Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Learning Support: Writing about Reading

[You can also take this as a Word Document if you prefer.]

Writing About Reading: Some Openers

  • I was surprised when/angry about/satisfied with/moved by/incredulous at…
  • I liked how the author
  • I noticed how the author
  • I don’t get why the author
  • If I were the author I would have
  • I’d compare this author to
  • This book reminded me of
  • The main character
  • The character development
  • The narrative voice
  • The structure of this book
  • The climax of the plot
  • The resolution of the main character’s problem
  • The genre of this book
  • I’d say a theme of this book is
  • I wish that
  • I didn’t agree with
  • I understood
  • I couldn’t understand
  • Why did
  • This is how I read this book
  • I rated this one _____ because
  • And always: I was struck by/interested in/convinced by this passage: “….” It shows…about this author’s writing.

Excerpted from: Atwell, Nancie. The Reading Zone: How to Help Kids Become Skilled, Passionate, Habitual, Critical Readers. New York: Scholastic, 2007.

The Tripartite Revolutionary Values of the French Revolution

“Liberty * Equality * Fraternity

Nothing has ever quite matched the elan of idealism expressed in these tripartite watchwords of the French Revolution, which became the national motto of the nation. They are attributed to a Parisian printer, Antoine-Francois Momoro, though at the time of the Revolution there were several variants, and lists might include Amitie (Friendship), Charite (Charity) or Union–and there was often a qualifier–ou la Mort (or death). The latter was discreetly dropped after the Reign of Terror.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Steve Wozniak on the Digital Age

“Never trust a computer you can’t throw out of a window.”

Stephen Wozniak

Quoted in Newsbytes, 26 Sept. 1997

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Term of Art: Argot

Argot: The slang of a restricted, often suspect social group: ‘They have their own argot: they bimble, yomp, or tab across the peat and couth a shirt in readiness for a Saturday night bob with the Bennies (locals)’ (Colin Smith, Observer, 26b May 1985, writing about British soldiers in the Falkland Islands). See CANT, JARGON , POLARI, ROMANI.

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Sfumato

“Sfumato: (it., evaporated) The soft gradation of light tones into dark ones, such that all sharply defined contours are eliminated. About light and shade in painting, Leonardo da Vinci wrote that they should blend imperceptibly,’without lines or borders, in the manner of smoke.’ Compare CHIAROSCURO.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Daniel Willingham on Vocabulary and Reading

“We have a pretty low tolerance for reading unknown words. And writers use a lot of words, many more than speakers do. If I’m talking about my cheap friend, I might use the word cheap three times within a few sentences. But writers like to mix things up, so my friend will be ‘frugal,’ ‘stingy,’ ‘thrifty,’ and ‘tight.’ Texts that students typically encounter in school have about 85,000 different words. Somehow we need to ensure that children have a broad enough vocabulary so that they are not constantly colliding with unknown words.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Mari Evans on Education

“Education is the jewel casting brilliance into the future.”

Mari Evans

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

5 Freedoms of Psychoanalysis

“Unimportant * Irrelevant * Nonsensical * Embarrassing * Distressing

Patients undergoing Freudian psychoanalysis must be free to say whatever comes into their head, however unimportant, irrelevant, nonsensical, embarrassing, or distressing it might seem to be, and yet be sure of receiving the same level of intent listening from their analyst.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Alfred North Whitehead on Instructional Procedure

“This discussion rejects the doctrine that students should first learn passively, and then, having learned, should apply knowledge. It is psychological error. In the process of learning, there should be present, in some sense or other, a subordinate activity or application. In fact, the applications are part of the knowledge. For the very meaning of things known is wrapped up in their relationships beyond themselves. Thus, unapplied knowledge is knowledge is knowledge shorn of its meaning.”

Alfred North Whitehead

Essays in Science and Philosophy

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Term of Art: Apercu

Apercu (AA PER SUE): The term would be used by an analyst in a structure such as ‘The writer here presents, as apercu, that women, on the average, are shorter than men.’ That is to say, the comment is that the writer does not present her statement merely as an observation, but instead as if it were an insight, as if it were a particularly astute perception. ‘And then it came to me, women are shorter than men.” This example is deliberately unsubtle because what I mean to stress is that to describe a presentation as apercu is to talk about the manner of presentation rather than to make a comment on the actual ‘insightfulness’ of the comment itself. Like objectivity, apercu describes a rhetorical pose rather than confers a positive evaluation. See also EPIPHANY.

A second meaning of apercu is as a name for a summary, outline, or synopsis.

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.