Tag Archives: building vocabulary/conceptual knowledge

Cultural Literacy: Ships that Pass in the Night

Here is a Cultural Literacy worksheet on the idiom “ships that pass in the night.” This is a half-page worksheet with a reading of three sentences and three questions. A spare, but adequate, introduction to an idiom that may well be fading from public use.

Did you know this line comes from a poem by Henry Wadsworth Longfellow? I didn’t until I prepared this document for publication here.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Praxis

“Praxis: The Greek word meaning ‘doing’ is widely used for all purposeful human activity. In his later, Marxist-influenced work, Sartre, for instance, defines praxis as political action in the world, or as the practical transformation of the world in accordance with a desired end or formality (1960). Praxis is a specifically human activity; the dam-building of a beaver is not praxis because it is an instinctual and unchanging response to a natural environment, and because it implies neither the mastery of existing technology nor the development of new technical means. Beavers will always build dams in the same manner; human engineers will develop new ways of doing so. Although praxis is determined by a finality of goal, its outcome is not always predictable, and it may be reversed into a counter-finality that frustrates the original intention. The outcome or material development of praxis is referred to as the ‘practico-inert’; the relationship between the two is not dissimilar to that between the in-itself and the for-itself.

In his Prison Notebooks, Gramsci (1971) uses the term “philosophy of praxis” as a synonym for Marxism.

Excerpted from: Macey, David. The Penguin Dictionary of Critical Theory. New York: Penguin, 2001.

The Weekly Text, 31 October 2025: A Reading and Comprehension Worksheet on the Nuclear Bomb

Happy Halloween! For this week’s Text, about the scariest thing I could find is this reading on the nuclear bomb along with its accompanying vocabulary-building and comprehension worksheet. And if you really want to scare kids who are old enough to understand, you can enumerate the number of unstable and belligerent countries that possess this fearsome weapon.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common English Verbs Followed by an Object and an Infinitive: Permit

Here is a worksheet on the verb permit when followed by an object and an infinitive.

The student radio host couldn’t permit the politician to curse on the air.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Word Origins: Accolade

“accolade: [E17th] The Provencal word acolada is the source of accolade. This literally meant an embrace or a clasping around the neck, and described the gesture of a friendly hug that was sometimes made when knighting someone, as an early alternative to a stroke on the shoulder with the flat of a sword. The ultimate root of the Provencal word is Latin collum ‘neck,’ from which we also get collar [ME].”

Excerpted from: Creswell, Julia. Oxford Dictionary of Word Origins. New York: Oxford University Press, 2010.

Cultural Literacy: Sect

Here is a Cultural Literacy worksheet on the concept of a sect. This is a half-page worksheet with a reading of two sentences and two comprehension questions. A simple but effective introduction to a concept students really ought to understand before they graduate high school.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 24 October 2025: Two Worksheets on Agriculture and Crop Rotation Based on “The Writing Revolution” Methods

As regular readers of this blog may know, I have been trying for a number of years to develop a set of materials, particularly for my social studies classes (which I am no longer teaching at the moment), based on the methods articulated by Judith C. Hochman and Natalie Wexler in The Writing Revolution (San Francisco: Jossey-Bass, 2017). Even though I have never had a chance to actually teach writing (which was done directly in none of the schools in which I have served in New York City; teachers assign writing work, but don’t really teach students how to write), I have been interested in doing so since I began my career 22 years ago. Now that I am about to retire, I see that I will probably never teach writing, and I probably won’t further develop my store of materials based on The Writing Revolution.

I’ve read enough about curriculum and curriculum design to know that I don’t care much for curricula that aren’t at once scaffolded and flexible. Most are not. But The Writing Revolution is the best thing of its kind I’ve encountered; I knew the first time I read the book that I would want to develop a curriculum based on its methods. It is scaffolded and flexible.

Two years ago, I was finally able to focus on working on these materials. It’s a lot of stuff, and I stipulate that it is uneven at best. Nonetheless–and I think now is a good time to remind users of this blog that most of what you’ll find here is set in Microsoft Word, therefore it is highly convertible and manipulable–I think some of this stuff is worth putting out there. I should also mention that I created a plethora of templates and supports–mostly typed verbatim from the book itself–for developing curricular materials consistent with The Writing Revolution’s prescribed methods.

At the time I began work on this stuff, sometime late in 2018, I thought it might me most useful for my freshman global studies class. This was for a number of reasons, the most salient among them that the New York State Regents Exam in Global Studies was notoriously challenging, and that the student population I served, everyone in my school at the time knew, really struggled with that particular test. But I also wanted to get students writing on their own, and to use language in ways that they otherwise wouldn’t–one of the principal strengths of The Writing Revolution in my opinion.

For global studies, I conceived of strands of work that followed a conceptual and factual arc across a relatively short, but dense and mildly challenging, series of documents. So, without further ado (and with apologies for the ado thus proffered), I offer the documents for Strand Three. This strand would concern agriculture and the earliest cities, but so far, as the lesson plan for Strand Three will show you, I only managed to pull together worksheets on agriculture and crop rotation. These are “developing questions” worksheets: they call upon students to read short passages of text, then develop a question or questions based on what they’ve read. The teachers copy of the agriculture as well as for the worksheet on crop rotation should help make the purpose of this work, and its methods, clearer.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common English Verbs Followed by an Object and an Infinitive: Pay

Here is a worksheet on the verb pay when followed by an object and an infinitive.

You’ll need to pay him to clean your garage.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Science Fiction

Here is a Cultural Literacy worksheet on science fiction. This is a half-page document with a reading of three sentences and three comprehension questions. A concise, symmetrical introduction to this literary genre.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Deadwood

“Deadwood (noun): Useless or expendable words that add nothing to clarity or meaning; verbiage; redundancy. See also VERBALISM.

‘Overly specific’ is inferior to “over specific,” as “inside of her” is to “inside her”; deadwood is always undesirable. John Simon. Paradigms Lost'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.