Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Term of Art: Balance of Payments

“Balance of payments Macroeconomic term to denote the balance between a nation’s expenditure on imports and its receipts from exports, including invisible imports and exports. If the receipts from exports exceed the cost of imports, the balance is said to be in surplus: if vice versa it is in deficit. It is possible, and is often the case in the UK, to have a deficit balance on visible trade and a surplus balance on invisible trade. The sum of the two balances is known as the ‘balance on current account.’

A deficit can be financed by loans from abroad or by using national gold and foreign currency reserves to finance foreign payments which cannot be met any other way. However, if a deficit persists a government has to readjust permanently the pattern of trade. This may be done: (1) by reducing the value of its currency, making exports cheaper to foreigners and imports dearer, thereby discouraging demand for them; (2) by exchange controls, making it difficult to convert its own currency into foreign currency, thereby restricting investment of capital and spending abroad; (3) by import controls and tariffs to place foreign competitors at a disadvantage in competing with home producers, thereby decreasing demand for imports; (4) by deflating the home economy, by cutting employment and income and reducing the demand for both  home-produced and imported goods.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Term of Art: Proper Noun

“Proper Noun: The name of a particular person (Frank Sinatra), place (Boston), or thing (Moby Dick). Common nouns name classes of people (singers), places (cities), or things (books) and are not capitalized.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Latin American Boom

“Latin American Boom: A term for the recognition and publication of Latin American fiction in Europe, the U.S., and Latin America during the 1960s. The ‘boom’ writers were innovative and experimental and yet also accessible, and included Gabriel Garcia Marquez, Carlos Fuentes, Mario Vargas Llosa, Jose Donoso, and Julio Cortazar. Guillermo Cabrera Infante is often considered part of the group. The reasons for the boom include attention and the awarding of prizes by publishers in Spain to Latin American authors; the Cuban Revolution (1959), which focused attention on the Americas; the exhaustion of the Nouveau Roman style and a renewed interest in vibrant storytelling; and the conjunction of imaginative work that engaged political and historical themes. Paradoxically, the fame of book writers has obscured the recognition of pre-boom writers like Onetti, Pinera, Lezama Lima, Lispector, Arguedas, and Arreola, while post-boom writers have found it hard to crack the commercial market, given the starlike promotion of the boom novelists. Notable exceptions are Isabel Allende and writers whose work has been made into successful U.S. films, plays, or musicals, such as Manuel Puig.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Junk Sculpture

“Junk Sculpture: With Dada roots in the collages of Kurt Schwitters, which were created from trash collected from the streets, junk sculpture first appeared in the United States in the 1950s works of John Chamberlain and Robert Rauschenberg. It is a type of assemblage sculpture in which the sculptor uses materials cast off by modern urban culture and reassembles them with little or no comment. Junk sculpture has affinities to Arte Povera in Italy and similar movements in other European countries where it took on more nostalgic tones.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Repetition Compulsion

“Repetition compulsion: In psychoanalysis, a type of compulsion characterized by a tendency to place oneself in dangerous or distressing situations that repeat similar experiences from the past. Sigmund Freud (1856-1939) introduced in 1914 in an article on ‘Remembering, Repeating, and Working-Through’ (Standard Edition, XII, pp. 147-56) and discussed it at length in his book Beyond the Pleasure Principle (1920). In analysis, the transference often contains elements that involve recreations of past conflicts with parents and other family members. Also called a compulsion to repeat.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Write It Right: Attain for Accomplish

“Attain for Accomplish. ‘By diligence we attain our purpose.’ A purpose is accomplished; success is attained.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Rotten Reviews: A Clockwork Orange by Anthony Burgess

“’…The holy bearded veck all nagoy hanging on a cross’ is an example of the author’s language and questionable taste…. The author seems content to use a serious social challenge for frivolous purposes, but himself to stay neutral.”

 Times (London)

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.    

Lettrism

“Lettrism: A phenomenon since the 1950s, lettrism is the juxtaposition of letters, words, signs, and pictographic symbols with visual effect as the primary concern and with the meaning (if any) of secondary importance. Concrete poetry is a form of lettrism, but here the verbal meaning is as important as the design. Also called typewriter art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Pronominal Possessive

“Pronominal Possessive: Possessive pronoun such as hers, its, and theirs.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

The Algonquin Wits: Heywood Broun on Taxation

“Any reasonable system of taxation should be based on the slogan of ‘Soak the rich.’”

Heywood Broun

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.