Category Archives: Essays/Readings

This category often, but not always, designates a piece of my own writing on a topic on a variety of topics. So, if you are interested in listening to me bloviate, click on this category! The Essays/Readings category may also include extended quotes from books, particularly on pedagogy, literacy, terms of art, and philosophy.

Term of Art: Strong Verb

“Strong Verb: A term in the description of Germanic languages for a verb that indicates such differences as tense by modifying its vowels: English ring, rang, rung. In contrast, weak verbs add inflections: play, played, played. These terms are usually replaced in grammars of modern English by regular verb (in place of weak verb) and irregular verb (in place of strong verb). In Old English, strong verbs could have as many as four different vowels, since the first- and third-person singular in the past differed from all the other past forms: compare was and were in the Modern English past of the verb be. An example from Old English is the verb helpan, with e in the present tense, but past healp (first- and third-person singular) and hulpon, and the past participle holpen (with the -en inflection found in some Modern English irregular verbs: shaken, taken). In Modern English, this verb has become weak (help, helped), a change that his affected many other strong verbs over the centuries, such as climb, step, walk. The strong verbs that have survived into Modern English seldom retain the original distinctions, and all (except the highly irregular be, with was and were) have lost the two forms for the past. In some Modern English verbs, the vowels or the past and the past participle have become identical (sting, stung), and in others all three forms are the same (put). Some originally strong verbs have regular variants (swell, swelled, or swollen). A few originally weak verbs have become strong, such as wear, dig, fling. Differences may occur between varieties: (1) dive, dived in British English, but often dive, dove in American English; (2) sell, sold and tell, told in standard English worldwide, but sell, sellt, tell, tellt in Scots. Occasionally, for facetious purposes, people play with strong forms: I thunk very hard about it and Where were you brung up? In general, new verbs in Modern English are regular; that is, formed on the pattern of weak verbs, the pronunciation of the -ed inflection as /(e)d/ or /t/ varying systematically according to the immediately preceding sound. Verbs formed by prefixation or compounding usually take the same forms as the verbs on which they are based: offset, babysit, and (both regular and irregular) deepfreeze. Some phrasal verbs prefer a weak form (contrast The card sped up the hill and The car speeded up).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Chapter 3 of The Reading Mind, “Reading at a Glance”: Summary, Implications and Discussion Questions

“Summary

  • Experienced readers have distinct representations for three aspects of each word: the sound, the spelling, and the meaning. These representations are distinct, but tightly linked, so that thinking of one makes it easy to think of the other two.
  • Experienced readers can access meaning from print either by sounding words out or by matching the spelling on the page to an orthographic representation in the mind.
  • Experienced readers typically use both pathways to word meaning simultaneously as they read.
  • Orthographic representations of words help you identify letters, even as letter identification helps you know which word you’re reading; the two processes are reciprocal.
  • When readers can read by spelling as well as by sound, decoding requires less attention, which leaves more attention available for the work of comprehension.
  • Spelling representations develop through reading.

Implications

  • It seems at least plausible that you would use the same orthographic representations to read and to write. Thus we might expect that instruction in the spelling of words would help orthographic representations develop. Indeed, evidence shows that such instruction does improve reading. So that’s a reason to include spelling instruction in schools, even though we all use word processors with spell-checkers.
  • If orthographic representations develop through self-teaching, then they won’t develop as well if children don’t get proper feedback. That is, if a child sees “bear” but sounds it out as beer, that’s going to slow progress in developing the right orthographic representations, That, in turn, suggests that this aspect of reading practice will be more effective if students read aloud, rather than silently, at least until they can sound words out pretty reliably. The quality of feedback they receive matters too—gains are larger when an adult provides feedback than when a peer does.
  • If spelling representations help students read with greater prosody, then it might be helpful for students to have a model of what prosodic reading should sound like.

