Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Archaic Period

Archaic Period: A term used to describe an early stage in the development of civilization. Specifically, in Egypt it covers the first two dynasties, c 3200-2800 BC, in which the country was unified and came to its first flowering of culture. In Greece it describes the rise of civilization from c 750 BC to the Persian invasion in 480 BC. As used by Americanists, the term refers to a stage of development rather than a chronological period. It is characterized by a hunting and gathering way of life in a post-Pleistocene environment similar to that of the present. Under special circumstances there may be settled life, pottery, and even agriculture as long as this is subsidiary to the collection of wild foods. The term was coined for certain cultures of the woodlands of eastern North America dating from c 8000-1000 BC, but usage has been extended (sometimes uncritically) to all sorts of unrelated cultures which show a similar level of development but may be of widely varying dates.

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

Muckraking

“Muckraking (noun): The searching out or exposure, as by a writer or newspaper, or wrongdoing committed by prominent individuals or institutions, especially of political corruption or scandal; sensational revelatory journalism. Adjective: muckraking; noun: muckrake, muckraker; verb: muckrake.

‘Having failed in her basement, I thought to have her here, in the loft of the parish hall, where a leaky old skylight made vivid the woody forms of miniature creches and lifesize mangers, wise kings’ crowns and shepherd’s crooks, Victorian alter furniture and great padded Bibles no longer thumped by the virile muckraking parsons of the first Roosevelt’s reign, plywood palm trees, and temples of gilded cardboard.’

John Updike, A Month of Sundays”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Hubris

“Hubris: (Greek “wanton insolence”) This shortcoming or defect in the Greek tragic hero leads him to ignore the warnings of the gods and to transgress their laws and commands. Eventually hubris brings about downfall and nemesis (q.v.), as in the case of Creon in Sophocles’s Antigone and Clytemnestra in Aeschylus’s Oresteia trilogy. See HAMARTIA; TRAGEDY.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Paul Bowles

Paul Bowles: (1910-1999) American writer and composer. Born in Queens, New York, Bowles fled America at the age of eighteen to live in Paris. His early mentors Gertrude Stein and Alice B. Toklas advised him to travel in order to develop as an artist. Bowles went on to exhaustively explore the issues that arise when modern Westerners confront non-Western cultures. Bowles first gained attention as a composer, studying with Aaron Copland and Virgil Thompson and producing scores for work by Tennessee Williams and Orson Welles. He is best known, however, for his first two books, The Sheltering Sky (1949), a novel, and the short-story collection The Delicate Prey and Other Stories (1950), which introduced his central theme: the disintegration of developed Western culture as it encounters more primitive societies and a less mediated natural world. Bowles is also highly regarded for his translation of North African tribal tales and his poetry. Sympathetic critics have praised his work as a powerful encapsulation of existentialism, while others have found it repetitious and stunted in development.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Write It Right: A for An

“A for An. ‘A hotel.’ ‘A heroic man.’ Before an unaccented aspirate use an. The contrary usage in this country come of too strongly pressing our aspirates.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Historical Terms: Cabal

cabal: The name given to the ministry which took power in England in 1667 (when Charles II dismissed his chancellor, Clarendon), taken from the initials of its members: Clifford, Arlington, Buckingham, Ashley, and Lauderdale. The term is also used to mean any close-knit group of persons, particularly those involved in intrigue.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Fran Lebowitz on Music Good and Bad

“There are two kinds of music—good music and bad music. Good music is music that I want to hear. Bad music is music I don’t want to hear.”

Fran Lebowitz

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Exposition

Exposition: Exposition, or expository writing, is traditionally understood as writing that aims to transmit information to presumably interested parties as distinguished from writing that aims to persuade the reader. As there will be elements of persuasive writing in expository, so also will there be elements of the expository in persuasive.

In the following discussion, however, the perspective is that of rhetorical analysis, which regards all written communication (including the note on the refrigerator door) as guided by a communicative/persuasive purpose. Exposition is, then, that type of prose writing that attempts to create, in its target audience, the attitude that the writer is objectively presenting the facts relative to a given subject. Exposition thus is not a division of prose discourse according to intent, but rather represents a tone that the writer wishes the reader to accept as ‘factual.’ The writer of exposition cultivates a tone designed to allow (encourage) the reader to think that the writer has no specific interest in, or position in regard to, the subject matter presented.

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.

Rotten Reviews: V

Reading V. is like listening to a scholarly but erratic documentation of hell by a disinterested onlooker, while verbal sewage and vignettes of all that is most disgusting in mankind alternates with with sociological asides, sardonic and blasphemous attacks on Christianity, Freudian tidbits…. To attempt to convey a sense of how completely boring all this melee finally is would tax the capabilities of better reviewers then myself.”

Best Sellers

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Commodification

commodification: A term derived from Marxist analyses of the social forces that guide the production and sale of products, or commodities. Since the Renaissance, artworks have been commodities paid for by religious or royal patrons. By the 20th century, art production had become entangled in a complex web composed of collectors, auction houses, galleries, and museums. In the tradition of Dada, 1960s artists feeling constrained by increasing commercialism sought to create unmarketable works, giving rise to conceptual, political, performance, and earth art. Recent artists concerned with issues of originality, authorship, and camp, are indirectly addressing issues of commodification and canon formation.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.