Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Term of Art: Subordinate Clause

“Subordinate Clause: A clause dependent on the main clause in a sentence. After we finish our work, we will go out to dinner.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Book of Answers: The First Book Printed in English

“What was the first book printed in English? The Recuyell of the Historyes of Troye, a prose romance by Raoul Lefevre, printed by William Caxton in 1474 in Bruges, Belgium. Caxton himself translated it from the French. Caxton also printed the first dated book printed in English, Dictes and Sayenges of the Phylosophers, published on November 18, 1477.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

5 Components of the Soul in Ancient Egypt

“Ren * Ka * Ib * Ba * Sheut

The simplest concept is Ren, which is literally your name: it lives for as long as you are remembered, or can be read about on inscriptions, or included in prayers for the ancestors and their achievements. Ka is also easy enough to translate into modern idiom, for it is that vital essence that makes the difference between the living and the dead, between life and dead meat, between a warm body and cold clay.

Ib is literally the heart, formed from a single drop of clotted blood extracted from your mother’s heart at the hour of your conception or birth. By heart, the Egyptians meant not just the organ for pumping blood around your body, but the seat of your soul, the good directing force in your life, searching after truth, peace, and harmony.

Ba is that which makes each of us unique and different, that which makes us strive and achieve, the motivator but also the hungry elemental force that needs food and sex. In some form, your ba is destined to survive after death, often depicted or imagined as a human-headed bird, which with good fortune will go forth by day to enjoy the light, but might also end up existing only in the dark, like the bat or the ruin-haunting owl. Sheut is your shadow, and by extension the other you, as well as being used to describe a statue, a model, or a painting of a human.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Atmosphere

“Atmosphere: The mood and feeling, the intangible quality which appeals to extra-sensory as well as sensory perception, evoked by a work of art. For instance, the opening scene in Hamlet where the watch is tense and apprehensive, even “jumpy.” By contrast, the beginning of Ben Jonson’s The Alchemist indicates clearly that the play is going to be comic to the point of knockabout. An excellent example in the novel is Hardy’s depiction of Egdon Heath in The Return of the Native.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Synthetic Cubism

“Synthetic Cubism: Often referred to as the ‘second phase of cubism,’ it lasted from 1912 to 1914. In contrast to Analytic Cubism, Synthetic Cubism allowed for a reemergence of tactile qualities and decorative elements. Color and handling became important once again, as did the inclusion of stenciled lettering and collage elements.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Subject

“Subject: The noun or pronoun that indicates what a sentence is about, and which the principal verb of a sentence elaborates. The new Steven Spielberg movie is a box office hit.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Scarface

Scarface: A gangster film (1932) directed by Howard Hawks, with a screenplay by Ben Hecht and others. The 1983 remake was directed by Brian de Palma and had a screenplay by Oliver Stone. The name of the eponymous anti-hero is Tony Camonte (played by Paul Muni) in the 1932 version; in the 1983 version he is called Tony Montana (played by Al Pacino). The character is based on the real-life gangster Al Capone (1899-1947), who acquired the name Scarface from the scar on his left cheek caused by a razor slash in a Brooklyn gang fight in his younger days.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Write It Right: Avoirdupois for Weight

Avoirdupois for Weight. Mere slang.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Term of Art: Sentence Fragment

“Sentence Fragment: A group of words that is not grammatically a complete sentence but is punctuated as one: Because it mattered greatly.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Style

“Style: The characteristic manner and appearance of the works of an individual artist, school, or period. Stylistic elements comprise qualities resulting from both form and content. Artistic styles emerge from individual and collective interpretations in social, political, and economic contexts.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.