Discussion Questions

  • I said that the seemingly rule-less system of English spelling makes more sense if you take context into account. How many of these contextual rules do you think students are taught? Should they learn about them implicitly, as they gain experience in reading? Do you think most teachers explicitly know most of these rules?
  • How does the reciprocal nature of letter-reading and word-reading provide insight into why proofreading is so difficult?
  • People acquire all sorts of expertise that is primarily visual. For example, judges at dog shows have expertise in the desired looks of particular breeds and would notice subtle distinctions that most of us would miss. You can think of reading by orthography as a similar sort of visual expertise. How do you suppose someone like a dog show judge gains their expertise? Does this make you think about teaching reading differently or confirm what you already thought?
  • What are some of the ways that writers signal particular prosody? For example, in the sentence “Steve gave Pascual the ball,” how would you signal to a reader that the important message in this sentence is that it was Steve who did this, not someone else, as the reader might have thought? Although there are some ways to signal prosody, there’s nothing close to a complete system to do so. Why not? Why don’t we all learn a system of marks (as some languages use accent marks) that signal changes in emphasis, tempo, and pitch?
  • I’ve emphasized that adding orthographic representations results in smaller attention demand for decoding, leaving more attention available for comprehending what you’re reading. What else requires attention during reading? What types of texts are especially attention-demanding? What do readers choose to do as the read that draws attention away from the act of reading? How much does it matter?”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Sacred, Sacred versus Profane Distinction (in a Time of Gaslighting this Dichotomy)

“Sacred, Sacred versus Profane Distinction: For Emile Durkheim and all subsequent sociologists of religion, the recognition of the absolute nature of the distinction between these two terms was and has been fundamental to their subdiscipline, both as a social fact and as something to be explained. Durkheim’s classic statement or the distinction is that ‘Sacred things are those which the [religious] interdictions protect and isolate; profane things, those to which these interdictions are applied and which must remain at a distance from the first’ (The Elementary Forms of the Religious Life, 1912). Sacred phenomena are therefore considered extraordinary and set apart from everything else.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Self-Fulfilling Prophecy

“Self-Fulfilling Prophecy: A concept introduced into sociology by Robert Merton (see his Social Theory and Social Structure, 1957), and allied to William Isaac Thomas’s earlier and famous theorem that ‘when people define situations as real, they become real in their consequences.’ Merton suggests the self-fulfilling prophecy is an important and basic process in society, arguing that ‘in the beginning, a false definition of the situation evokes a new behavior which makes the original false conception come true. [It] perpetuates a reign of error.’”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Review Essay: An Educational Planning Book for Parents, Teachers, and Administrators

As the COVID19 pandemic drags on, I’ve followed with great interest the reported experiences of parents as they work at sustaining their children’s educations while simultaneously dealing with the realities this crisis foists upon us. It’s clear that parents–particularly parents who themselves must work from home–have struggled with figuring out how to contrive a home school, as Diane Ravitch has noted here and here (and by the time I publish this, no doubt, elsewhere as well) on her excellent policy blog.

Extensive reporting on the challenges of distance learning, remote learning, or whatever it is we want to call communicating via screen technology over the internet has, in my view, exposed it as a failure. A friend and colleague in New York reports to me that one of his classes meets for two twenty-five-minute (!) periods a week, and that he assigns one piece of work (again: !) for this class. Under these circumstances, there is richly justified concern that students will fall behind. In fact, from what I hear and see, this has already occurred. All of this results from our schools’ fixation on training students to pass tests rather than to learn to think, imagine, and apply knowledge in real situations.

Ideally, learning, becoming educated, is something a person does every day across the span of his or her life. Every time we read instructions, ask a friend of family member for help with or an explanation of something, or–especially–use prior knowledge to understand something new, we are learning. There is in fact a rich literature on the learning we do outside of our educational institutions. My own teaching practice (by which I aim, among other things, to produce disciplined, skilled autodidacts, and thereby render myself superfluous) has been heavily influenced by Ivan Illich’s book Deschooling SocietyWhile some people might object to the obvious influence of Marxism in its pages, I have also found Paulo Freire’s great book Pedagogy of the Oppressed serves as an explanatory manual for the importance of relevance and application when teaching; Freire’s successes in educating illiterate Brazilian peasants is well documented, and he was amply honored for it. The late Theodore “Ted” Sizer had much to say about learning and school–particularly the frequent and tragic disjunction of theory and practice. I highly recommend his Horace trilogy, which brilliantly exposes the way that our schools have essentially subverted authentic learning in favor of a test-and-punish regime.

