Tag Archives: fiction/literature

True Grit

True Grit: A film Western (1969) based on a novel (1968) of the same name by Charles Portis (b. 1933). The film starred John Wayne as an indomitable one-eyed marshal, ‘Rooster’ Cogburn, who is eventually persuaded to help a determined teenage girl avenge herself upon her father’s murderers. According to Portis, he picked up the phrase while researching memoirs about the old West, in which all manner of heroes were praised for their ‘grit’ (meaning their determination and courage):

‘I had never seen it in such profusion as in these books. There was grit, plain grit, plain old grit, clear grit, pure grit, pure dee grit (a euphemism for damned) and true grit. Thus the hard little word was in my head when I began the story.’

He jotted the phrase down on the title page of his script for use within the text when it became appropriate, and then realized it would make a good title itself. Portis was not, as he admitted himself, the first writer to make use of the phrase: as early as 1897 Bram Stoker quoted it in his novel Dracula.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Devil’s Dictionary: Yankee

“Yankee, n. In Europe, an American. In the Northern States of our Union, a New Englander. In the Southern States, the word is unknown. (See DAMYANK.)”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Blasphemy

“Blasphemy (noun): Language or an expression that flouts the name of god or religious sensibilities; irreverence or cursing; an offensively impious expression. Adj. blasphemous; adv. blasphemously; n. blasphemer; v. blaspheme.

‘He was quite aware that a number of the men saying their prayers were also watching him closely with murder in their eyes, and it seemed to stimulate him to fresh feats of imaginative blasphemy.’

Katherine Anne Porter, Ship of Fools”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Rotten Reviews: Mickelsson’s Ghosts

“…dreadfully long and padded and it often degenerates into drivel…as a philosophical novel, it is a sham. Stripped of its excesses, however, it does not have enough substance to have made a good Raymond Carver short story.”

Saturday Review

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

The Devil’s Dictionary: Government

“Government, n. A modern Chronos who devours his own children. The priesthood are charged with the duty of preparing them for his tooth.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Fable

“Fable: A short tale, usually epigrammatic, with animals, men, gods, and even inanimate objects as characters. The action of a fable illustrates a moral which is usually (but not always) explicitly stated at the end. This moral often attains the force of a proverb. The fable form appears early in man’s cultural development, being a common part of the oral folk literature of primitive tribes. It appeared in Egyptian papyri of c1500 BC, and in Greece a recognizable fable was included in the works of Hesiod in the 8th century BC. By far the most famous fables are those attributed to Aesop, a Greek slave who lived about 600 BC. In India the fable also appeared early, the great Indian collection, the Panchatantra, having been composed in the 3rd century. Modern fables have been dominated by the genius and style of La Fontaine, the great French fabulist of the 17th century, who wrote fables in polished and witty poetry that have been widely translated and imitated.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The 23 Enigma

“In Tangier in 1960 the Beat writer William Burroughs met a sea captain called Captain Clark, who boasted to him that he had never had an accident in twenty-three years; later that day Clark’s boat sank, killing him and everyone on board. Burroughs was reflecting on this, that same evening, when he heard a radio report about a plane crash in Florida: the pilot was another Captain Clark and the plane was Flight 23. From then on Burroughs began noting down incidents of the number 23, and wrote a short story, 23 Skidoo.

Burroughs’ friends Robert Anton Wilson and Robert Shea adopted the ’23 Enigma’ as a guiding principle in their conspiratorial Illuminatis! Trilogy. Twenty-threes come thick and fast: babies get 23 chromosomes from each parent; 23 in the I-Ching means ‘breaking apart’; 23 is the psalm of choice at funerals; and so on. All nice examples of selective perception or, as Wilson put it, ‘When you start looking for something you tend to find it.’ The composer Alban Berg was also obsessed with the number, which appears repeatedly in his opera Lulu and in his violin concertos.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Algonquin Wits: Robert Benchley on Office Sharing

Benchley and Dorothy Parker shared a tiny $30-a-month office for a time in the Metropolitan Opera House studios. As Benchley described it, ‘One cubic foot of space less and it would have constituted adultery.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Assonance

“Assonance (noun): Resemblance of sound in words, or closeness or correspondence of syllables with similar sounds and particularly vowel sounds; vowel recurrence. Adj. assonant, assonantal, assonantic; n. assonant; v. assonate.

‘Dinted, dimpled, wimpled—his mind wandered down echoing corridors of assonance and alliteration even further and further from the point. He was enamored with the beauty of words.’ Aldous Huxley, Chrome Yellow”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Algonquin Wits: Dorothy Parker Eavesdrops

“Sitting next a table of visiting Midwestern governors in a New York nightclub, Mrs. Parker summed up their conversation: ‘Sounds like over-written Sinclair Lewis.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.