Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Book of Answers: The Size of a Book

“What is the difference between a folio and a quarto? An octavo and a duodecimo? All of these terms refer to book sizes. In the first centuries of printing, book pages were of a standard size—13½  inches by 17 inches. These ‘foolscap’ sheets, when folded one or more times, produced a ‘signature,’ a section that was bound with other signatures to produce the book. A folio was a signature of two leaves, a quarto four leaves, an octavo eight leaves, and a duodecimo twelve leaves.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

3 Gorgons

Stheno * Euryale * Medusa

“Stheno (the mighty), Euryale (the far-springer) and Medusa (the queen) were, again, ancient aspects of the triple goddess in her destructive, vengeful form, though they were later demoted in scale to malevolent creatures. Perseus’s murder of Medusa can be read as a mythic explanation of the toppling of the old female-ruled universe by a new breed of priest-warriors. However, the power of the old beliefs doesn’t wane easily: Medusa’s blood turned into serpents when it penetrated the ground, and gave birth to the winged horse Pegasus when it met the sea.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Write It Right: Afford

“Afford. It is not well to say ‘the fact affords a reasonable presumption’; ‘the house afforded ample accommodation.’ The fact supplies a reasonable presumption. The house offered, or gave, ample accommodation.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Term of Art: Rhetorical Question

“Rhetorical Question: A question that expects no answer. The answer may be self-evident (If she doesn’t like me why should I care what she thinks?) or immediately provided by the questioner (What should be done? Well, first we should…). The question is often asked for dramatic effect. Rhetorical questions are sometimes announced with such a phrase as I ask you (when nothing is in fact being asked): ‘Garn! I ask you, what kind of a word is that? / It’s Ow and Garn that keep her in her place / Not her wretched clothes and dirty face’ (Alan Jay Lerner, My Fair Lady, 1956).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Rotten Reviews: All the King’s Men by Robert Penn Warren

“Somewhere, Mr. Warren loses his grip on his backwoods opportunities and becomes so absorbed in a number of other characters that what might have been a useful study of an irresponsible politician whose prototype whe have had melancholy occasion to observe in the flesh turns out to be a disappointment.”

The New Yorker

“The language of both men and women is coarse, blasphemous, and revolting—their actions would shame a pagan hottentot.”

Catholic World

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Pastiche

“Pastiche (noun): A literary work that draws on styles, formats, etch., of other sources and thus is eclectic and derivative, and often whimsical or irreverent (but not with humor as a primary intent); book or story made up of borrowings from other writers; hodgepodge; stylistic imitation of a writer at work; parody. Noun: pasticheur.

‘His novels were pastiches of work of the best people of his time, a feat not to be disparaged, and in addition he possessed a gift for softening and debasing what he borrowed, so that many readers were charmed by the ease with which they could follow him.’

F. Scott Fitzgerald, Tender is the Night”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Memo to Groucho Viz Television from Goodman Ace

“[Of television) “We call it a medium because nothing’s well done.”

Goodman Ace, in a letter to Groucho Marx

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Daniel Willingham on Circularity and Hermeneutics

Most of us have this experience at one time or another. You consult a dictionary to get a word definition, perhaps ‘condescending.’ The dictionary defines it as ‘patronizing,’ which is no help because you don’t know the meaning of that word, either. So you look up ‘patronizing’ and find that it is defined as ‘condescending.’

That’s an example of a circular definition, and it’s kind of funny, especially when it happens to someone else. But wait a minute…. Words seem defined by their features (watermelon is the red-on-the-inside, juicy, sweet, fruit), but how are the features defined? By other words. So doesn’t the model amount to a bunch of circular definitions, even if the circles may be bigger than the condescending-patronizing loop.

The way out of this problem is to consider the possibility that some representations are grounded. That means that some mental concepts derive meaning not from other mental concepts, but more directly from experience. For example, perhaps the definition of red is not rooted in language. Indeed, if you look up ‘red’ in the dictionary, the definition is pretty unsatisfying. Perhaps the mental definition of red should be rooted in the visual system; when you see the word ‘red,’ its referent is a memory of what it’s like to actually see red.

In the last twenty years, much evidence has accumulated that some representations are grounded—they are defined, at least in part, by our senses or by how we move. For example, when you read the word ‘kick,’ the part of your brain that controls leg movements shows activity, even though you’re not moving your leg. And the part of your brain that controls mouth movements is active when you read the word ‘lick,’ and that which controls finger movements is active when you read ‘pick,’ Part of the mental definition of kick, lick, and pick is what it feels like to execute those movements.

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Etruscan

“Etruscan: Ancient language in an area of Italy to the north of Rome, attested by inscriptions from around 700 BC, until extinguished by Latin. Not genetically related to any language any better documented; hence only partly and insecurely understood. Written in an alphabet derived from that of Greek and itself one source of the Roman.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Term of Art: Affective Education

“affective education: schooling that helps students deal with their emotions and values. This term is used to distinguish such schooling from cognitive education, which refers to academic knowledge and studies. Some would argue that the two are actually intertwined and that affective education increases students’ readiness to learn by addressing their emotional problems.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.