Category Archives: Essays/Readings

This category often, but not always, designates a piece of my own writing on a topic on a variety of topics. So, if you are interested in listening to me bloviate, click on this category! The Essays/Readings category may also include extended quotes from books, particularly on pedagogy, literacy, terms of art, and philosophy.

The Mozart Effect

[N.B. that this quote contains an apparent error, to wit that number 488 in the Kochel Catalogue is not a sonata for two pianos, but rather the composer’s 23rd piano concerto.]

Mozart effect: A finding, first reported in the journal Nature in 1993, that listening to compositions by Mozart increases scores on tests of spatial ability for a short while. In the original experiment, college students were given various tests after experiencing each of the following for ten minutes: listening to Mozart’s sonata for two pianos in D major K488, listening to a relaxation tape, or silence. Performance on the paper-folding subtest of the Stanford-Binet intelligence scale was significantly better after listening to Mozart than after the other two treatments, but the effect dissipated after about 15 minutes, and other (non-spatial) tasks were unaffected. The finding has been contested by other researchers and has been widely misinterpreted to imply that listening to Mozart (or listening to classical music) increases one’s intelligence. Several independent research studies have shown that children who receive extensive training in musical performance achieve significant higher average scores on tests of spatial ability, but that long-term consequence is not the Mozart effect.

[Named after the Austrian composer Wolfgang Amadeus Mozart (1756-9100]”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Term of Art: Higher Order Thinking

“Advanced intellectual abilities that go beyond basic information processing. Higher order thinking involves such abilities as concept formation, understanding rules, problem-solving skills, and the ability to look at information from multiple perspectives.

Students exercise their higher order thinking when they analyze, synthesize, and evaluate materials to which they have been exposed, The construction or creation of new material also requires higher order thinking.

In general, abilities in the area of higher order thinking are closely linked to intellectual capacity. However, individuals with learning disabilities who have underlying information processing deficits may appear to have difficulties with higher order activities. This may be especially true with higher order tasks involving a verbal component for students with language-based learning problems.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Hittites

“Hittite: A member of an ancient people of Asia Minor who gained control of central Anatolia c. 1800-1200 BC. The Hittite empire reached its zenith under the totalitarian rule of Suppiluliuma I (c. 1380 BC). Whose political influence extended from the capital, Hattusas, situated at Bogazkoy (about 22 miles east of Ankara in modern Turkey) west to the Mediterranean coast and southeast into northern Syria. In their struggle for power over Syria and Palestine the Hittites clashed with the troops of Ramses II of Egypt in a battle (1285 BC) at Kadesh on the River Orontes which seems to have ended indecisively. The subsequent decline and demise of Hittite power by 700 BC resulted from internal and external dissension, probably following an outbreak of famine.”

Excerpted from: Wright, Edmund, Ed. The Oxford Desk Encyclopedia of World History. New York: Oxford University Press, 2006.

Jun’ichiro Tanizaki

“Jun’ichiro Tanizaki (1886-1965) Japanese novelist. Tanizaki’s works are characterized by skillful storytelling and by a deep concern with the psychic forces rooted in human sexuality. This is especially evident in his last two novels, Kagi (1957; tr The Key, 1960) and Futen rojin nikki (1961; tr Diary of a Mad Old Man, 1965), but is also true of his earliest stories, such as Shisei (1910; tr Tattoo, 1961). The works of his middle period, notably Tade kuu mushi (1928; tr Some Prefer Nettles, 1955). Shunkin sho (1933; tr A Portrait of Shunkin, 1965), and Sasame yuki (1943-48; tr The Makioka Sisters, 1957), reveal Tanizaki’s fascination with classical Japanese culture and its unique code of sensuous, feminized bearuty. His admiration for traditional aesthetics is expounded in a famous essay, In’ei raisan (1933; tr In Praise of Shadows, 1977). Many critics consider Tanizaki to be Japan’s greatest modern author.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Arabian Nights Entertainment or The Thousand and One Nights

“A collection of ancient tales from India, Persia, and Arabia. They were first introduced into western Europe in a French translation by Antoine Galland (12 volumes, 1704-1717), derived from and Egyptian text, probably dating from the 14th or 15th century. English translations based on Galland were made by R. Heron (1792) and W. Beloe (1795). The later translations by Henry Torrens (1838), E.W. Lane (1839-1841) and John Payne (1882-1884) and Sir Richard Burton’s unexpurgated edition published at Benares (Varanesi; 16 volumes, 18851888) are based on a late 18th-century Egyptian text. The standard French translation (1889-1904) by J.C. Mardrus has been severely criticized.

