Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Art for Art’s Sake

“Art for Art’s Sake: English equivalent of the French l’art pour l’art, which is embodied in The Poetic Principle by Edgar Allan Poe:

There neither exists nor can exist any work more thoroughly dignified…than the poem which is a poem and nothing more—the poem written solely for the poem’s sake.

 The doctrine which this represents, that the aim of art should be creation and the perfection of technical expression rather than the service of a moral, political, or didactic end, has been evolving ever since the romantic period. It was adumbrated by Coleridge and given early expression by Poe in the above treatise, flowered among the French symbolist poets and their English associate Walter Pater, and reached its culmination in the aesthetic theory of I.A. Richards. It was the dominant theory of art and especially of poetry until the 1930s, when the proletarian and Marxist movements in literature threatened for a time to revive the 18th-century didactic theories. After the beginning of World War II in 1939, the latter movements began to lose much of their influence.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Devil’s Dictionary: Corrupt

“Corrupt, adj. In politics, holding an office of trust or profit.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

 

Albert Camus on Politics and Greatness of Character

“Politics and the fate of mankind are formed by men without ideals and without greatness. Those who have greatness within them do not go in for politics.”

Albert Camus

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Tense

“Tense: The time of a verb’s action or state of being, such as past, present, or future. Saw, see, will see.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

2 Hands—10 Fingers

“The prime motivation behind the power of 10 is that you can with some authority recite your list of laws, prophets or gods as you tick off each of your ten fingers from a pair of hands, So the decision to decimate a rebel legion, to take tithe of a tenth of the harvest as tax or to rule for a decade seems logical, absolute, and ordained. The decimal system which now rules our numerical world, our wealth, our conception of time and distance derives from dekm—the Indo-Aryan word for ‘two hands,’ the power of ten.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Write It Right: Balance for Remainder

“Balance for Remainder. ‘The balance of my time is given to recreation.’ In this sense, balance is a commercial word, and relates to accounting.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Term of Art: Boycott

boycott: Refusal by a body of people to have any dealings with a person or persons. The term is derived from Capt. C.C. Boycott (1832-97) who, having incurred hostility for a series of evictions, was made the victim of a conspiracy by the Irish Land League, preventing him from making any purchases or holding any social intercourse in his district.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Term of Art: Syntax

“Syntax: The order or arrangement of words in a sentence. Syntax may exhibit parallelism (I came, I saw, I conquered), inversion (Whose woods these are I think I know), or other formal characteristics.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Synthetism

“Synthetism: A Post-Impressionist direction associated with Paul Gauguin, Emile Bernard, and Maurice Denis, which reduced forms to essentials and applied colors as flat, nonshaded fields bounded by strong contour lines.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Indirect Speech

indirect speech: The reporting of something said, thought, etc. with deictic and other units adapted to the viewpoint of the reporter. E.g. He said he would bring them might report a promise, originally expressed by the utterance ‘I will bring them in.’ But the person who made the promise is someone other than the reporter; hence, in the reporting, original I is changed to he. Also the promise was earlier than the report; hence, in addition, will is changed to would. With these adaptations, he would bring them is an example of, and is said to be ‘in,’ indirect speech.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.