Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

A Learning Support on the Stylistic and Typographical Conventions for Using Numbers in Prose

Here is a learning support on the conventions for writing numbers in prose. This document has a big open field, and is in Microsoft Word, so it is at your–and more importantly, your students’–disposal; you can modify or adapt it to your needs.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Heywood Broun to Ruth Hale

“On his first meeting with Ruth Hale, whom he later married, Broun took the young lady for a stroll in Central Park, where she became intrigued with a squirrel which had come begging for food. After listening to Miss Hale’s repeated regrets that she had no peanuts to give the squirrel, Broun remarked, ‘I can’t help you except to give him a nickel so he can go and buy his own.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Common Errors in English Usage: Unkept (adj), Unkempt (adj)

Here is an English usage worksheet on the adjectives unkept and unkempt. These are a couple of solid modifiers in sufficiently frequent use in the vernacular to teach them to students. This is an English usage worksheet, so one of its purposes besides introducing vocabulary students may not know is to familiarize students with the concept of proper usage. They’re sufficiently near in sound to each other that I’ve tagged this post as containing homophones.

You’ll find ten modified cloze exercises on this page. As always, this is a Microsoft Word document, so you can adapt it to your students’ needs.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Guaranteed Death—Avoid 14

“Fourteen is a number to avoid in any context in China and most of the Far East, for its tones sound like ‘guaranteed death.’ Do do not bother looking for a 14th floor in an apartment block, number 14 in a row of houses, or the use or ‘14’ in a number plate or telephone number. Other Chinese numbers to avoid, to a lesser extent, include 4 (which sounds like ‘death’), 5 (which sounds like ‘not’), and 6 (which sounds like ‘decline’). And, as if to bear this out, in our world lives and teaches the fourteenth Dalai Lama, a spiritual hero fated to witness the slow death of his Tibetan homeland.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Edgar Allan Poe

Here is a reading on Edgar Allan Poe along with its accompanying vocabulary-building and comprehension worksheet. I believe he is taught at the secondary level. This is a good introduction to Poe’s biography and his bibliography.

Have you read Poe, beyond hearing James Earl Jones read “The Raven” on The Simpsons‘ first “Treehouse of Horror” episode? I confess my own reading of Poe doesn’t extend very far beyond that. He is a very influential figure in the history of American letters. His first editions are some of the most sought after in the antiquarian book trade; his very first book, Tamerlane, which doesn’t even bear his name (the author is given as “A Bostonian) is a high spot in book collecting–it is known as the “black tulip” of American literature. The last copy that came up at auction sold for $662,000. His influence abroad may be even more pronounced, especially in France.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Epictetus on Education

“Only the educated are free.”

Epictetus, Discourses (101 A.D.)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Word Root Exercise: Anthrop/o

Here is a worksheet on the Greek word root anthrop/o. It means man and human; I always teach it as meaning simply human, just as I avoid locutions like “mankind” in the interest of avoiding sexism in language.

You can probably already perceive that this is very productive root in English. It gives us, of course, anthropology, anthropocentric, philanthropy, and misanthrope among a number of other commonly used words in the high school curriculum. And it you are interested in teaching students about global warming and environmental degradation in this, the Anthropocene Era, this is worksheet leads the way in building the necessary vocabulary for such an endeavor.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Glasgow School

“Glasgow School: A group of painters who gathered in Glasgow, ca 1850-1918, who rejected academic conventionality and painted in a spirited style of naturalism. The best known of them include David Young Cameron and E.A. Walton.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Annotation (n)

Here is a context clues worksheet on the noun annotation; I don’t know why I didn’t post it at the same time as this one on the verb annotate, which is used both intransitively and transitively.

I wrote these because I worked in a school in which students were assigned work compiling annotated bibliographies without ever learning what it means, as an act or academic practice, to annotate. I hope these help.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Diacritic, Diacritical Mark

“Diacritic, Diacritical Mark (noun): A distinguishing mark given to a character or letter to indicated stress or pronunciation, such as a superscribed accent; phonetic sign. Adjective: diacritic, diacritical.

‘The ‘etymons,’ as he called them were the root terms for Pass and Fail, but inflected with prefixes, infixes, suffixes, and diacritical marks to such an extent, and so variously from fragment to fragment, that conflicting interpretations, in his opinion, could be said to figure the intellectual biography of studentdom, as has been amply demonstrated in a wealth of what he called Geistesgeschichten…. John Barth, Giles Goat-Boy.'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.