’s later work reveals a growing disillusionment and despair, Although he was named Nicaraguan minister to Spain in 1908, his last years were marred by financial difficulties and poor health, due in part to his heavy drinking. In 1915, after an unsuccessful lecture tour of the U.S., he was stricken with pneumonia in New York and died soon after his return to Nicaragua. Dario’s influence on Spanish poetry can be measured by the statement of Pedro Henriquez Urena that ‘of any poem written in Spanish, it can be told with certainty whether it was written before him or after him.’ The Selected Poems of Ruben Dario appeared in English translation in 1965.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Book of Answers: Jorge Luis Borges

“From what country did Jorge Luis Borges hail? Argentina”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Dulce Maria Loynaz

“Dulce Maria Loynaz: (1903-1997) Cuban poet and prose writer. Born in Havana to a father who was a general in the struggle for Cuban independence, she showed her poetic gifts early, publishing her first poems in La Nacion at age seventeen. She studied civil law, and practice until 1961. In her major books, Versos, 1920-1938 (1938), Juegos de agua: Versos del agua y del amor (1947), Poemas sin nombre (1953), Carta de amor a Tut-ank-Amen (1953), and Ultimos dias de una casa (1958), the poet is intensely concerned with the beauty and evocative capacity of language which she uses to express nostalgia for places, scenery, and people, and to sing of the beauty of Cuba. Her devotion to language manifested itself in a process of distillation, though which she moved away from the formal elements of poetry, such as rhyme and verse forms, toward a poetic prose. In fact, her novel Jardin (1951) is characterized by the kind of lyrical expression on which her poetry is built. These qualities also pervade her travel book, Un Verano en Tenerife (1958). She received the Cervantes Prize in 1993.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Book of Answers: Mario Vargas Llosa

“From what country does Mario Vargas Llosa hail? Peru.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Manuel Puig on the Psychology of Oppression

“Outside of this cell we may have our oppressors, yes, but not one inside. Here one oppresses the other. The only thing that seems to disturb me…because I’m exhausted, or conditioned, or perverted…is that someone wants to be nice to me, without asking anything back for it.”

Manuel Puig, Kiss of the Spider Woman ch. 11 (1976)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Ariel

“Ariel: (1900) An essay by Jose Enrique Rod, which had a tremendous impact on Hispanic American Intellectuals. Rodo appealed to the youth of Spanish American to aspire to be the spirituality, idealism, and rationality symbolized by Shakespeare’s Ariel and to reject the brutishness and sensuality represented by Caliban. Because Rodo censured U.S. materialism and utilitarianism in the essay, many readers erroneously assumed that he was pitting Anglo-Saxon crassness against Latin idealism. A later essay by Fernandes Retamar made a quite different interpretation of Caliban, as the native and victim of imperialism.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Carlos Fuentes

Here is a Cultural Literacy worksheet on Carlos Fuentes. This is a half-page worksheet with a one-sentence reading (the sentence is longish and might require editing for some readers) and two short comprehension questions. It’s the barest of introductions to this eminent Mexican novelist and essayist; enough to help students gain knowledge of Carlos Fuentes, a significant figure in world literature. In other words, students will gain passing cultural literacy from this document, but little more.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Gaston Baquero y Diaz

“Gaston Baquero y Diaz: (1916-1997) Cuban poet, literary critic, and journalist. Although from a scientific background, he quickly gravitated toward the “Origines” group and became chief editor of the El Diario de la Marina newspaper for fifteen years. He left Cuba for political reasons in 1959, settling in Spain. Baquero’s poetry, collected in Poemas (1942) and Memorial de un testigo (1966), has a magical, visionary quality, laced with humor and sensuality. It is rich in sonorities and is strongly metaphysical, but also explores the intimate details of daily life, qualities more clearly seen in later works such as Magias e invenciones (1984) and Poemas invisibles (1991).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, 1 October 2021, Hispanic Heritage Month 2021 Week III: A Reading and Comprehension Worksheet on Don Quixote

For the third Friday of Hispanic Heritage Month 2021, here is a reading on Don Quixote with its accompanying vocabulary-building and comprehension worksheet. I don’t know if you’ve read Miguel de Cervantes’ magisterial novel–I finally read it during the pandemic, and now want to read it again–but I must extol the virtues and richness of this landmark of world literature.

Otherwise, I have nothing to say, and I certainly wouldn’t presume to editorialize upon or criticize this novel. If that’s what you seek, I recommend Harold Bloom or someone of his ilk. It goes without saying, I assume, that a lot of ink has been spilled in seeking a deeper understanding of Don Quixote.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mateo Aleman

“Mateo Aleman: (1547-1614?) Spanish novelist. Descended from Jews who had been forcibly converted to Roman Catholicism, he expressed many aspects of the experiences and feelings of the new Christians in 16th-century Spain. His most important literary work is Guzman de Alfarache (1599, 1604), one of the earliest picaresque novels, which brought fame throughout Europe, but little profit.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.