Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Rotten Rejections: James Joyce

“As might be expected, James Joyce’s writings excited some grandiose rejections. His Dubliners was refused by twenty-two publishers and then shot down in flames by an irate citizen. As Joyce reported it, ‘When at last it was printed some very kind person bought out the entire edition and had it burnt in Dublin–a new and private auto-da-fe.’ The odyssey of his Ulysses was even more spectacular–it was rejected, in fire, by two governments. Parts of the novel were serialized in the New York Little Review in 1918–20, and after rejection by a U.S. publisher the whole book was published in France in 1922 by Sylvia Beach’s Shakespeare Press. Copies were sent to America and England. They were, reported Joyce, ‘Seized and burnt by the Custom authorities in New York and Folkestone.’ Not until 1933 was the ban on Ulysses lifted; the book was published by Random House the following year.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Demonstrative

“Demonstrative: A term used in association with pronouns and determiners as an adjective and a noun: a demonstrative pronoun; three demonstratives in one sentence. A demonstrative usage indicates relationships and locations, such as between this (near the speaker and perhaps the listener) and that (not near the speaker, perhaps near the listener, or not near either).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Book of Answers: What is Bloomsday?

“What is Bloomsday? Bloomsday—the date on which James Joyce’s Ulysses (1922) is set—is June 16, 1904.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Metonymy

“A figure of speech which designates something by the name of something associated with it: the Crown substituting for monarchy, the stage for the theater, No. 10 Downing Street for the British Prime Minister, the White House for the US president. A word used metonymically (crown, as above) is a metonym. Metonymy is closely related to and sometimes hard to distinguish from metaphor. It has sometimes been seen as a kind of synecdoche and sometimes as containing synecdoche. Both metaphor and metonymy express association, metaphor through comparison, metonymy through contiguity and possession. Many standard items of vocabulary are metonymic. A red-letter day is important, like the feast days marked in red on church calendars. The work redcap (a porter) originally referred to a piece of red flannel tied for visibility around the caps of baggage carriers at New York’s Grand Central Station. On the level of slang, a redneck is a stereotypical member of the white rural working class in the Southern US, originally a reference to necks sunburned from working in the fields.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Rotten Rejections: The Lonely by Paul Gallico

“My dear boy, what a masterpiece! How beautifully thought out! What color, what fire! It’s truly magnificent writing. It’s so poetic. Do take it over to Harper’s Bazaar where they will really know how to appreciate it.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Heywood Broun on His Dooryard

“Many people [in the city] buy a house just to get the trees which are thrown in with the deal. I’ve got three and a large part of the overhang from a tree next door. This trespasser, from a strictly material standpoint, is a finer three than any which I possess, but I prefer my own horse chestnut just the same. It’s a one-man tree and would never think of dividing its loyalty between two houses.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Edward Abbey

“(1927-1989) American novelist and essayist. Abbey is best known for his celebration of southwest Utah’s slickrock country. One of the more overtly political modern American nature writers, he advocated for the preservation of the wilderness and was a tireless critic of the forces which, in his view, desecrated it. In Desert Solitaire (1968), a nonfiction account of summers spent as a ranger in Arches National Monument, Abbey portrays a starkly beautiful desert landscape that is threatened by so-called “industrial tourism.” The Monkey-Wrench Gang (1975), a novel about a merry band of eco-terrorists, was taken up by the environmental group Earth First!. Novels like The Brave Cowboy (1956) and Fire on the Mountain (1962), further explore the fate of strong-willed individuals confronting the technocratic forces of industry and government.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996

Zero

“The mathematical sages of India conceived of this concept, and started on the path of the creation of zero back in the ninth century BC. The root of the word is in the Sanskrit Shoonya, meaning ‘it is a void’, which got passed on to the Arabs, who knew the symbol as ‘Safira.’

The Western world came to the concept extraordinarily late, when Venetian merchants stumbled across it and brought it back to their homeland, where it was known as ‘zefiro‘–later corrupted to ‘zero.’ The concept gradually spread through Europe, reading such far-flung outposts as the British Isles in the late sixteenth century.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Philology: A Representative Quote

“Another ancient and extensive class of languages, united by a greater number of resemblances than can well be altogether accidental, may be denominated the Indo-european, comprehending the Indian, the West Asiatic, and almost all the European languages.”

Thomas Young

“Adelung’s Mithridates,” Quarterly Review (1813). Coinage of the term Indo-European for the most extensive family of languages.

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Goethe on the Gravamen of Teaching and Learning

“What one doesn’t understand one doesn’t possess.”

Johann Wolfgang von Goethe

Art and Antiquity (1821)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.