Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Ovid’s 4 Ages of Civilization

“Gold * Silver * Bronze * Iron

According to Ovid’s telling of history, our Golden Age was the time when Cronos ruled heaven and when gods lived amongst mankind and no one labored—that time when earth was populated by our hunter-gatherer ancestors. The Silver Age was when Zeus ruled over heaven and mankind was taught agriculture and architecture—which we can tie to the inventions of the Neolithic, around 12,000 BC. The Bronze Age was the time of the first great wars, of temple- and empire-building but also of faith and order, which we can directly connect with the ancient civilizations in Iraq, Egypt, Anatolia, China, and India. The Iron Age is our own time, when nation states were forged and mankind learned to mine, navigate, write, and trade. But, as Ovid notes, mankind also became ‘warlike, greedy, and impious. Truth, modesty and loyalty are nowhere to be found.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Substantive

“Substantive: Indicating a noun or a word or phrase functioning as a noun, e.g., ‘running away.’”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Graffiti Art

“Graffiti Art: (It., scratched) Beginning in the 1970s with the availability of aerosol spray paints, illegal graffiti statements and designs began to coat New York subway cars. Whereas political art took art from inside galleries and into the streets, the graffiti are movement appropriated this element of street culture and brought it into the elite world of New York art galleries. There, untrained artists like Jean-Michel Basquiat enjoyed brief recognition, while Keith Haring’s self-conscious use of the style made him its most famous proponent. Once in the galleries, however, graffiti art lost its element of illegal performance, its power as protest, and its context. Neutralized, it became fashion and quickly went out of style.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Women’s Movement

“Women’s Movement: This term refers to the mobilization of women around the project of changing and improving their position in society. It is often used interchangeably with ‘Women’s Liberation Movement’ to describe the second wave of feminism from the 1970s onwards (the first wave being nineteenth-and early-twentieth-century feminism culminating in the struggle for votes for women).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Nietzsche on the Motivation of a Philosopher

“If you want to understand a philosopher, do not ask what he says, but find out what he wants.”

Friedrich Wilhelm Nietzsche

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Light in August by William Faulkner

“Light in August: A novel (1932) by William Faulkner (1898-1962), following the tragic career of the mixed-race central character, Joe Christmas. Faulkner’s working title had been Dark House, but when he heard his wife comment on the unique quality of the light in August in the American South he was taken with the phrase, and used it as the final title.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Braggadocio

“Braggadocio (noun): Bumptious bragging or self-inflation; boastful language. Adj. braggadocian.

‘…the fancy lingoes of psychiatry, pedagogy, welfare, and big business—these are the twentieth century equivalents of ‘tall talk,’ sharing in the windiness of the nineteenth-century variety, but unlike it, incredibly dull and vapid. The hyperbole, grotesquery, and braggadocio survive only in American slang.’ Thomas Pyles, Words and Ways of American English

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Voluntary Associations

“Voluntary Associations: Any public, formally constituted, and non-commercial organization of which membership is optional, within a particular society. Examples include churches, political parties, pressure groups, leisure associations or clubs, neighborhood groups, and (sometimes) trade unions and professional associations. In some theories of democracy, emphasis is placed on the important role such groups can play in fostering participation in the civil society, and thus in maintaining social order.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Osamu Dazai

Osamu Dazai: (1909-1948) Japanese author. Although chiefly known for his fiction, Dazai also wrote personal essays and memoirs, children’s stories, and historical narratives. His work has attracted a large and dedicated readership, for whom the author’s deeply troubled life, and its brilliant retelling, have struck a responsive chord. In masterpieces such as Shayo (1947; tr The Setting Sun, 1956), and Ningen shikkaku (1948; tr No Longer Human, 1957), Dazai captured the postwar crisis of Japanese cultural identity and the travail of a lost generation of youth. The characteristic Dazai protagonist, in his addictive, womanizing, self-indulgent excess, artfully mirrors the life of the author, who, following numerous failed suicide attempts, eventually succeeded. This final act of self-dramatization is reminiscent of Akutagawa and Mishima.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Mahabharata

“Mahabhrata: One of the two great epic poems of ancient India (the other being the Ramayana), about eight times as long as the Iliad and the Odyssey together. It is a great compendium, added to as late as AD 600, although it had very nearly acquired its present form by the 4th century. Covering an enormous range of topics, the Mahabharata, with its famous interpolation, the Bhagavadgita, has as its central theme the great war between the sons of two royal brothers, in a struggle for succession. The brothers are Dhritarashtra and Pandu, their families being referred to respectively as the Kauravas and the Pandavas. The Pandavas ultimately prevail, the eldest of them, Yudhishtira, gains the throne, and Arjuna, one of his younger brothers and in many ways the hero of the entire epic (especially through the Bhagavadgita), gains the hand of the lovely Draupadi and brings her home as the wife of all five brothers, The epic also contains the Shantiparvan, an important discourse on statecraft, and the famous Savitri episode, the tale of Nala Damayantt. In its totality, it is an encyclopedia of Hindu life, legend, and thought: ‘What is not in the Mahabharata,’ says the Mahabharata, ‘is not to be found anywhere else in the world.'”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.