Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

The Algonquin Wits: Robert Benchley on His Dismissal from the World of Advertising

“Benchley spent a short, highly unsuccessful apprenticeship in the advertising department of Curtis Publishing Company, about which he recalled: ‘When I left Curtis (I was given plenty of time to get my hat and coat) I was advised not to stick to advertising. They said I was too tall, or something. I forget just what the reason was they gave.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Theodore Adorno

“Theodore Adorno: (1903-1969): German philosopher, one of the most prominent members of the Frankfurt School. With Max Horkheimer, he attacked the philosophical premises of the Enlightenment tradition. Steeped in Marxist theory, Adorno believed that capitalism turned culture into a ‘fetish,’ an instrument of repression; but contrary to Marx, he took a strongly pessimistic view of the long-term course of history. Instead of progress toward the freedom and fulfillment of all individuals, he saw increasing cultural and political enslavement to the capitalist economic system, aided by technology and ‘instrumental reason.’ He called this process the ‘dialectic of the Enlightenment.’ Adorno was haunted by the question of how intellectuals could perform a critical social role without being co-opted by exactly the forces that they sought to criticize; he worried that social criticism might become a part of the problem rather than a part of the solution.

Adorno, who studied composition under Arnold Schoenberg, also wrote extensively about music. Some of his more important works in English translation include Negative Dialectics (1966), Dialectic of Enlightenment (1972), Minima Moralia (1974), and Aesthetic Theory (1984).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Gross Domestic Product (GDP)

Here is a Cultural Literacy worksheet on gross domestic product (GDP). This is a half-page worksheet with three sentences and three comprehension questions. In spite of its brevity–or perhaps because of it, because the basic concept of GDP is simple–this is a good basic explanation of this broad measure of economic activity in a nation state, state, or province.

I would think this would be useful in just about any social studies class, but especially in the second half of high school.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Visual Perception

“visual perception: The ability to recognize and interpret visual information provided to the brain. Difficulties in visual perception are separate from and unrelated to impairment in the visual system that may diminish visual acuity or result in visual impairment or blindness. Visual perception involves the determination and discrimination of spatial information, as well as performance on tasks such as the discrimination of letters and words, geometric designs, and pictures.

Visual perception is an essential component of learning, especially in regard to reading development and to acquiring classroom information. Difficulties with visual perception may significantly affect and individuals ability to discriminate letters and words, and to work with mathematical information.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Fete Galante

“Fete Galante: A scene of an elegant, festive occasion in an open-air setting, depicting dancing, musicales, comedy, etc. Antoine Watteau introduced the fete galante and it became a specialty of French Rococo art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Ambiguity

“Ambiguity (noun) The state or quality of having more than one possible meaning; unclear or unresolved sense; a double meaning or equivocal word or expression. Adjective: ambiguous; adverb: ambiguously; noun: ambiguousness

‘Disraeli has a standard reply for diplomatic ambiguity for people who sent him unsolicited manuscripts to read: “Many thanks; I shall lose not time in reading it.”’ Robert Hendrickson, The Literary Life.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Write It Right: Clever for Obliging

“Clever for Obliging. In this sense the word was once in general use in the United States, but is now seldom heard and life here is less insupportable.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Nighthawks

“Nighthawks: A painting (1942) by the US artist Edward Hopper (1882-1967), showing people at an all-night coffee stand. A nighthawk is the same as a ‘night owl,’ i.e. someone who likes to stay up all night. A nighthawk—also called a mosquito hawk or bulbat—is also the name for any of a group of American nightjars. Nighthawks has also been used as the title of two films, one (1978) about the night-time cruising of a gay British schoolteacher, and the other (1981) about American policemen pursuing a terrorist.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Tour de Force

“Tour de Force: (French, ‘Turn of Force’) As a literary term it may be applied to a work which provides an outstanding illustration of a writer’s skill and mastery; a sort of ‘one-off’ brilliant display. Among modern examples one might suggest: Hemingway’s short story The Short and Happy Life of Francis Macomber (1938); Arthur Koestler’s novel Darkness at Noon (1940); Orwell’s fable Animal Farm (1945); Anthony Burgess’s novel A Clockwork Orange (1962); Daniel Keyes’s short story Flowers for Algernon (1965); and Vikram Seth’s extraordinary ‘novel’ The Golden Gate (1986)—a narrative which consists of 590 sonnets in rhyming tetrameters.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Alan Simpson on the Educated Person

“An educated man…is thoroughly inoculated against humbug, thinks for himself, and tries to give his thoughts, in speech or on paper, some style.”

Alan Simpson on becoming president of Vassar College (1963)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.