To no small extent, the problems in our public schools are the problems of commodification of education and, more specifically, the credentials that education produces. I know, as I hope most parents do, that contractual teacher salaries are often based on credentials. That makes a master’s degree a commodity, another thing for sale in the marketplace. David Labaree of Stanford analyzes the commodification of credentials in his book How to Succeed in School Without Really Learning: The Credentials Race in American Education (New Haven: Yale University Press, 1997). As the title indicates, this is a book which describes the manner in which the quest for a credential, a marketable commodity, has replaced actual learning–and actual love of learning that compels learners to pursue knowledge for its own sake and for their own edification. The commodification of education and credentials is intimately connected with the adoption of curriculum produced by large corporate publishers. Again, we teach kids to assume possession of a body of bland, decontextualized facts that they must and will repeat on tests–produced by the same corporations–in order to earn their credential. Through all of this, students really don’t learn to think as much as memorize, they don’t learn to analyze and question so much as repeat and parrot. It is an intellectually deadening process. We should not be surprised that students resent and resist teaching and learning as presently constituted, and that we have such shocking dropout rates in our schools.

Despite the constant fascination with gimmicky pedagogy and electronic gadgets in our schools (an example of which I wrote about here and here, which so offended the administrators under whom I served when I wrote it that I think it may have cost me a job), teaching and learning are well-researched, well-understood, and stable procedures. We can start, as we should, with history’s first teacher, Socrates, that master ironist of feigned ignorance. Socrates asked the big conceptual questions, and he remains relevant to teachers today. Put another way, teachers should understand that in terms of the way people learn, and therefore the way people should be taught, they really must understand underlying concepts and big ideas; we know that little has changed in these procedures since Socrates held forth in the Agora.

In fact, a number of studies in the past generation or so have affirmed this. Most important among them is the National Research Council’s magisterial and definitive book How People Learn (Washington, DC: The National Academies Press, 2000). Martha Stone Wiske’s (she edited) Teaching for Understanding (San Francisco: Jossey-Bass, 1997) predates the publication of How People Learn but demonstrates its principles in action through the related experiences of classroom teachers. Jay McTighe and Grant Wiggins’ book Understanding by Design (Alexandria, VA: ASCD, 2005) and its ancillary titles (including the excellent Integrating Differentiated Instruction + Understanding by Design by Mr. McTighe and Carol Ann Tomlinson) are the teacher’s user’s manual for applying the principles of teaching and learning outlined in How People Learn. Over the years, I have relied heavily upon Understanding by Design to create and adapt instructional materials for my students. Indeed, my planning book is rife with typescripts of material from these books.

What all these studies and their subsequent books share is one relatively simple certainty: rather than running students through tedious, decontextualized rosters of facts (then supplying anxiety-producing tests to “assess understanding”), we must teach students concepts that enable them to find the connecting tissue between the facts that serve as manifestations of concepts. Put another way, we must help students gain understanding and knowledge that transfers both within domain-specific curricula, but also across the entire common branch curriculum, by moving back and forth between general (conceptual) understanding and specific (factual) knowledge. Put yet another way, rather than teaching students to pass tests, a rather narrow piece of procedural knowledge, we must teach them an understanding of how to use prior knowledge to understand new material; put yet one more, and final, way, our schools must teach kids to learn how to learn.

For parents at home with their children, particularly parents who in some degree now serve as surrogate teachers, the good news is this: teaching and learning in their essence are fairly simple procedures. To learn, one uses prior knowledge to understand something new, which is then integrated in and with prior knowledge. When we talk in casual conversation about the “learning curve,” this is the process we’re discussing. In an effective learning environment, the teacher’s first task is obviously to locate prior knowledge and establish it as the basis for understanding new things. This is where teaching complicates learning: assessing prior knowledge is a subtle exercise. If it is not done accurately or correctly, learning can falter or even fail. There are a number of ways for teachers to pin down and exploit prior knowledge for learning. Good old Socratic questioning is still one of the most effective ways to proceed. The student’s role in this is to both answer the question and (or) ask the teacher to refine or vary the question in a way that will yield potential results. In the ideal classroom, as students receive and consolidate new knowledge, they themselves begin to ask the kinds of Socratic questions that arouse further curiosity, stimulate inquiry, and activate the will to learn and understand. These Socratic questions become teachable moments and vice-versa. This creates a productive cycle of inquiry and understanding. Thing of Socratic questions as productive questions in the sense that they are likely to produce discourses, not pat answers–i.e. the way understanding is arrived at in scholarly communities.

