Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Northern Wei Sculpture

“Northern Wei sculpture: Chinese sculpture, dominated by simple images of the Buddha, dating from the eral of the Northern Wei dynasty (AD 386-534/535). The art represents the first major influence of Buddhism on China, and may be divided into two major periods. The first style (c.452-494), an amalgam of foreign influences traceable to the Buddhist art of India, is characterized by heavy stylization of blocky volumes. The second style (c.494-535) clothes the Buddha in the costume of the Chinese scholar and emphasizes a sinuous cascade of drapery falling over an increasingly flattened figure.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Hong-Yee Chiu Coins the Term Quasar

“So far, the clumsily long name ‘quasi-stellar radio sources’ is used to describe these objects…. For convenience, the abbreviated term ‘quasar’ will be used throughout this paper.”

Hong-Yee Chiu, Physics Today May 1964

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Akiko Yosano

“Akiko Yosano: (1878-1942) Japanese poet. Akiko’s first volume of tanka, Midaregami (1901; tr Tangled Hair, 1935), startled her contemporaries with its bold affirmation of female sexuality and exerted an immense influence on later poets who sought release from semifeudal morality as well as from conventional idioms of tanka. Akiko’s translation of Japanese classics, such as the Tale of Genji, into the modern vernacular were highly influential, as were her pioneering  and passionate essays on woman’s rights.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Mesopotamia

“Mesopotamia: Region between the Tigris and Euphrates rivers in western Asia, constituting the greater part of modern Iraq. The region’s location and fertility gave rise to settlements from c.10,000 BC, and it became the cradle of some of the world’s earliest civilizations. Its seat was the city of Mesopotamia, founded in the 4th millennium BC by the Sumerians. It was ruled by the third dynasty of Ur, and later by Babylon, which gave its name to the southern portion of Mesopotamia. The city declined under the Hurrians and the Kassites 1600-1450 BC. It was conquered by the army of Ashur. Mesopotamia was ruled by Seleucids from c.312 BC until the 2nd century BC, when it became part of the Parthian empire. In the 7th century AD the region was conquered by Muslim Arabs. The region’s importance declined after the Mongol Invasion of 1258. The Ottoman Turks ruled in the 16th-17th centuries. The area became a British mandate in 1920; the following year, Iraq was established there.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Li Po Approaches Last Call

“Beneath the blossoms with a pot of wine,

No friends at hand, so I poured alone;

I raised my cup to invite the moon,

Turned to my shadow, and we became three.”

Li Po,“Drinking Alone in the Midnight” (eighth cent.) (translation by Elling Eide)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Chingiz Aitmatov

“Chingiz Aitmatov: (1928-2008) Kirghiz novelist, short-story writer, and playwright. Born in the Central Asian republic of Kirghizia, Aitmatov inherited a love for Russian literature from his father (who died in 1937, a victim of Stalin’s terror) and for traditional Kirghiz folktales and customs from his mother. In 1952 he qualified as a veterinary technician and published his first story. After a period of study in Moscow, Aitmatov returned home to work as a journalist in 1958 and soon gained a national reputation with the publication in the journal Novy mir of ‘Jamilya’ (1959), a love story that challenged both traditional Kirghiz custom and the new ‘socialist’ morality. This and other short stories were followed by two thoughtful novels, Proschai, Gulsary! (1966; tr Farewell, Gulsari, 1970) and Bely parakhod (1970; tr The White Ship, 1972). Aitmatov is best known in the West for his play (written with Kaltai Mukhamedzhanov) Voskhozhdenie na Fudzhiamu (1973; tr The Ascent of Mount Fuji, 1975). A subtle treatment of the suppression of dissidents, it caused a sensation when first produced in Moscow in 1973. One of the few genuinely talented writers to emerge from the government’s drive to transform the non-Russian nationalities into parts of the total Soviet state, Aitmatov began increasingly to criticize the impact of Russification, collectivization, and a non-nomadic way of life on traditional Kirghiz society. A subsequent work to appear in English is the novel The Day Is Longer Than a Hundred Years (1980; tr 1983). One of this most recent works, Plaka (The Executioner’s Block, 1986) was received with much interest in Russia.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Shwe Dagon

“Shwe Dagon: Pagoda in Yangon (Rangoon) that is the center of Burmese religious life. A Buddhist temple complex begun in the 15th century, Shwe Dagon is constructed of brick in the form of a cone and is completely covered with gold. Raised over a relic chamber, it was rebuilt several times and was brought to its present height of 326 feet (99 meters) in 1841 by King Tharrawaddy. The pagoda sits atop a hill that rises 168 feet (51 meters) above the city.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Ibn-Khaldun on Geometry

“Geometry enlightens the intellect and sets one’s mind right.”

Ibn-Khaldun, Muqaddimah vol. 3 (ca. 1380)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Etel Adnan

“Etel Adnan: (1925-2021) Lebanese poet. Adnan’s works record the devastation of Beirut by civil war. Adnan is a Lebanese Christian who writes in both Arabic and French, and much of her work has been translated into English. Her seven volumes of poetry include Arab Apocalypse (1980) and From A to Z (1982). She renders the effects of the war in fragmentary poems that are formed from shards of language, often punctuated by abstract drawings, barring the reader from assembling a coherent narrative. Her one novel, Sitt Marie Rose (1982), also resists a linear reading: it is told not only from the perspective of its female protagonist, a Christian supporter of the Palestinian resistance, but also from that of the Phalangist Christians who hold her hostage. Adnan’s manipulation of the point deftly illustrates the complexities of the Lebanese political crisis.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Satnami Sect

“Satnami sect: Religious community in India that challenges political and religious authority by worshiping the supreme god Satnam. Combining practices from Islam and Hinduism, Satnamis typically reject both the worship of images and the caste system, while retaining an underlying orthodox Vedanta philosophy. Modern Satnamis are confined almost entirely to the low-status Camar caste, and they advocate social equality as well as ethical and dietary self-restraint.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.