“Go very lightly on the vices, such as carrying on in society. The social ramble ain’t restful.”
“How to Keep Young,” Colliers, 13 June 1953
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“Go very lightly on the vices, such as carrying on in society. The social ramble ain’t restful.”
“How to Keep Young,” Colliers, 13 June 1953
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“Art Ensemble of Chicago: U.S. jazz ensemble, innovators in free jazz. The group evolved from the Association for the Advancement of Creative Musicians (AACM), an experimental collective. Saxophonists Roscoe Mitchell and Joseph Jarman, trumpeter Lester Bowie, bassist Malachi Favors, and drummer Don Moye formed the group in 1969, combining freely changing tempos, dynamics, and textures with an often comic theatricality of presentation. Their diversity of inspiration is expressed by their motto, ‘Great Black Music—Ancient to Modern.’”
Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“Althea Gibson: (1927-2003) U.S. tennis player. Born in Silver, South Carolina, she moved to New York City when she was three, later returning south to attend Florida A&M University. She was the first black tennis player to win the French (1956) and Wimbledon and U.S. singles championships (1957-58). She also won the U.S. mixed doubles, Australian women’s doubles (both 1957), and U.S. professional women’s title (1960), for a total of 11 Grand Slam events. Ranked number 1 in the U.S. for 1957 and 1958, she was voted Female Athlete of the Year by the Associated Press both years, the first black athlete to receive that honor.”
Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“The most potent weapon in the hands of the oppressor is the mind of the oppressed.”
“White Racism and Black Consciousness” (paper presented at a workshop sponsored by Abe Bailey Institute of Interracial Studies), Cape Town, South Africa, Jan. 1971
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged black history, philosophy/religion
“African religions: Indigenous religions of the African continent. The introduced religions of Islam (in northern Africa) and Christianity (in southern Africa) are now the continent’s major religions, but traditional religions still play an important role, especially in the interior of sub-Saharan Africa. The numerous traditional African religions have in common the notion of a creator god, who made the world and then withdrew, remaining remote from the concerns of human life. Prayers and sacrificial offerings are usually directed toward secondary divinities, who are intermediaries between the human and sacred realms. Ancestors also serve as intermediaries. Ritual functionaries include priests, elders, rainmakers, diviners, and prophets. Rituals are aimed at maintaining a harmonious relationship with cosmic powers, and many have associated myths to explain their significance. Animism is a common feature of African religions, and misfortune is often attributed to witchcraft and sorcery.”
Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged black history, philosophy/religion
“Violence is as American as cherry pie.”
Press conference at Student Nonviolent Coordinating Committed headquarters, Washington, D.C., 27 July 1967
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference, Social Sciences
Tagged black history, united states history
“Sterling Allen Brown: (1901-1989) American poet, folklorist, editor, and critic. Brown was one of the first writers to identify folklore as a vital component of the black aesthetic and an important form of artistic expression. His first collection of poems, Southern Road (1932), was a critical success, fusing elements of ballads, spirituals, work songs, and the blues into narrative poems generally written in a Southern dialect. Two of Brown’s works written in 1937, Negro Poetry and Drama and The Negro in American Fiction, are major books of criticism on African-American studies. In 1941, Brown, along with colleagues Arthur P. Davis and Ulysses S. Lee, edited the The Negro Caravan, which was considered by many “the anthology of African-American literature.” With the publication of The Collected Poems of Sterling A. Brown (1980), Brown won the 1982 Lenore Marshall Poetry Prize and received widespread and deserved recognition.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“Marriage is really tough because you have to deal with feelings and lawyers.”
Richard Pryor, quoted in Robert Byrne, The Third and Possibly the Best 637 Things Anybody Ever Said (1986)
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
Posted in English Language Arts, Quotes, Reference
Tagged black history, humor, literary oddities, united states history
“Afro-Caribbean, Afro-Brazilian, and Afro-American Religions: Religions among persons of African ancestry in the Caribbean, Brazil, and the United States. These include Haitian vodun, the Jamaican Rastafarian movement, Santeria, and Candomble and other Macumba sects in Brazil. Similarly syncretistic religions appeared in the United States during the era of slavery. The Nation of Islam combines black nationalism with an unorthodox version of Islam. Black Protestant churches (especially Baptist and Pentecostal) have imported some forms of lively worship from Africa.”
Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“Apollo Theater: Center of African-American popular culture on 125th Street in New York’s Harlem district. Built in 1914, it hosted musical performers such as Bill ‘Bojangles’ Robinson, Billie Holiday, Bessie Smith, Ethel Waters, Duke Ellington, and others in the 1930s and 1940s; such stars as Ella Fitzgerald and Sarah Vaughn, and James Brown were discovered on Wednesday amateur nights. In the 1960s the Apollo featured soul artists such as the Supremes, Stevie Wonder, and Marvin Gaye. Converted into a movie theater in 1975, it reopened as a performance venue in 1983.”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
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