Which is not to say that every learning opportunity, every teachable moment, occurs in the kind of structure a Socratic dialogue prescribes. I very highly recommend this post on the acquisition and cultivation of soft skills from David Berliner and published on Diane Ravitch’s Blog.

How can parents use the procedures in the previous paragraph to engage the young minds at home because of the COVID19 crisis? First, let’s stipulate that everyday life, especially where and when curious young people are present, offers a plethora of teachable moments. Any time a child observes something, there is an opportunity to ask questions about the thing observed–and any time a child asks a question, there is a teachable moment in play. A couple of fairly simple questions, which can then deepen as a discourse ensues, can keep kids thinking, learning, and therefore in the process of acquiring an education. Fortunately, my planning book contains a set of documents that I’ve accumulated over 17 years of planning instruction for struggling learners and teaching them. All of this material is relevant across a range of abilities.

And now that I’ve bloviated beyond the limits of most the reasonable person’s patience, let’s run through the contents of my planning book in an attempt to help you learn what they are and how to use them. With this material I hope to aid you, gentle parent, in keeping your children learning during this crisis. All of this material has been, I think I should mention, previously posted elsewhere (including the top pinned post during the COVID19 pandemic) on Mark’s Text Terminal.

First, here is a list of ten laws of and three keys to simplicity that is actually on the cover of my planning book. I took this from John Maeda’s book The Laws of Simplicity (Cambridge: MIT Press, 2006). I use these simple rules to remind me that no matter how grand an act of synthetic thinking, learning, and writing I aspire for my students to do, I must keep their needs in mind–and sometimes, for their needs, simpler is better. These 17 Teaching Tips are of a piece, I think, with Mr. Maeda’s imperatives to simplicity of design, so I keep them together to remind me that no matter the complexity of a topic, no matter how much sophisticated the thinking a topic or issue in the curriculum requires, teaching and learning are at bottom fairly simple and straightforward endeavors.

All teaching begins with a question. The type of question one asks tends to be domain specific in some respects, and universal in others. For the latter, here is a taxonomy of questions from Education for Judgment: The Artistry of Discussion Leadership (Roland C. Christensen, David A. Garvin, and Ann Sweet, eds., Cambridge: Harvard Business School Press, 1991). Just as the document’s title indicates, it taxonomizes questions and gives examples of how to apply the taxonomy to structure questions. I use this document all the time. To complement this taxonomy, here is a list of question stems for structuring the kinds of questions that stimulate thinking–and therefore learning.

As above, I think the best planning framework out there, and the best explained by its authors, is Understanding by Design. So, here are 16 pages of planning materials to help identify big ideas and essential questions from the pages of Understanding by Design. In the time I worked in classrooms, I compiled this list of essential questions I contrived for my social studies and English language arts classes. Essential questions are Socratic questions, and vice versa.

Now that you have some questions to ask, you might want to know how to structure the kinds of activities that will yield results. I have a couple of things that I grabbed from articles in The Cambridge Companion to the Learning Sciences (R. Keith Sawyer, ed. New York: Cambridge University Press, 2006) that might be helpful here. First is this table of activity structures from Janet L. Kolodner’s article “Cased Based Reasoning” which is apparently one of her areas of expertise. From Allan Collins in the same Cambridge volume, this outline of the principles of cognitive apprenticeship explains how that method of pedagogy operates. Cognitive apprenticeship is just what it sounds like–students are schooled by participating in the kinds of scholarly work professionals in a field do. Put another way, cognitive apprenticeship gives both teachers and students a shortcut to the big concepts that inform and connect knowledge within and across domains.

To pull this all together for the children in front of you on any given day, I find this table of cognitive styles from Daniel Willingham’s book Why Don’t Kids Like School (San Francisco: Jossey-Bass, 2009) helps me gain insight and understanding on how kids are thinking, and therefore how I can make learning more accessible to them. Also from Dr. Willingham, from his book The Reading Mind (San Francisco: Jossey-Bass, 2017), is this table of conclusions with practical implications for reading instruction.

