[This refers to the 1966 novel by Isaac Bashevis Singer.]
“Too pedestrian.”
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
[This refers to the 1966 novel by Isaac Bashevis Singer.]
“Too pedestrian.”
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, literary oddities
“One of four frescoes by Raphael (1483-1520) painted c. 1509 in the Stanza della Segnatura, a room in the papal apartments in the Vatican. The work was commissioned by Pope Julius II, who also commissioned Donato Bramante to design the new St. Peter’s and Michelangelo to design his tomb and (against his will) to paint the Sistine Chapel ceiling. The frescoes in the Stanza della Segnatura are intended to demonstrate how neoplatonist philosophy justifies the power of the Roman Catholic Church. The School of Athens depicts Plato and Aristotle and a host of other philosophers, both ancient and modern, in a calm and balanced composition. The classical architectural setting–reminiscent of the new St. Peter’s–was painted from designs by Bramante, who himself acted as the model for the mathematician Euclid in the painting. Raphael’s portrait of his patron, Pope Julius, is in the National Gallery, London.
‘It took a soul as beautiful as his, in a body as beautiful as his, to experience and rediscover the true character of ancients in modern times.'”
Johann J. Winckelmann: on Raphael, in Thoughts on the Imitiation of Greek Art in Painting and Sculpture (1755)
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz.”
Language and Silence Preface (1967)
Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged philosophy/religion, readings/research
“The first novel (1951) by James Jones (1921-77), who was serving in the US infantry in Hawaii when the Japanese bombed Pearl Harbor in 1941. Twice promoted and twice reduced to private, he fought at Guadalcanal and was wounded in the head by a mortar fragment. The novel, which won a National Book Award, draws on his own experiences in Hawaii and caused a sensation for its expose of army brutality and its outspokenness about sex and military mores. The film (1952) was a slick, sexually oblique version directed by Fred Zinnemann. The title comes from the poem ‘The Gentlemen Rankers’ (1889) by Rudyard Kipling (1865-1936) about oppressed junior ranks:
‘Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha’ mercy on such as we.'”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“Called ‘buon fresco’ or ‘true fresco,’ the technique of painting on moist lime plaster with water-based pigments.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“A film (1991) directed by by Jon Avnet and with a screenplay by Fannie Flagg, adapted from her own novel. Evelyn Couch, a middle-aged housewife, finds inspiration in the story told her by Ninny Threadgoode, an octogenarian lady in an old folk’s home. Her story from her youth concerns a relative, Idgie Threadgoode, an early feminist, who many years before had run the cafe in Whistle Stop, Alabama. Idgie rescues her friend Ruth from an abusive marriage, and Ruth joins her at the cafe, cooking such Southern delights as Fried Green Tomatoes.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“I am rather offended by what seems to me quite gratuitous passages dealing with sex acts and natural functions.”
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
“The involuntary mixing of juxtaposed colors by the eye and brain. Thus, at a certain distance, juxtaposed dabs of red and yellow pigment produce the sensation of orange. The colors seen by optical mixing appear clearer and more brilliant than those obtained by mixing colors on a palette.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“The rearrangement of the letters in a word or phrase to make another word or phrase. Anagrams are a common feature of crossword puzzles and are sometimes used by authors to conceal proper names. Drab is an anagram of bard; the name of Samuel Butler’s Erewhon (1872) is an anagram of nowhere.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Posted in English Language Arts, Quotes, Reference
Tagged diction/grammar/style/usage
“I finished Ulysses and think it is a misfire…. The book is diffuse. It is brackish. It is pretentious. It is underbred, not only in the obvious but in the literary sense. A first rate writer, I mean, respects writing too much to be tricky.”
Virginia Woolf, in her diary
“That the book possesses literary importance, except as a tour de force, is hard to believe. If we are to have the literature of mere consciousness there are numerous examples from the later Henry James to Virginia Woolf which import to consciousness a higher intrinsic value and achieve the forms of art.”
Springfield Republican reviewing the American edition 1934
Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, literary oddities
You must be logged in to post a comment.