“From what country does Mario Vargas Llosa hail? Peru.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
“From what country does Mario Vargas Llosa hail? Peru.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, hispanic history
“Outside of this cell we may have our oppressors, yes, but not one inside. Here one oppresses the other. The only thing that seems to disturb me…because I’m exhausted, or conditioned, or perverted…is that someone wants to be nice to me, without asking anything back for it.”
Manuel Puig, Kiss of the Spider Woman ch. 11 (1976)
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“Ariel: (1900) An essay by Jose Enrique Rod, which had a tremendous impact on Hispanic American Intellectuals. Rodo appealed to the youth of Spanish American to aspire to be the spirituality, idealism, and rationality symbolized by Shakespeare’s Ariel and to reject the brutishness and sensuality represented by Caliban. Because Rodo censured U.S. materialism and utilitarianism in the essay, many readers erroneously assumed that he was pitting Anglo-Saxon crassness against Latin idealism. A later essay by Fernandes Retamar made a quite different interpretation of Caliban, as the native and victim of imperialism.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Here is a Cultural Literacy worksheet on Carlos Fuentes. This is a half-page worksheet with a one-sentence reading (the sentence is longish and might require editing for some readers) and two short comprehension questions. It’s the barest of introductions to this eminent Mexican novelist and essayist; enough to help students gain knowledge of Carlos Fuentes, a significant figure in world literature. In other words, students will gain passing cultural literacy from this document, but little more.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Gaston Baquero y Diaz: (1916-1997) Cuban poet, literary critic, and journalist. Although from a scientific background, he quickly gravitated toward the “Origines” group and became chief editor of the El Diario de la Marina newspaper for fifteen years. He left Cuba for political reasons in 1959, settling in Spain. Baquero’s poetry, collected in Poemas (1942) and Memorial de un testigo (1966), has a magical, visionary quality, laced with humor and sensuality. It is rich in sonorities and is strongly metaphysical, but also explores the intimate details of daily life, qualities more clearly seen in later works such as Magias e invenciones (1984) and Poemas invisibles (1991).”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, hispanic history, poetry, readings/research
For the third Friday of Hispanic Heritage Month 2021, here is a reading on Don Quixote with its accompanying vocabulary-building and comprehension worksheet. I don’t know if you’ve read Miguel de Cervantes’ magisterial novel–I finally read it during the pandemic, and now want to read it again–but I must extol the virtues and richness of this landmark of world literature.
Otherwise, I have nothing to say, and I certainly wouldn’t presume to editorialize upon or criticize this novel. If that’s what you seek, I recommend Harold Bloom or someone of his ilk. It goes without saying, I assume, that a lot of ink has been spilled in seeking a deeper understanding of Don Quixote.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Mateo Aleman: (1547-1614?) Spanish novelist. Descended from Jews who had been forcibly converted to Roman Catholicism, he expressed many aspects of the experiences and feelings of the new Christians in 16th-century Spain. His most important literary work is Guzman de Alfarache (1599, 1604), one of the earliest picaresque novels, which brought fame throughout Europe, but little profit.”
Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
Here is a Cultural Literacy worksheet on Gabriel Garcia Marquez. This is a full-page worksheet with a three-sentence reading and five comprehension questions. As Marquez produced one of the modern landmarks of world literature, One Hundred Years of Solitude, I thought it appropriate to take a deeper dive into his biography. Hence five questions from a three-sentence text.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Juan Jose Arreola: (1918-2001) Mexican short-story writer and dramatist. Arreola had a vivid imagination, a pointed, wildly comic humor, and an extraordinary command of the Spanish language and of short forms of literature. Arreola’s workshops have trained a flock of Mexico’s new writers, and he hosted a popular TV show that analyzed literary subjects. Though he began in theater, his fame rests on his stories, fables, and vignettes which are often only a page long. Confabulario (1952; tr Confabulario and Other Inventions, 1964) is perhaps his most important prose work; it features rueful and hilarious meditations on the battle between the sexes, politics, religious hypocrisy, and the frustrations of daily life. His only novel, La feria (1963; tr The Fair, 1977) depicts, through and impressive array of colloquial nuance, the daily life of a small town as a collective portrait instead of focusing on a few protagonists. Among his other collections of short fictions is Palindroma (1971), which includes a remarkable play, “Tercera llamada,” a meta-theatrical reworking of the Adam and Eve myth that moves between the human and archetypal levels with great skill and humor. Arreola’s influences (Camus, Kafka, Borges) do not diminish his brilliant contribution to the modern Latin American short story, which places him alongside Rulfo, Quiroga, Borges, and Pinera. Arreola won the Juan Rulfo Prize in Literature in 1992.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, hispanic history, readings/research
“Isabel Allende: (1942-) Chilean novelist, short-story writer, and journalist. Touted as the first major female figure in Latin America’s book of narrative fiction, she has become one of the continent’s best known and bestselling authors, but has been dismissed by some as an epigone of Gabriel Garcia Marquez and his school of Magic Realism. Born in Lima, Peru, she worked as a journalist in Chile. After President Salvador Allende, her father’s cousin, was deposed in 1973, she emigrated to Venezuela and then to the U.S. Her best-known novel is her first book, La casa de los espiritus (1982; tr The House of the Spirits, 1985); set in a nameless Latin American country, it is the story of several generations of the upper-class Trueba family. It was followed by the novels De amor y de sombra (1984; tr Of Love and Shadows, 1985) and Eva Luna (1987; tr 1988), and the short-story collection Cuentos de Eva Luna (1990; tr The Stories of Eva Luna, 1991). Later books include El plan infinito (1991; tr The Infinite Plan, 1993), the story of a Chicano lawyer in San Francisco, and Paula (1994; tr 1995), a moving account of her daughter’s illness and death.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
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