Finally, if you have emergent or struggling readers on your hands, you might find this short glossary of linguistic terms from Denise Eide’s excellent Uncovering the Logic of English: A Common-Sense Approach to Reading, Spelling, and Literacy (Minneapolis: Pedia Learning, Inc., 2011) useful when thinking about how to explain the parts of words to kids.

That’s it. Remember: there are a plethora of situations every day that can be turned into teachable moments by dropping a simple but essential (or Socratic, or productive–you choose your modifier) question into it and thereby beginning a discourse.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Reading Course in Romanticism in Art, Literature, and Music

If we’ve learned anything during the COVID19 pandemic, it is that far too many people are far too quick to forego reason, the weight of facts, and the methods of scientific inquiry for emotionalism, subjectivity, and simple ignorance when considering public policy and personal conduct in our current circumstances. I’ve always distrusted emotion, primarily because in my life I have seen it used to contrive, justify and buttress errant nonsense and the ghastly conduct that often accompanies errant nonsense–e.g. showing up heavily armed at a state capital building out of anger that you cannot get your hair done or drink in a tavern. It seems to me that when the leader of a nation-state suggests that a new, aggressive, and demonstrably fatal virus will disappear by “miracle,” romantic thinking is on the march.

In these circumstances, it is useful to remember the romantic movement in Europe rejected reason and objectivity in favor of ardor and subjectivity. I almost wrote my undergraduate honors thesis on the extent to which romanticism was implicated in twentieth-century totalitarian political movements. I don’t think one needs to watch much of a speech by either Benito Mussolini or Adolf Hitler, or review the propagandistic graphic art from Josef Stalin’s Soviet Union, to see that these dictators weren’t appealing to the capacity for reason in their audiences.

So, now seems like as good a time as any to publish a trio of readings and comprehension worksheets on romanticism. I just rendered the readings as typescripts and wrote the worksheets a couple of days ago, so this stuff is brand new. Between the three readings, there are repetitions of key ideas: as always on Mark’s Text Terminal, all of these documents are in Microsoft Word, so you can do with them as you wish.

First, here is a reading on romanticism in the plastic arts along with its vocabulary-building and comprehension worksheet.

Second, here is a reading on the romantic movement in literature with the vocabulary-building and comprehension worksheet that accompanies it.

Finally, here is a reading on romantic music (not make-out records by crooners, but those nineteenth-century composers like Schumann, Liszt, and Wagner) along with its attendant vocabulary-building and comprehension worksheet.

And that’s it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Urdu

“Urdu: An Indo-Aryan language of the Indian subcontinent, associated with the Moghul Empire, in which Persian was the court language. It is used especially Muslims and written in a variant of the Perso-Arabic script. Closely related to Hindi, Urdu has a similar pronunciation and grammar but a more heavily Persianized and Arabicized vocabulary. It is the national language of Pakistan and is its co-official language with English. In India, it is the state language of the state of Jammu and Kashmir, and associate state language of the state of Uttar Pradesh. It is spoken as a first language by c.30m and as a second language by c.100m people in India and Pakistan, and some thousands of people of Indo-Pakistani origin in Fiji, Guyana, South Africa, the UK, and the US.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Chapter 2 of The Reading Mind, “Sound It Out”: Summary, Implications and Discussion Questions

“Summary

  • To decode text, a reader must (1) distinguish one letter from another, (2) hear individual speech sounds, and (3) know the mapping between letters (and letter groups) and speech sounds.
  • Letters are not designed for the sake of being easily distinguishable, and readers do often confuse the ones that look similar. Still, there aren’t that many to learn, so most children learn them without difficulty.
  • Humans are not born with the ability to hear individual speech sounds. In fact, individual speech sounds are influence by context: they vary in speakers with different regional accents for example, and the same person says the same speech sound differently depending on the other speech sounds in the word, So when we think of the sound associated with a letter, we’re really thinking of an ideal, an abstraction.
  • Being able to hear individual speech sounds in associated with reading success, and when children have trouble learning to read, this process is the most common stumbling block.
  • In contrast to some other languages, English uses a complicated mapping of speech sounds to letters (and letter groups). Still, the mapping is more orderly than you might guess, because the context in which a letter appears may provide information about its sound.
  • The mapping could be simpler. Still, most children learn it.

