Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Iris Murdoch on Failure

“All our failures are ultimately failures in love.”

The Bell, ch. 19 (1958)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Dorothy Parker (1893-1967)

[Whenever I feel down, I turn to the the Algonquin Wits, and especially one of its most brilliant, albeit self-destructive, members, the late, great Dorothy Parker. I want to annotate this quote with something few people know about Mrs. Parker: she was a dedicated civil rights activist who greatly respected Martin Luther King, Jr.; indeed, she she left her estate in its entirety to him.]

“American writer of short stories, verse, and criticism. Parker was noted for her caustic wit, as a drama critic for Vanity Fair and later a book reviewer for The New Yorker, and she became one of the luminaries of the Algonquin Round Table. Her works in verse are equally sardonic, usually dry, elegant commentaries on departing or departed love. The collection Enough Rope (1926), contains the much quoted ‘Resume’ on suicide, and ‘News Item,’ about women who wear glasses. Her short stories, which were collected in After Such Pleasures (1932) and Here Lies (1939), are as imbued with a knowledge of human nature as they are deep in disenchantment; among the best known are ‘A Big Blonde’ and ‘A Telephone Call.’”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Mrs. Parker on Autobiographical Veracity

“It may be that this autobiography [Aimee Semple McPherson’s] is set down in sincerity, frankness, and simple effort. It may be, too, that the Statue of Liberty is situated in Lake Ontario.”

Dorothy Parker, The New Yorker 25 Feb. 1928

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Madeline L’Engle (1918-2007)

[Because of Ava DuVernay’s filmed adaptation of A Wrinkle in TimeMadeline L’Engle has been in the news lately. Here’s a biographical squib on her that might be useful in introducing students to her or her work]

“Originally Madeline Camp (1918-2007) U.S. author of children’s books. Born in New York City, she pursued a career in theater before publishing her first book, The Small Rain (1945). In A Wrinkle in Time (1962), she introduced a group of children who engage in a cosmic battle against a great evil; their adventures continue in A Swiftly Tilting Planet (1978) and other books. Her works often explore such themes as the conflict of good and evil, the nature of God, individual responsibility, and family life. She also has written adult fiction, poetry, and autobiography.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Amy Goodman on Effective Journalism

[Accepting an award for coverage of the 1991 massacre of Timorese by Indonesian troops:]

“Go to where there is silence and say something.”

Quoted in Columbia Journalism Review, March/April 1994

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Anais Nin (1903-1977)

“French-born American novelist and diarist. Although she had written over a dozen books, Nin was not widely known until the publication of The Diary of Anais Nin 1931-1966 (7 vols. 1966-80). A record of avant-garde life in Paris and New York, with portraits of friends like Henry Miller and Lawrence Durrell, the diaries essentially chronicle a woman’s coming to terms with her identity as a woman. They served as the source of much of Nin’s fiction, which shows the influences of surrealism and psychoanalysis. Her first novel, House of Incest (1936), is a prose poem dealing with psychological torment. The second, Winter of Artifice (1939), examines a daughter’s relationship to her father. The series Cities of the Interior includes Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Solar Barque (1958). Both in her fiction and her diaries, a dreamlike, sensuous prose expands personal concerns to a universal level. Nin’s essays on literary theory include Realism and Reality (1946) and The Novel of the Future (1968). The Delta of Venus (1977) and Little Birds (1979) are books of erotica she wrote in the 1940s.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Bette Midler on the Timeline of Culture

“When it’s three o’clock in New York, it’s still 1938 in London.”

Quoted in Jerusalem Post, 24 February 1989

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Aphra Behn (1640-1689)

“English dramatist, novelist, and poet, the first Englishwoman known to earn her living by writing. Her early life is obscure (as is her original surname), but she spent most of it in South America. Her novel Oroonoko (1988), the story of an enslaved African prince who Behn knew in South America, influenced the development of the English novel. Her first play, The Forc’d Marriage, was produced in 1671; her later witty comedies, such as the two-part The Rover (1677, 1681), were highly successful, and toward the end of her life she wrote many popular novels.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Hannah Arendt on Power and Capital

“Power can be thought of as the never-ending, self-feeding motor of all political action that corresponds to the legendary unending accumulation of money that begets money.”

Origins of Totalitarianism ch. 5 (1953)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Martha Graham (1894-1991)

“U.S. dancer, teacher, choreographer, and foremost exponent of modern dance. Born in Pittsburgh, she trained from 1916 under Ted Shawn at the Denishawn school. She left in 1923 for New York, where she founded her own school in 1927 and a performing company in in 1929. She choreographed over 160 works, creating unique “dance plays” and using a variety of themes to express emotion and conflict. Many are based on American themes including Appalachian Spring (1944); other works include Primitive Mysteries (1931), El Penitente (1940), Letter to the World (1940), Cave of the Heart (1946), Clytemnestra (1958), Phaedra (1962), and Frescoes (1978). She collaborated for many years with Louis Horst, her musical director, and Isamu Noguchi, who designed many of her sets. She retired from dancing in 1970 but continued to teach and choreograph. Her technique became the first significant alternative to classical ballet, and her influence extended worldwide through her choreography and her students.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.