Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Bob Shepherd at Praxis

As I have repeated ad nauseam in these pages, Mark’s Text Terminal is not a political or educational policy blog. Any number of reasons suffice to explain this, but I always return to the most salient of them: there are quite a few smart and well-informed people, many of whose websites can be found in the right margin of this site under the heading Blogs Followed at Mark’s Text Terminal, covering those topics. That said, I intend in the coming months to highlight several of these blogs.

The assault on public education has now reached a stage where I can no long remain completely silent. Fortunately, as I say, there are plenty of people speaking and perceptively, and buttressing their arguments with evidence, something that happens less and less in public discourse, about educational policy.

Starting out, I want to highlight the work of Bob Shepherd, who blogs under the heading Praxis. Bob is, as Diane Ravitch noted recently, a polymath. I originally made his acquaintance in the comments forum of Dr. Ravitch’s blog, where I occasionally presume to comment on topics of the day. Bob is an acutely perspicacious and wide-ranging commentator on educational policy, particularly where privatization of public schools and the scandals that often ensue are concerned.

That said, Bob covers a lot of other ground in Praxis. He recently posted a lengthy discourse on the physical and philosophical nature of time, a topic I find abstruse (I dropped Lester Mazor’s “Perspectives on Time” seminar at Hampshire College in the fall of 1994 because I didn’t have the intellectual stamina to keep up with it and plan my honors thesis) and fascinating at the same time. I guess I like to imagine that in another life, Bob and I would be an Intellectual History department of two at some small, lively, and innovative liberal arts college.

If you’re at all interested in issues and problems in educational policy—or to quote briefly from his “About” page, “curriculum design…,linguistics…, hermeneutics…, philosophy…, classical and jazz guitar…, history of ideas…, heuristics for innovation,” (and I’ve enumerated only about one-quarter of this list), then you should by all means point your browser at Praxis.

Term of Art: Adage

“Adage (noun): An often quoted saying.

‘The urge to be first with the facts on Wolfe appears to have reflected an authentic version of the old academic adage: for Halberstadt it was ‘scoop or perish.’ He may accomplish both. Eliot Fremont-Smith, Village Voice.'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Devil’s Dictionary: Autocrat

“Autocrat, n. A dictatorial gentleman with no other restraint upon him than the hand of the assassin. The founder of that great political institution, the dynamite bomb-shell system.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

A Learning Support on Basic Literary Terms

Over time, I’ve posted several items like this learning support of basic literary terms. This one is something I assembled for a specific class that was dealing with the terms outlined. Like everything else here at Mark’s Text Terminal, it’s a Microsoft Word document, so you can manipulate the text for your classroom needs.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Medium

“(pl., media) The physical material or materials of which a work of art is made: oil paing, clay, ink, pastel, wood, concrete, etc. Also used synonymously with vehicle to mean the diluent in which pigment is suspended.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Brewer’s Curious Titles: Ulysses

“A novel (1922) by James Joyce (1882-1941), regarded by many as the 20th century’s most important work of fiction in the English language. The novel is famous for its innovative use of language and its experimental use of stream-of-consciousness techniques. T.S. Eliot commented: ‘James Joyce has no style but is the vacuum into which all styles rush.’ The book was published by a small press in Paris in 1922, after three US judges banned further publication of chapters in the United States, and it was immediately acclaimed as a work of genius.

The narrative centres on a single day, 16 June 1904, the day on which Joyce had his first formal date with Nora Barnacle (1884-1951), a barmaid with whom he shared the rest of his life. The book tells of the day in the life of its Jewish-Irish hero, Leopold Bloom, his wife Molly, and Stephen Dedalus, the protagonist of the author’s A Portrait of the Artist as as a Young Man (1916). The structure of the book is intended to parallel that of Homer’s Odyssey, with Odysseus’s decade of wandering compared to Bloom’s single day of roaming in Dublin. Bloom thus represents Odysseus (whom the Romans called Ulysses), Molly answers approximately to Odysseus’s wife Penelope and Dedalus corresponds to his son, Telemachus. Joyce described his Homeric parallel–which he worked out in considerable detail–as a bridge across which he could march his 18 episodes, after which the bridge could be ‘blown skyhigh.’ 16 June is now often known (and celebrated), especially in Ireland, as ‘Bloomsday.’

Ulysses was eventually cleared for publication in the United States, the judge concluding: ‘Whilst in many places the effect of Ulysses on the reader undoubtedly is somewhat emetic, nowhere does it tend to be an aphrodisiac.’

It was published in the United States in 1934, and in Britain in 1936.

In 2001 The Bookseller magazine reported that a bookshop assistant had been asked for a copy of James Joyce Is Useless.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

4 Humours

“Sanguine * Choleric * Melancholic * Phlegmatic

The Four Humours or Temperaments were a foundation of European medieval medical philosophy. The ideal was for a balance of the four, which were conceived to be based on the properties of blood (Sanguis), yellow bile (Khole), black bile (Melas), and Phlegm in the body.

A predominance of Sanguine was believed to create an easy-going, sociable, pleasure-seeking type. A choleric character was fiery, strident, and ambitious. Melancholic was watery and emotional and created thoughtful, introverted and intellectual types. Phlegmatic was slow and earthy but also governed the most relaxed, content and quiet of types.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Algonquin Wits: Robert Benchley on the Secret of Writing

“You have no idea how many problems an author has to face during those feverish days when he is building a novel, and you have no idea how he solves them. Neither has he.”

Robert Benchley

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: Mourning Becomes Electra by Eugene O’Neill

[This Rotten Review refers to a performance of Eugene O’Neill’s play in London in 1961.]

“Mourning Becomes Electra is hollow.”

Bernard Levin, Daily Express

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Ursula Le Guin Prescribes a Lifestyle

“When action grows unprofitable, gather information; when information grows unprofitable, sleep.”

Ursula Le Guin

The Left Hand of Darkness ch. 3 (1969)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.