Tag Archives: fiction/literature

Rotten Reviews: A Fan’s Notes

“Rotten Reviews: A Fan’s Notes

‘The book’s fault is its lack of passion.’

Library Journal”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

A Learning Support on the Literary Terms Poetry, Prose, and Prose Poem

In response to a student question the other day about the difference between prose and poetry–the prose poem “A Story About the Body” by Robert Hass was that day’s lesson in our English class and occasioned the question–I whipped up this learning support on the literary terms poetry, prose, and prose poem. This document is a single page with three short passages of text from Merriam-Webster’s Collegiate Encyclopedia. It’s basically a glossary.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Master and Margarita

The Master and Margarita: (Russian title: Master i Margarita). A novel by Mikhail Bulgakov (1891-1940), combining dark humor, satire, fantasy and philosophy. It was completed in 1938, but not published in Russia until 1966-7 (in serial form); the English edition was published in 1967. In the 1930s the Devil visits Moscow, and, with the aid of a naked girl and a gun-toting, cigar-smoking, man-sized cat, spreads chaos and mayhem and shows up the moral inadequacies of Soviet society. Standing apart from all this is the Master, a novelist of great integrity, and his beloved, Margarita. He is writing a book about the appearance of Jesus before Pontius Pilate in Jerusalem, long sections of which are included by Bulgakov. The book is prefaced by quotation from Goethe’s Faust.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Foreshadowing

“Foreshadowing: The technique of arranging events and information in a narrative in such a way that later events are prepared for or shadowed forth beforehand. A well-constructed novel, for instance, will suggest at the very beginning what the outcome may be; the end is contained in the beginning, and this gives structural and thematic unity.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Nineteen Eighty-Four

“Nineteen Eighty-Four: A dystopian novel (1949) by George Orwell (1903-50). The book comprises a prophecy of the totalitarian future of mankind, portraying a society in which government propaganda and terrorism destroy human awareness of reality. It is generally thought that Orwell named the novel by reversing the last two figures of the year in which it was written, 1948, but an article by Sally Coniam in the Times Literary Supplement of 31 December 1999 proposed another theory. In 1934 Orwell’s first wife, Eileen O’Shaughnessy, published a poem, ‘End of the Century 1984,’ in The Chronicle, the school magazine of Sunderland Church High School, where she had been a pupil in the 1920s. The poem was written to mark the school’s 50th anniversary, looking back then forward to the future and to the schools centenary in 1984. It seems likely that Orwell could have adopted the year accordingly, although for him it was a random date. Support for this lies in the poem’s mention of ‘telesalesmanship’ and ‘Telepathic Station 9,’ terms strangely modern for their time, which seem to prefigure Orwell’s own ‘Newspeak,’ teleprogrammes,’ and ‘telescreen.’

Following the publication of Orwell’s novel, the year 1984—until it came and went—was long regarded as apocalyptic, and as such was even entered in the Oxford English Dictionary. Appropriately enough, a film version entitled 1984 starring John Hurt and Richard Burton was released in 1984.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Analogy

“Analogy (noun) A theoretical comparison or point-by-point correspondence between particulars of two different things, rather than a categorical likeness; resemblance in certain parallels; logical inference that if two things are alike in some respects, they will be alike in others. Adj. analogical, analogous; adv. analogously; n. analogousness; v. analogize.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Book of Answers: Babar the Elephant

“Who created Babar the Elephant? Jean de Brunhoff, in stories beginning with The Story of Babar (1933). De Brunhoff’s son Laurent continued the series.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The 39 Steps

John Buchan’s 1915 action novel has been filmed at regular intervals, following Alfred Hitchcock’s classic version with Robert Donat as buccaneering hero James Hannay. Buchan was famously inspired to write the novel by his daughter counting the stairs of the nursing home in Broadstairs, where he was convalescing. He turned the phrase into a key mystery of the novel, and Hannay’s eventual discovery of its meaning (it is the number of steps down a cliff path to a waiting yacht) helps keep Britain’s military secrets intact from the Germans.

Hitchcock significantly changed Buchan’s plot for his 1935 movie, writing a climactic music hall scene in which ‘Mr. Memory’ is asked ‘What are the 39 Steps?’ and is about to reveal the answer (‘The 39 Steps is an organization of spies collecting information on behalf of the foreign office of…’) when he is shot dead. An equally evocative twist was introduced in the 1978 film starring Robert Powell, where the thirty-nine steps turn out to be the number of stairs in the clock tower of Big Ben.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Rotten Reviews: Invisible Man

Rotten Reviews: Invisible Man

“It has its faults which cannot simply be shrugged off—occasional overwriting, stretches of fuzzy thinking, and a tendency to waver, confusingly, between realism and surrealism.”

Atlantic Monthly

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

Willa Cather on Human Stories

“There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.”

Willa Cather, O Pioneers! Pt. 2 ch. 4 (1913)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.