Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Book of Answers: Emile Zola and the Dreyfus Affair

“Of what crime was Emile Zola convicted? In 1898-99, he was convicted of libel in France for his letter “J’Accuse.” The open letter to the French president defended Captain Alfred Dreyfus, a Jewish officer accused of treason. After the conviction, Zola fled to exile in England for a year, before returning to France as a hero.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Possessive

“Possessive: The case of nouns and pronouns that indicates ownership or possession (Harold’s, ours, mine).”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Zapotec

“Zapotec: The main territory of the Zapotecs was the valley of Oaxaca (Mexico) with its great center at Monte Alban. It is still uncertain when these people first came to Oaxaca, but by c. AD 300 a distinctively Zapotec culture can be recognized. In c. 1400 the area was infiltrated by Mixtecs who came from the mountains from the north and west and occupied most of the Zapotec sites. Part of the region was never conquered by the Aztecs, and the Zapotecan language has persisted to the present day.”

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

The Weekly Text, September 25, 2020, Hispanic Heritage Month 2020 Week II: A Reading and Comprehension Worksheet on American Imperialism

This week’s Text–and it may seem odd as an offering for National Hispanic Heritage Month–is this reading on American Imperialism and its accompanying vocabulary-building and comprehension worksheet. The United States has violated the sovereignty of Latin American nations repeatedly since the early-nineteenth century. This meddling in the affairs of Latin America arguably began with the theology of Manifest Destiny and the foreign policy of the Monroe Doctrine.

Even the easygoing researcher will locate dozens of examples of United States involvement in Latin America. Three are most salient for the purposes of this blog post, mostly for their egregiousness: the 1954 coup in Guatemala that overthrew the democratically elected Jacobo Arbenz; ten years later, the 1964 Brazilian coup that toppled the leftist government of Joao Goulart; and, in my own historical memory, the 1973 coup against the democratically elected President of Chile, Salvador Allende. The latter, incidentally, has been extensively documented, with then Secretary of State Henry Kissinger’s role in the Chilean coup examined by, among others, the late Christopher Hitchens and, most comprehensively, by the National Security Archive.

Incidentally, Henry Kissinger is regarded around the world as a war criminal–as this withering editorial from 2017 in The Harvard Crimson emphasizes.

Finally, I’ve always found it useful to turn to one of American history’s most famous quotes, from General Smedley D. Butler, on American imperialism:

“I spent 33 years and four months in active military service and during that period I spent most of my time as a high class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer, a gangster for capitalism. I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the International Banking House of Brown Brothers in 1902-1912. I brought light to the Dominican Republic for the American sugar interests in 1916. I helped make Honduras right for the American fruit companies in 1903. In China in 1927 I helped see to it that Standard Oil went on its way unmolested. Looking back on it, I might have given Al Capone a few hints. The best he could do was to operate his racket in three districts. I operated on three continents.”

(Smedley D. Butler, War is a Racket: The Antiwar Classic by America’s Most Decorated Soldier (Port Townshend, Washington: Feral House, 2003.)

Enough said.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Multiple Intelligences

“Multiple intelligences: An interpretation of intelligence put forward by the US psychologist Howard (Earl) Gardner (born 1943) in his book Frames of Mind: The Theory of Multiple Intelligences (1983-1993), taking account of abilities of gifted people and virtuosos or experts in various domains, abilities valued in different cultures, and abilities of individuals who have suffered brain damage. In addition to the linguistic, logical-mathematical, and spatial abilities incorporated in conventional interpretations of intelligence, Gardner’s taxonomy includes musical intelligence (used in musical appreciation, composition, and performance), bodily-kinesthetic intelligence (used in sport, dancing, and everyday activities requiring dexterity), interpersonal intelligence (used in relating to others, interpreting social signals, and predicting social outcomes), intrapersonal intelligence (used in understanding and predicting one’s own behavior). In 1997 Gardner added naturalist intelligence (used in discriminating among plants, animals, and other features of the natural world, and in classifying objects in general) as an eighth intelligence and spiritual intelligence and existential intelligence as ‘candidate’ intelligences. Critics have argued that some of these abilities are better interpreted as special talents than as aspects of intelligence.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Silk Screen

“Silk Screen: A stencil process of color reproduction, often used commercially to reproduce posters, etc. The design is divided according to color areas. For each color, a stencil is prepared on silk stretched over a frame. Paint is the squeezed through the respective screens. Andy Warhol used this technique extensively. Also called serigraphy.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Benjamin Stolberg on Experts

“An expert is a person who avoids small error as he sweeps on to the grand fallacy.”

Benjamin Stolberg

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Phrase

“Phrase:  A group or related words that functions as a unit but lacks a subject, a verb, or both. Without the resources to continue.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Book of Answers: Alice in Wonderland

“Who was the model for Alice in Lewis Carroll’s Alice’s Adventures in Wonderland? Alice Liddell, daughter of Henry George Liddell, Dean of Christ Church, Oxford.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Modernismo

“Modernismo: A literary movement that arose in Spanish America in the late 19th century and was subsequently transmitted to Spain, In their quest for pure poetry, the modernists displayed a dazzling technical virtuosity and technical perfection that revolutionized Spanish literature.

According to some critics, the publication of Jose Marti’s Ismaelillo (1882) marks the beginning of the movement. Others assert that, while Marti exerted enormous influence on Spanish-American writing and thought, his poetry is so individual that he cannot be considered even a precursor of modernism. There is no disagreement, however, as to the dominant role of Ruben Dario, whose work defined and stimulated modernism in America and in Spain. The publication of his Azul (1888) is sometimes said to signify the birth of modernism, and Prosas profanas (1896) is held to show modernism at its zenith. Other early modernist poets (often considered precursors of this movement) were Manuel Gutierrez Najera, Jose Ascuncion Silva, and Julian del Casal, the Cuban. Modernists of the later, post-1896 phase include Leopoldo Lugones, Jose Enrique Rodo, Julio Herrera y Reissig, Jose Santo Chocano, Amado Nervo, and Rufino Blanco Fombona.

In rebellion against romanticism, from which, however, they were not always able to free themselves, the modernists drew their initial inspiration and technique from European, particularly French, sources. From French Parnassians and symbolists, such as Gautier, Coppee, and Verlaine, came their pessimism and melancholy, their belief in art for art’s sake, their zeal for technical excellence and musicality, their love of exotic imagery and a vocabulary in which swans (one of Dario’s favorite symbols), peacocks, gems, and palaces abound. Another distinctive characteristic of the modernists was their unceasing experimentation with old and new verse forms, In their desire to escape from the sordidness of reality, the early modernists usually shunned political and native themes. Their successors, however, inspired no doubt by impassioned verses that Dario hurled at Theodore Roosevelt in his ode to Argentina, turned increasingly to American subjects, as exemplified by Chocano’s Alma America (1906). In prose writing, particularly the essay, modernismo fostered a new simplicity and elegance, the finest examples of which are to be found in the works of Rodo.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.