Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Rotten Reviews: A Walk on the Wild Side by Nelson Algren

“…my, how this boy needs editing!”

San Francisco Chronicle

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Term of Art: Orthography

“Orthography: [Through French and Latin from Greek orthographia correct writing]. 1. A term for correct or accepted writing and spelling and for a normative set of conventions for writing and especially spelling. In the 15th and 16th centuries, there was considerable variety and uncertainty in the writing and printing of English. Advocates of standardized spelling emphasized the importance of regularization by referring to it as trewe ortografye, trew orthographie, etc. 2. The study of letters and how they are used to express sounds and form words, especially as a traditional aspect of grammar; the spelling system of a language, whether considered ‘true’ and ‘correct’ or not. In linguistics, however, the name for the study of the writing system of a language and for the system itself is more commonly graphology, a level of language parallel to phonology. The earlier, prescriptive sense of the term continues to be used, but the later, more neutral sense is common among scholars of language. The orthography of English has standardized on two systems, British and American. While far from uniform in either system, it allows for much less variation than is possible, for example, in the orthography of Scots.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Hard-Edge Painting

“Hard-Edge Painting: A term used by critic Jules Langsner in 1959 in speaking of paintings executed in broad, flat areas of color delineated by precise, sharp edges. It developed as a reaction to the spontaneous and painterly handling typical of abstract expressionism. Explored by Ellsworth Kelly, Ad Reinhardt, and Alexander Liberman, among others.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

H.L. Mencken on College Football

“College football would be more interesting if the faculty played instead of the students—there would be a great increase in broken arms, legs, and necks.”

H.L. Mencken

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Conjunction

“Conjunction: A word that joins words, phrases, clauses, or sentences. The coordinating conjunctions, and, but, or, not, yet, so, for, join grammatically equivalent elements. Correlative conjunctions (both, and; either, or; neither, nor) join the same kinds of elements.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Term of Art: Deus Ex Machina

“Deus Ex Machina: (Lat, “god from the machine) A theatrical device used in Greek tragedy. In several plays of Euripides, a god appears at the last moment to provide the solution to the tangled problems of the main characters. The god is let down from the sky on a sort of crane. The phrase has come to refer to a playwright’s use of external means to solve the problems of his characters—a practice generally frowned upon.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Write It Right: And So, And Yet.

“And So. And Yet. ‘And so they were married.’ ‘And yet a woman.’ Omit the conjunction.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Cato the Elder with a Pithy Statement for Our Time

“I would much rather have men ask why I have no statue, than why I have one.”

Cato the Elder, Quoted in Plutarch, Parallel Lives

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Term of Art: Hellenistic Grammar

“Hellenistic Grammar: The study of grammar in the West in the period called ‘Hellenistic,’ conventionally 323-31 BC: the period of the early Stoics and Alexandrians, including Dionysius Thrax.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Term of Art: Compound Subject

“Compound Subject: Two or more simple subjects joined by a coordinating or correlative conjunction. Hemingway and Fitzgerald had little in common.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.