Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Eduardo Barrios

“(1884-1963) Chilean novelist and short-story writer. After wandering throughout Latin America and working at a variety of jobs, Barrios settled in Santiago, where he served in the 1920s as minister of education and director of the national library. His mastery of the psychological tale is especially evident in his portrayal of hypersensitive personalities. Such is the ten-year-old protagonist of the novelette El nino que enloquecio de amor (1915), who falls in love with one of his mother’s friends. The hero of Un perdido (1917) is an overwrought weakling who, unable to cope with reality, finds refuge in alcohol. Barrios’s best work is probably El hermano asno (1922; tr Brother Ass, 1942), which deals with the inner conflicts of Brother Lazaro and Brother Rufino, two Franciscan monks. Gran senor y rajadiablos (1948) follows Jose Pedro Valverde, one of literature’s most strongly drawn characters, through a life centered mostly on a large fundo (ranch). Barrios’s last novel, Los hombres del hombre (1950), is a lyrical story of sexual jealousy and insecurity in family life.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Che Guevara on Revolution and Progress

“Revolution that does not constantly become more profound is a regressive revolution.”

“Guerilla Warfare–A Method,” Cuba Socialista (1961)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Mario Benedetti

“(1920-2009) Uruguayan writer. Benedetti exemplified an archetype in Latin American intellectual life: the public figure whose writing and political activism are inextricably linked. A staunch supporter of the Cuban Revolution and other left-wing causes, the dominant element in Benedetti’s work is often the individual in his or her social context. His works include the short-story collection Esta manana (1949) and Montevideanos (1959), the novels La trequa (1960; tr The Truce, 1989) and Gracias por el fuego (1965); several poetry collections including Inventorio: Poesia completa (1950-1980); the play Pedro y el capitan (1986); and numerous books of social and literary criticism, including El dexsilio y otras conjeturas (1985), a collection of his articles for the Madrid daily El Pais.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Paulo Freire

Paulo Freire (1921-1997): Brazilian educator. His ideas developed from his experience teaching literacy to Brazil’s peasants. His interactive methods, which encouraged peasants fo question the teacher, often led to literacy in as little as 30 hours of instruction. In 1963 he was appointed director of the Brazilian National Literacy Program, but he was jailed following a military coup in 1964. He went into exile, returning in 1979 to help found the Workers Party. His seminal work is Pedagogy of the Oppressed (1970).”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Diego Rivera on the Artist and His Subject

“The subject is to the painter what the rails are to the locomotive. He cannot do without it. In fact, when he refuses to seek or accept a subject, his own plastic methods and his own esthetic theories become his subject instead. And even if he escapes them, he himself becomes the subject of his work. He becomes nothing but an illustrator of his own state of mind, and in trying to liberate himself he falls into the worst sort of slavery.”

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Miguel Barnet

Cuban novelist, poet, and essayist. Born in Havana, he was educated in an American school before the revolutionary years, but in his early adulthood became deeply involved in Cuban sociology, geography, and anthropology, particularly ethnology and folklore. Applying his rich literary imagination to those disciplines, he invented anew novelistic form, the testimonial novel, initiated by his Biografia de un cimarron (1966; tr The Autobiography of a Runaway Slave, 1968). The work is based on the memoirs of a black Cuban centenarian, Esteban Montejo, who experienced slavery, the life of a maroon, the anticolonial struggle, and the disillusionment of continuing racism after independence from Spain in 1898. Barnet continued to develop the genre in his books Cancion de Rachel (1968), Gallego (1981), and La vida real (1986), several of which were made into films. Also an outstanding poet, his books of poetry have appeared at regular intervals since his La Piedra fina y el pavo real (1963), and include La Sagrada familia (1967), winner of the Casa de las Americas prize.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

9 Mexican Posadas

“The nine Mexican Posadas are a series of dances, candlelit processions, recitals and songs held over the nine nights before Christmas, They tell the story of the Holy Family (the pregnant Mary and Joseph) traveling out of Galilee to Judea to try to reach Bethlehem, On the last night, Joseph once again sings his desperate refrain to an empty door–‘the night is cold and dark and the wind blows hard’–before May accidentally reveals that beneath their travel-worn cloaks she is Queen of Heaven and she is welcomed into a stable by the animals. Then a dance of honour is held and a ‘pinata’ is demolished by a blindfold young lady wielding a cane to shower sweets over the celebrants.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

George Santayana on Fanaticism

“Fanaticism consists in redoubling your effort when you have forgotten your aim.”

George Santayana

The Life of Reason vol I, ch 10 (1905)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

General Smedley Butler on His Role in Latin America and Elsewhere

[This famous quote from General Smedley D. Butler, nicely encapsulates the deleterious role the United States Government played in preventing sovereignty and economic independence across Latin America.]

“I spent 33 years and four months in active military service and during that period I spent most of my time as a high class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer, a gangster for capitalism. I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the International Banking House of Brown Brothers in 1902-1912. I brought light to the Dominican Republic for the American sugar interests in 1916. I helped make Honduras right for the American fruit companies in 1903. In China in 1927 I helped see to it that Standard Oil went on its way unmolested. Looking back on it, I might have given Al Capone a few hints. The best he could do was to operate his racket in three districts. I operated on three continents.”

Smedley D. Butler, War is a Racket: The Antiwar Classic by America’s Most Decorated Soldier (Port Townshend, Washington: Feral House, 2003).

Rufino Blanco Fombona

“(1874-1944) Venezuelan novelist, short-story writer, poet, and essayist. Blanco-Fombona was an exile during the long dictatorship of Juan Vicente Gomez, returning to Venezuela after the latter died in 1935. His writing reflects his angry dismay at the stupidity, iniquity, and sordidness that he seemed to find everywhere. Accordingly his novels are weakened by bits of heavy-handed social satire and political propaganda. They include El hombre de hierro (1907), which depicts the triumph of evil over virtue; El hombre de oro (The Man of Gold, 1916), which exposes the venality and incompetence of Venezuelan politicians; and La mitra en la mano (1927), the story of an ambitious priest, a character that has been called a Venezuelan Elmer Gantry. Cuentos americanos (1904) and Dramas minimos (1920) are his best-known collections of short stories. His poetry, which includes the collections Pequena opera lirica (1904) and Cantos de la prision y del destierro (1911), shows the influence of modernism. Among his other works are Letras y letrados de Hispano-America (1908) and Grandes escritores de America (1917), literary criticism; La lampara de Aladino (1915), autobiographical sketches; and El conquistador espanol en el siglo XVI (1922), a study of the Spanish conquistadors. Blanco-Fombona also edited the letters of Simon Bolivar, and he edited and published several series of great American books.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.