“Style: The characteristic manner and appearance of the works of an individual artist, school, or period. Stylistic elements comprise qualities resulting from both form and content. Artistic styles emerge from individual and collective interpretations in social, political, and economic contexts.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Federal Style: An American architectural style of about 1780 to 1820 which reflected English Georgian models, especially the influence of Robert Adam. Symmetrically designed facades, smooth surfaces, and restrained classical ornament typify buildings in that style.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
If you are of a certain age, you wouldn’t need this context clues worksheet on the noun kiln because you would have had an art class, where you would have had a chance to shape clay and fire it into a ceramic object–using a kiln. Now, however, since we as a society appear to have resolved that children don’t need arts instruction, kids have fewer and fewer interactions with industrial objects like kilns. So we can’t count on their knowing what a kiln is or what it does.
In any case, it was the Word of the Day today at Merriam-Webster; as you can see, I couldn’t let it pass without comment or context clues worksheet.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Structuralism: Seen as a form of constructivism, it is manifest as low-relief sculpture that interprets nature in the tradition of Cezanne by the application of simple geometric forms to a flat surface. Named by American artist Charles Biederman, it has a strong following in Holland and Canada.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Expressionism: Art in which the emotions of an artist are paramount and take precedence over a rational and faithful-to-life rendering of subject matter. Expressionist compositions and forms therefore tend toward distortion and exaggeration, as in the art of El Greco. In modern art, expressionism is associated with German movements of the early 20th century, especially in Die Brucke and Der Blaue Reiter, which are usually referred to as German expressionism. In the Americas expressionism was embraced by Mexican muralists searching for a national style that incorporated European and pre-Columbian elements. See neo-expressionism.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Junk Sculpture: With Dada roots in the collages of Kurt Schwitters, which were created from trash collected from the streets, junk sculpture first appeared in the United States in the 1950s works of John Chamberlain and Robert Rauschenberg. It is a type of assemblage sculpture in which the sculptor uses materials cast off by modern urban culture and reassembles them with little or no comment. Junk sculpture has affinities to Arte Povera in Italy and similar movements in other European countries where it took on more nostalgic tones.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Lettrism: A phenomenon since the 1950s, lettrism is the juxtaposition of letters, words, signs, and pictographic symbols with visual effect as the primary concern and with the meaning (if any) of secondary importance. Concrete poetry is a form of lettrism, but here the verbal meaning is as important as the design. Also called typewriter art.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“Ancient Near Eastern Art: Collective term for the art of ancient cultures (ca. 3500 B.C. to ca. 650 A.D.) in Mesopotamia, Iran, and the Levant. Some of the most important were Sumerian (Mesopotamia), Assyrian (Mesopotamia, the Levant), Hittite (Anatolia), and Achaemenian, Parthian, and Sassanian Persian (Iran).”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“What gave the Bloomsbury Group its name? The group of writers and thinkers, which included Virginia Woolf, Vanessa Bell, and Lytton Strachey, among others, was named for the place where they held their meetings, 46 Gordon Square, in Bloomsbury, London.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
“Spectrum Palette: The restricted palette first used by the French Impressionists, consisting of the colors of the spectrum (red, orange, yellow, green, blue, indigo, and violet) plus white.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
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