Tag Archives: art/architecture/design

Pop Art

Here is a reading on pop art along with its attendant vocabulary-building and comprehension worksheet. I suspect, with the right student or students, this reading and worksheet could be the beginning of a high-interest unit on pop art that would include the artists specified in the reading–Andy Warhol (of course), Jasper Johns, Robert Rauschenberg, Larry Rivers, Roy Licthenstein, Duane Hanson, Claes Oldenburg–and grow to include Jean-Michel Basquiat and perhaps some graffiti artists. Futura comes to mind.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Realism (In Visual Art)

“realism: In the visual arts, an aesthetic that promotes accurate, detailed, unembellished depiction of nature or of contemporary life. Realism rejects imaginative idealization in favor of close observation of outward appearances. It was a dominant current in French art between 1850 and 1880. In the early 1830s, the painters of the Barbizon school espoused realism in their faithful reproduction of the landscape near their village. Gustave Courbet was the first artist to proclaim and practice the realist aesthetic; his Burial at Ornans and The Stone Breakers (1849) shocked the public and critics with their frank depiction of peasants and laborers. In his satirical caricatures, Honore Daumier used an energetic linear style to criticize the immorality he saw in French society. Realism emerged in the U.S. in the work of Winslow Homer and Thomas Eakins. In the 20th century, German artists associated with the Neue Sachlichkeit worked in a realist style to express their disillusionment after World War I. The Depression-era movement known as Social Realism adopted a similar harsh realism to depict the injustices of U.S. society. See also naturalism.

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Kinetic Art

“Kinetic Art: Art that moves, driven by atmospheric forces (e.g. Alexander Calder’s mobiles) or by motors, magnets, etc. Retrospectively applied to sculpture in motion created since the 1920s, recent kinetic art includes machine ‘sculptures’ by the art collective Survival Research Laboratory.

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Keystone

“Keystone: The wedge-shaped stone at the center point of an arch regarded as locking the other stones of the arch in place.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Lithography

“Lithography: A planographic process that depends on the antipathy of grease to water. The design is drawn directly on a bed, traditionally of limestone, with a greasy crayon. The stone is wetted, then coated with an oily ink, which clings to the greasy design and is repelled by the wet areas.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Lintel

“Lintel: Horizontal architectural member which spans an opening.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Venus de Medici

Venus de Medici: A statue thought to date from the 4th century BC. It was dug up in the 17th century in the villa of Hadrian at Tivoli, near Rome, in eleven pieces. It was kept in the Medici Palace at Rome until its removal to Florence by Cosimo III de’Medici (1642-1723). Since 1860 it has been in the Uffizi Gallery, Florence. Byron described his reaction to the statue in Childe Harold:

‘We gaze and turn away, and know not where,

Dazzled and drunk with Beauty, till the heart

Reels with its fullness…’

Lord Byron: Childe Harold’s Pilgrimage, IV (1818)

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Linoleum Block

“Linoleum Block: Linoleum glued to a block of hard wood and used as a surface on which to carve designs for relief process prints.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Queen Anne Style

“Queen Anne Style: An American architectural style of the late 19th century which exuberantly combined many unlike textures, materials, and forms into an asymmetrical, composite building. Towers, turrets, elaborate chimney pots, bays, projecting porches, and verandas are all hallmarks of a Queen Anne structure.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Mannerism

“Mannerism: Style of art and architecture that emerged in the period from ca. 1520 to ca. 1590, characterized by a reaction to harmony of the High Renaissance, an ideal of virtuosity for its own sake, and a concomitant preoccupation with the ambiguous and discordant. Exemplified in the works of El Greco, Pontormo, Parmigianino, and (late) Michelangelo.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.