The framework of the tales is the story of Scheherazade, daughter of the grand vizier of the Indies. The Sultan Schahriah, having discovered the infidelity of his sultana, has resolved to have a fresh wife every night and to have her strangled at daybreak. Scheherazade entreats to become his wife, and so amuses him with tales for a thousand and one nights that he revokes his cruel decree, bestows his affection on her and calls her ‘the liberator of the sex.’ Her stories included the tales of Aladdin, Sinbad the Sailor and Ali Baba.

The film Arabian Nights (1942) is an Oriental adventure involving the caliph of Baghdad, but has not stronger link to the original tales. Much more in the spirit of the original is The Arabian Nights (1974), a visually beautiful film by Pier Paolo Pasolini (1922-1975) that also encompasses some of the original’s complex narrative structure (tales within tales,  and so on). The Thief of Baghdad (1940), a wonderful fantasy film directed by Michael Powell and others, features elements of the tales in a story about an urchin imprisoned for theft who is joined in his cell by the deposed prince, whom he helps to regain his throne. The first film with this title (1924) was written by and starred Douglas Fairbanks, and there were remakes in 1960 and 1978.

Several pieces of music have been inspired by the Arabian Nights. The best known is Sheherezade, as symphonic suite (1888) by Rimsky-Korsakov (1844-1908), which Fokine turned into a ballet (1910). Sheherezade (1903) is a set of three songs by Maurice Ravel (1875-1937), setting poems by Tristan Klingsor. Schehrezade also makes an interesting appearance in one of the novellas in Chimera (1972) by the US writer John Barth (b. 1930).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Enki

“The Sumerian god of water and wisdom. Enki lived near the ancient city of Eridu in his watery palace in the Abzu—probably the Persian Gulf. This god, like his later Babylonian counterpart Ea, was principally responsible for ordering the functions of the elements that affect life on earth. Cleverest of the gods, he provided the land with sweet water, fathered Uttu, the goddess of plants, found a way to rescue Inanna from the underworld, and saved mankind from extermination in the great flood. He was not, however, infallible. While in his cups, he let the goddess slip away with his “divine decrees,” which would give supremacy to her favored city of Erech instead of to Eridu. His attempt to create man was a pathetic failure, and it was left to the goddess Nintu to mold of clay a satisfactory human being.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Matsuo Basho

“Matsuo Basho (1644-1694): Japanese haiku poet. Basho is generally acknowledged as the developer and greatest master of this form. His haiku went through many phases, evolving from the pedantic verse of his early youth to his lighthearted poetry of his last years. The work of his peak period is characterized by evocations of man’s ultimate harmony with nature. A wanderer for much of his life, Basho also wrote travel sketches interspersed with haiku. Oi no kobumi (1688; tr The Records of a Travel-Worn Satchel, 1966) is famous for its opening passages, which reveal his basic beliefs, but the best work in this genre is Oku no hosomichi (1689; tr The Narrow Road to the Deep North, 1966), which, outwardly describing his journey to rural areas of northeastern Japan, inwardly traces his spiritual quest for a beauty and lyricism all but lost in urban life.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

John Dewey Dissects Teaching “Content”

“From the standpoint of the educator…the various studies represent working resources, available capital. Their remoteness from the experience of the young…is real. The subject matter of the learner…cannot be identical with the formulated, crystallized knowledge of the adult…. Failure to bear in mind the difference…is responsible for most of the mistakes made in the use of texts and other expressions of preexisting knowledge.”

John Dewey

Democracy and Education

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Jerome Bruner on Understanding and Interpretation

I. “Understanding unlike explaining, is not preemptive; for example, one way of construing the fall of Rome narratively does not rule out other interpretations. For narratives and their interpretations traffic in meaning, and meanings are intransigently multiple…. Since no one narrative construal rules out alternatives, narratives pose a very special issue of criteria.”

II. “In a word, narrative accounts can be principled or not but do not rest on stark verification alone, as with scientific explanations. Any constitutional lawyer worth his salt can tell you how Justice Taney’s way of construing history in the Dred Scott decision was excruciatingly tunnel-visioned, unmindful of competing perspective, and therefore lethal in its consequences.”

Jerome Bruner

The Culture of Education

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

John Dewey on Instructional Planning

“No experience is educative that does not tend both to knowledge of more facts and entertaining of more ideas and to a better, a more orderly arrangement of them…. Experiences in order to be educative, must lead out into an expanding world of subject matter…. This condition is satisfied only as long as the educator views teaching and learning as a continuous process of reconstruction of experience.”

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.