Category Archives: New York City

Any and all documents and quotes related in any way to the cultural, social, economic, and political life of Five Boroughs of New York City.

Book of Answers: Dylan Thomas

“How did poet Dylan Thomas die? He died at age thirty-nine in New York City after drinking eighteen straight whiskeys in a bar and lapsing into a coma.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The Algonquin Wits: George S. Kaufman to Adolph Zukor

“Hollywood’s Adolph Zukor was said to have offered a trifling $30,000 for movie rights to a Kaufman play. The playwright sent back a telegram offering Zukor $40,000 for Paramount.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: Harpo Marx Visits Alexander Woollcott’s Summer Place

Harpo Marx once arrived at Woollcott’s Lake Bomoseen home in a broken-down Model-T Ford. ‘What do you call that?’ Woollcott exclaimed as he regarded the automobile.

‘This is my town car,’ Harpo explained.

‘What was the town?’ asked Woollcott. ‘Pompeii?’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Graffiti Art

“Graffiti Art: (It., scratched) Beginning in the 1970s with the availability of aerosol spray paints, illegal graffiti statements and designs began to coat New York subway cars. Whereas political art took art from inside galleries and into the streets, the graffiti are movement appropriated this element of street culture and brought it into the elite world of New York art galleries. There, untrained artists like Jean-Michel Basquiat enjoyed brief recognition, while Keith Haring’s self-conscious use of the style made him its most famous proponent. Once in the galleries, however, graffiti art lost its element of illegal performance, its power as protest, and its context. Neutralized, it became fashion and quickly went out of style.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Algonquin Wits: Dorothy Parker Reviews a Book on Science

“Reviewing a book on science, Mrs. Parker wrote, ‘It was written without fear and without research.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: George S. Kaufman Addresses a Critic

Kaufman was seldom open to outside suggestions concerning his work, especially from persons he didn’t know. One self-appointed critic, on being snubbed by G.S.K. remarked, ‘Perhaps you don’t know who I am?’

‘That’s only part of it,’ said Kaufman.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: Dorothy Parker, Famously, on Claire Boothe Luce

Mrs. Parker once collided with Clare Boothe Luce in a doorway. ‘Age before beauty,’ cracked Mrs. Luce. ‘Pearls before swine,’ said Mrs. Parker, gliding through the door.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: Heywood Broun on Class War

“The trouble with me is that I inherited an insufficient amount of vengeful feeling. Kings, princes, dukes, and even local squires rode their horses so that they stepped upon the toes of my ancestors, who did nothing about it except to apologize. I would have joined most eagerly in pulling down the Bastille, but if anybody had caught me at it and given me a sharp look I’m afraid I would have put it back again.”

Heywood Broun

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: Beatrice Kaufman Attends a Concert at Carnegie Hall

Beatrice Kaufman, who held little appreciation for music of any sort, once accompanied Oscar Levant to Carnegie Hall to hear Stokowski conduct Bach’s B Minor Mass. While en route to the theater Beatrice realized they were going to be late and urged her escort, ‘In heaven’s name let’s hurry or we’ll miss the intermission.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Algonquin Wits: Franklin Pierce Adams on the Perils of Artificial Cheer

“Every time we tell anybody to cheer up, things might be worse, we run away for fear we might be asked to specify how.”

Franklin Pierce Adams

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.