Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

The Doubter’s Companion: Bankers

“Bankers: Pillars of society who are going to hell if there is a God and He has been accurately quoted.

All three Western religions have always forbidden the collection of interest on loans. When Samuel Johnson defined the banker in the eighteenth century his status was clear: ‘One that traffics in money.’ Their venal sin of usury continues to sit high on lists of scriptural wrongdoing, which raises the questions of why bankers—the money-market sort excluded—tend to be frequent church-goers. The respect in which they have increasingly been held over the last two centuries has paralleled the growth of economics based on long-term debt, which has spread into every corner of society, from governments and corporations to the poor. The more money owed, the more the lender is respected, so long as the borrower intends to pay it back.

But what effect does this have on the moral position of bank employees? Few modern bankers are owners. Except through their salaries they do not profit from interest payments. Are they or are they not among the damned? Perhaps they should themselves be seen as victims of usury, having little choice but to lend their lives to the usurious process in order to feed their families. Yet for the borrower, these employees are the human face of usury.

The clearest situation for bankers would be if God didn’t exist. They would then be morally home-free and could go to church in a more relaxed frame of mind.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.

The Algonquin Wits: Harpo Marx

“For years, Benchley the theater critic carried on a war with the notorious Broadway hit Abie’s Irish Rose. Near the close of the play’s record run Benchley posted a prize for the best critical comment on the show. Harpo Marx won the contest with his capsule critique: ‘No worse than a bad cold.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

George Bernard Shaw on Experience

“We learn from experience that men never learn anything from experience.”

George Bernard Shaw

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Semantic Memory

“semantic memory: Memory for facts, such as the information that would be contained in a dictionary or encyclopedia with no connection to time or place. People do not remember when or where they learn this type of information.

Semantic memory registers and stores knowledge about the world in the broadest sense; it allows people to represent and mentally operate in situations, objects, and relations in the world that are not present in the senses. A person with an intact semantic memory system can think about things that are not here now.

Because semantic memory develops first in childhood, before episodic memory, children are able to learn facts before they can remember their own experiences.

The seat of semantic memory is believed to be located in the medial temporal lobe and diencephalic structures of the brain.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Book of Answers: Mary Shelley’s Frankenstein

What was the alternative title to Mary Shelley’s Frankenstein? The Modern Prometheus.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Monolith

“Monolith: A single block of stone carved into a pillar, statue, or column. Large size is implied.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Copywriting

“Copywriting (noun): The writing of promotional, public relations, or advertising copy. Noun: copywriter.

‘The narrator’s admission that he is using the language of the advertising copy-writer is a revealing one, and he resorts, later, to the same jargon: “The Aston-Martin started with a deep, healthy roar.”’ David Lodge, Language of Fiction”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Leviathan

“Leviathan: A word from the Hebrew, meaning literally ‘that which gathers itself in folds,’ and given in the Bible to a mythical sea serpent (Job 41:1; . 27:1; Ps. 104:26). The name is also applied to the whale and the crocodile, and by extension it has come to mean something vast and formidable of its kind.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Oscar Wilde on Experience and Mistakes

“Experience is the name everyone gives to their mistakes.”

Oscar Wilde

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Strand

“strand: A group of related themes or concepts within an overall curricular area. For example, a social studies curriculum might be divided into such strands as citizenship, history, economics, geography, legal systems, political systems, and so on.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.