 Implications

  • If the hearing of individual speech sounds is usually the trouble spot for children learning to read, that might mean it’s the biggest contributor to diagnosed cases of dyslexia. That seems to be true, but dyslexia is complicated and the extent to which other factors contribute remains actively debated.
  • If the basic components of decoding are hearing sounds, appreciating the differences between letters, and learning the mapping between them, then anything that promotes these abilities ought to help once reading instruction starts. I’ve mentioned phonological awareness is improved by wordplay like rhyme and alliteration. Adults reading aloud with children can also draw their attention to letters by pointing out the very fact that it’s the marks on the page that carry meaning, that some letters look the same, then we start at the left of a line and move to the right when we read, and so on. All these measures (and others are similar in spirit) teach children about letters and print, and give them an edge when reading instruction begins.
  • We might think that, when teaching children letters, we should label them with the sound they make, rather than the commonly used name. For example, when pointing out a “t” we shouldn’t that’s a tee, but instead say this letter says t, approximating as closely as possible the sound t in isolation, rather than saying tuh. This practice sounds logical because we’re implicitly teaching the letter-sound correspondence. Logical, but there’s no evidence that this practice helps, probably because almost all letter names at least contain the right sound.
  • The data shown in figure 2.0 indicate that, even though the letter-sound mapping in English is difficult, children do learn it, and by fourth grade their reading comprehension is comparable to their peers in countries where the letter-sound mapping is easier to learn. We should bear this finding in mind when thinking about reading progress within the US too. I can’t see an advantage to a school starting reading instruction especially early in because of the difficulty of the English mapping, and indeed, research indicates that any advantage to the code is transient. Kids who started later eventually become fluent decoders, and read as well as their early starting peers.

 Discussion Questions

  • If more children came to school with good phonological awareness, more would experience quick success in reading. Some children get incidental practice in phonological awareness (via read-alouds, for example), but many don’t. If you were the head of programming for children’s television for a major network.
  • The text provides an account of how we are able to read letters that look different. It assumes that letters share basic features, irrespective of typeface, size, and so on. That is, a capital “B” always has a vertical line and two semicircles on the right. But how, then, are you able to read print that is upside down?
  • Suppose a child grew up in household with parents who were born in another country and who speak English with heavy accents. Do you think that child would have more difficulty learning the mapping between letters and sounds because the examples used in reading instruction—the word “cat” for example—are pronounced with different speech sounds at home and at school?
  • I noted that learning to distinguish letters usually does not present a big problem for children learning to read. Nevertheless, perhaps it would be worthwhile to change fonts for beginning readers to make confusable letters less confusable, for example, by printing “d” with a dot inside the circle and “b” as it usually appears. As children move on to more advanced reading material, they will of course lose this cue, but by that time they likely won’t need it. Do you think such a measure would prove useful?”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

A Learning Support on Note Cards for Research and a Structured Note-Card Blank

Over the years I’ve been assigned to “co-teach” many classes; in New York City, I was a regular fixture in social studies classrooms in which I was charged with supporting struggling learners. In the last school I worked in in the Five Boroughs, I worked with three different teachers with three different approaches to the curriculum. Because the assistant principal in charge of the humanities regularly changed the form and content of the curriculum, my duties required me, as a colleague once put it so cogently, to constantly “reinvent the wheel.”

One of the most contentious, and therefore most subject to change, was the synthetic research paper. One of the teachers I worked with assigned students the task of writing, and turning in for assessment, a set of 3 x 5 cards with sources and notes that would eventually end up in students’ papers. For that reason, I contrived this learning support with examples of note cards for research along with this structured note-card blank to aid struggling learners with this task.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Kubla Khan

“”Kubla Khan: A famously unfinished, opium-induced poem by Samuel Taylor Coleridge (1772-1834), who had claimed to have written down as much as he could of what he had just been dreaming before being interrupted by the arrival of ‘a person on business from Porlock.’ Composed while Coleridge was living in Somerset in 1797-8, the poem was first published in Christabel and Other Poems (1816). It bears little relation to the historical Kublai Khan (1215-94), the grandson of Genghis Khan. Kublai led the Mongol conquest of China and made himself the first emperor of the Yuan dynasty in 1279. He was made famous in Europe by Marco Polo, who spent 20 years at Kublai’s court.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.