Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Luminism

“luminism: American landscape school associated chiefly with the Hudson River School. Luminist paintings are characterized by a fascination with water and light in landscape, by an absence of brush marks, and my masterful control of tonal gradations in atmospheric perspective.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Algonquin Wits: Alexander Woollcott on Our Town

“After the first stage performance of Our Town, the producers reportedly found Woollcott—a true sentimentalist—sobbing openly on a fire escape in the theater alley. ‘Pardon me Mr. Woollcott,’ one of them asked, ‘will you be endorsing the play?’

Rising, Aleck replied, ‘Certainly not! It doesn’t need it. I’d as soon think of endorsing the Twenty-third Psalm.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

E.H. Gombrich on Human Ancestry

“In Asia and Africa, ancient bones have been found. These were our ancestors who may have already been using stones as tools more than a hundred and fifty thousand years ago. They were different from the Neanderthal people who appeared about seventy thousand years earlier and inhabited the earth for about two hundred thousand years. The Neanderthal people had low foreheads, but their brains were no smaller than those of most people today.”

Excerpted from: Gombrich, E.H. Trans. Caroline Mustill. A Little History of the World. New Haven: Yale University Press, 2005

“When Lilacs Last in the Dooryard Bloomed”

“An elegy on the death of President Abraham Lincoln (1809-65) by the US poet Walt Whitman (1819-92), published in 1865-6 and incorporated into Leaves of Grass in 1867. Lincoln was assassinated on the evening of 14 April 1865, and died the following morning. It was lilac time.

‘When lilacs last in the dooryard bloomed,

And the great star early drooped in the western sky in the night,

I mourned, and yet shall mourn with ever-returning spring.’

There is a musical setting for soloists, chorus and orchestra (1970) by the US composer Roger Sessions (1896-1985). The US writer Ray Bradbury (1920-2012) entitled one of his early collections of poetry When Elephants Last in the Dooryard Bloom’d (1973).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Rejections: Zane Grey

“The Last of the Plainsmen (1908)

I do not see anything in this to convince me you can write either narrative or fiction.

Riders of the Purple Sage (1912)

It is offensive to broadminded people who do not believe that it is wise to criticize any one denomination or religious belief.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Samuel Johnson and Ambrose Bierce on Patriotism

“Patriotism is the last refuge of a scoundrel.”

Samuel Johnson

“In Dr. Johnson’s famous dictionary, patriotism is defined as the last resort of a scoundrel. With all due respect to an enlightened but inferior lexicographer, I beg to submit it is the first.”

Ambrose Bierce

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Affective Fallacy

“affective fallacy: A critical term denoting the confusion between what a literary work is and what it does. That is, a work should be judged solely on its literary components, not by its emotional (or affective) impact on the reader. It was first identified as a critical ‘error’ by Monroe Beardsley and W.K. Wimsatt in The Verbal Icon (1954). It is related to intentional fallacy, in which a work is judged according to what the author presumably intended to say or in relation to the author’s biography.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Historical Terms: Baskaap

[Here’s an ugly term and concept to consider in the present-day United States; we have elected representatives, alas, articulating garbage like this.]

baskaap (Afrikaan, ‘masterhood’). The underlying white supremacist ethos crudely expressing the ideology of Apartheid.

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Book of Answers: Zora Neale Hurston

“What did Zora Neale Hurston do before becoming a novelist? Hurston was a folklorist who studied with anthropologist Franz Boas at Barnard College. In Mules and Men (1935) and Tell My Horse (1938), she compiled black traditions of the South and the Caribbean. Her novels include Their Eyes Were Watching God (1937).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Code Mixing

“code mixing: Sometimes distinguished, though not always in the same way, from code switching. E.g. where a speaker switches as frequent intervals from one language etc. to another, for no discoverable external reason.”

Excerpted from: Marshall, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.