Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Term of Art: Task Analysis

“task analysis: A teaching strategy in which a learning activity is broken down into small sequential tasks. It is an effective strategy used to teach students with a learning disability because it takes a large learning activity and breaks it down into smaller, more easily accomplished tasks. Task analysis is also used as an assessment tool to see precisely at what stage a skill breakdown is occurring. For example, if a student is given an assignment to define 10 vocabulary words, a task analysis might include the following steps:

  1. understand, record, and remember the assignment
  2. read/decode the vocabulary words
  3. use a dictionary/textbook
  4. paraphrase the definition
  5. write the definition

Breaking an assignment into the five steps can make a difficult and overwhelming project become more manageable.

Similarly, task analysis can be used for instruction where larger skills are broken down into subskills and each subskill taught until mastery.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Alfred Adler on Neurosis

“Every neurotic is partly in the right.”

Alfred Adler

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

3 Playwrights of Athens’ Golden Age

“Aeschylus * Sophocles * Euripides

The apogee of Classical Athens’ two-century-long golden age of literature was the generation who thought and wrote between 461 and 431 BC. Theatre-going Greeks of this time witnessed the high-minded and complex tragedies of Aeschylus, the graceful, measured characterization of Sophocles and the more emotional and passionately charged creations of Euripides.

It is fitting that they are remembered as a trio, for each year three tragic playwrights produced a trilogy of tragedies (and a farcical comedy) that was performed over three consecutive days to honor Dionysus. These festivals were held around the time of the spring equinox. No more than three actors were permitted on the stage at any one time, their faces and that of the chorus covered in masks. At the end of the festival, one of the playwrights was voted the winner and given the prize of a goat, for the word ‘tragedy’ derives from ‘goat song.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Write It Right: Casualties for Losses in Battle

“Casualties for Losses in Battle. The essence of casualty is accident, absence of design. Death and wounds in battle are produced otherwise, are expectable and expected, and, by the enemy, intentional.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Fugitive Pigment

“Fugitive Pigment: Pigment that either fades with prolonged exposure to light, is susceptible to atmospheric pollution, or tends to darken when mixed with other substances.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Text-to-Text Connection

“text-to-text connection: The act of comparing one reading passage with another.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Book of Answers: Winston Churchill’s Nobel Prizewinning Book

“When and for what work did Winston Churchill win the Nobel Prize in Literature? In 1953 for The Second World War.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Cultural Literacy: Edwardian Period

Here is a Cultural Literacy worksheet on the Edwardian Period in England, so named for King Edward VII, the eldest son of Queen Victoria.

This is a half-page worksheet with a reading of two clauses, the second of which is a longish compound sentence. There are three comprehension questions. This worksheet may have greater or lesser utility, depending on how much you need or want students to know about this period in British history. This document if, of course, formatted in Microsoft Word, so you may manipulate it to your and your students’ needs.

Who knows, you might have someone in your class interested in the Teddy Boys, and this reading provides an entree into their fashion sense.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Allusion

“Allusion A seemingly incidental but often significant reference, as to a writer, event, or figure from literature or mythology; passing or implicit mention. Adj. allusive; adv. Allusively; n. allusiveness; v. allude.

‘I said that to tease Widmerpool, feeling pretty certain he had never read a line of Gogol, though he would rarely if ever admit to failure in recognizing an allusion, literary or otherwise.’ –Anthony Powell, The Soldier’s Art”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Algonquin Wits: Heywood Brown on the Marx Brothers

Broun, who was totally captivated by the Marx Brothers, went to see their shows—each one—as many times as possible (he saw Cocoanuts twenty-one times). Concerning this particular passion, he remarked: ‘Very likely my epitaph will read, “Here lies Heywood Broun (who?), killed by getting in the way of some scene shifters at a Marx Brothers show.”’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.